S112. Orchestration for Writers 101

Room 3B, Washington State Convention Center, Level 3
Saturday, March 1, 2014
9:00 am to 10:15 am

 

Writers use terms like lyricism, tone, and cadence to describe how a book feels or sings. Are these musical terms mere analogies, or can the inherent musical traits in language be quantified and employed by writers and teachers? Through examination of narrative voices as instruments used to interweave intricate lines of thought, this panel asserts that educators can teach students to score a narrative symphonically.


Participants

Moderator:

Jeff Minton is a musician and writer who teaches English at Elizabethtown College and guitar lessons from his basement bandroom. His fiction was a recent finalist for Glimmer Train’s Short Story Award.

Joseph J. Schwartzburt, a recent recipient of the Wilkes-Etruscan Prize (judged by William Heyen) and Wilkes University MFA creative writing graduate, is currently editing his first novel. He has read original works for Seersucker Live: A Literary Performance in Savannah, Georgia.

Nancy McKinley, writer of fiction and narrative nonfiction, teaches in the low-res MFA at Wilkes University. Her novel, Travels with a Nuclear Whore, won the creative component of the Thayer Fellowship in the Arts, and she received the John Gardner Newhouse Award.

Zach Powers is a writer and musician with stories featured in publications across the country. His writing for television won an Emmy, and he was nominated for best original music composition. He is the founder of the literary arts nonprofit Seersucker Live (SeersuckerLive.com).

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February 7–10, 2024
Kansas City, Missouri

Kansas City Convention Center