S227.

Black History in Poetry and the Visual Archive

Room 2104B, Kansas City Convention Center, Street Level
Saturday, February 10, 2024
3:20 pm to 4:35 pm

 

How do we think of ourselves in history, and when we do, what do we see? Three innovative poets consider how personal and public histories—Black histories in particular—are intertwined and how the combination of poetry and images can invigorate our exploration of their complexities. Examining the use of both archival materials and personal photographs alongside numerous poetic forms, this reading and conversation will encourage brave new ways of grappling with who we are and how we got here.



Outline & Supplemental Documents

Event Outline: AWP_24_Event_Outline__Black_History_in_Poetry_and_the_Visual_Archive.pdf

Participants

Moderator:

Ashley E. Wynter lives in Minneapolis where she participated in a regional Cave Canem workshop. She won first place in the fifty-third New Millennium Award for Poetry and her poems have appeared or are forthcoming in West Trade Review and Water~Stone Review. Wynter is editor at Copper Canyon Press.

Tyree Daye was raised in Youngsville, North Carolina. He is the author of the poetry collections a little bump in the earth, Cardinal, and River Hymns.

Niki Herd is the author of the chapbook don't you weep, and two poetry collections: The Language of Shedding Skin and The Stuff of Hollywood, which is forthcoming. Herd coedited Laura Hershey: On the Life & Work of an American Master. She lives in St. Louis and teaches at Washington University.

Alison C. Rollins is a National Endowment for the Arts, Cave Canem, and Callaloo Fellow as well as a 2016 recipient of the Poetry Foundation's Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. Her debut poetry collection, Library of Small Catastrophes (2019), is with Copper Canyon Press.

#AWP24

February 7–10, 2024
Kansas City, Missouri

Kansas City Convention Center