|
Poetry Grabbed Me by the Collar: An Interview with Eli Clare
|
Kathi Wolfe
|
|
On Inaugural Poet—Amanda Gorman
|
E. Ethelbert Miller
|
|
Ruth Bader Ginsberg: An Appreciation
|
Kathi Wolfe
|
|
What We Don’t Talk About When We Talk About Identity
|
Eileen Cronin
|
|
Imagining Your Way through Pandemic: A Love Letter for Students of Creative Writing in Times of Crisis
|
Emily Carr
|
|
Writing in a Time of Disaster
|
Debra Spark
|
|
What The Plague Can Teach Us About Ourselves
|
Michael C. White
|
|
Extending the World: An Interview with Esmé Weijun Wang
|
Leslie McGrath
|
|
"Embracing my tribe of writers": A Conversation with Sue William Silverman
|
Supriya Bhatnagar
|
|
A Conversation on Craft with Ursula K. Le Guin
|
David Naimon
|
|
Middle Passage at 25: Charles Johnson Reflects on His National Book Award–Winning Novel and More
|
Robin Lindley
|
|
Towards a New Creative Writing Pedagogy
|
Fred D'Aguiar
|
|
Ferguson, Whiteness as Default, & the Teaching of Creative Writing
|
David Mura
|
|
In Our Way: Racism in Creative Writing
|
Claudia Rankine
|
|
An Interview with William Least Heat-Moon
|
William Naparsteck
|
|
The Quarrel with Ourselves: Robert Penn Warren’s “World of Action and Liability”
|
Natasha Trethewey
|
|
The Master Craftsman: Function Follows Form in Henry James’s The Portrait of a Lady
|
Douglas Bauer
|
|
Ars Poetica and the Talking Cure: Poetry, Therapy, & the Quest to Create
|
Lisa C. Krueger
|
|
Endlessly Branching: An Interview with Arthur Sze
|
Andy Fogle
|
|
Shine in that Vivid Isolation: A Case Study of the Ghazal in the Contemporary American Lyric
|
Tyler Mills
|
|
Balancing Craft & Commitment: Writing Political Fiction
|
Rosellen Brown, Tracy Daugherty, & Ellen Meeropol
|
|
The Postmodern Memoir
|
Hugh Ryan
|
|
The Absence of Their Presence: Mythic Character in Fiction
|
Steven Schwartz
|
|
A Conversation with Nikki Giovanni
|
Chapman Hood Frazier
|
|
Novel Anxiety: Notes from the Genre War Trenches
|
Martha Cooley
|
|
Between Starshine & Clay:An Interview with Lucille Clifton
|
Remica L. Bingham
|
|
Turning the Screws of Story Construction with Henry James
|
Aimee Liu
|
|
Odds on Ends
|
Molly Giles
|
|
Poetry & Ethics: Writing About Others
|
Natasha Sajé
|
|
An Interview with Sheryl St. Germain
|
Allison Schuette
|
|
Like Water Remembering Light: An Interview with Marilyn Nelson
|
Leslie McGrath
|
|
How We Are Changed by the Rhythms of Poetry
|
Karin de Weille
|
|
Sin's Entertainment: On Dante's Inferno
|
Martha Cooley
|
|
Silence & Storytelling
|
Alice Mattison
|
|
Elegy for Desire: Luis Omar Salinas 1937-2008
|
Christopher Buckley
|
|
Machines Made Out of Words: Translating Function & the Translator's Function
|
Tony Barnstone
|
|
The Interval in Writing: What Happens Between Pussycats & Thugs Does Not Stay Between Pussycats & Thugs
|
Brian Baldi
|
|
The Meandering River: An Overview of the Subgenres of Creative Nonfiction
|
Sue William Silverman
|
|
On Difficulty in Poetry
|
Reginald Shepherd
|
|
My Touchstones
|
Alan Cheuse
|
|
Aural Invention as Floral Splendor: Louis Zukofsky's Vision of Natural Beauty in 80 Flowers
|
Leon Lewis
|
|
Beautiful Clarity: Jane Kenyon, Anna Akhmatova, and the Luminous Particular
|
David Harbilas
|
|
Ouija, Canoe, Haiku: A Collaborative Inquiry into Collaborative Poetry
|
Isaac Cates & Chad Davidson
|
|
An Interview with Rita Dove
|
Elizabeth Alexander
|
|
Return to Sender: Memory, Betrayal, and Memoir
|
Mark Doty
|
|
An Interview with Chang-rae Lee
|
Sarah Anne Johnson
|
|
An Interview with Edward P. Jones
|
Sherry Ellis
|
|
Peering at Privacy in Creative Nonfiction
|
Kaylene Johnson
|
|
"Imp of Verbal Darkness": Poetry Hoaxes & the Postmodern Politic
|
Rebecca Warner
|
|
An Interview with Ai
|
Tomas Q. Morin
|
|
Writing and Moaning
|
Alan Cheuse
|
|
An Interview with Ursula K. Le Guin
|
Ramola D
|
|
The Treasure Trove of Metaphor: More on Poetry Anthologies
|
Rachel Hadas
|
|
An Interview with Nick Hornby
|
Tom DeMarchi
|
|
A Conversation with Dorothy Allison
|
Renée Olander
|
|
Remembering Eudora Welty
|
Richard Bausch
|
|
Poetry and Survival
|
Gregory Orr
|
|
An Interview with Jayne Anne Phillips
|
Sarah Anne Johnson
|
|
An Interview with Li-Young Lee
|
Marie Jordan
|
|
The Muse in the News
|
Andrew Ciofalo
|
|
"Tis Backed Like a Weasel": The Slipperiness of Metaphor
|
Tony Hoagland
|
|
Bend Sinister: A Handbook for Writers
|
Alice McDermott
|
|
From Long Shots to X-Rays: Distance & Point of View in Fiction Writing
|
David Jauss
|
|
The Self as a Literary Construct
|
Jocelyn Bartkevicius
|
|
An Interview with Mark Doty
|
Dale Boyer
|
|
Rules & Reality in Fiction
|
Ron Tanner
|
|
Italicized Writings
|
Diana Garcia
|
|
Reviewing Literary Citizenship
|
Valerie Miner
|
|
On the Founding of WC&F: Community for Writers
|
Kelleen Zubick
|
|
Hypertext: Of Mouse & Man
|
Sven Birkerts
|
|
An Interview with Mary Oliver
|
Renee Olander
|
|
An Interview with Rosellen Brown
|
Alexander Neubauer
|
|
Emily Dickinson, Madonna, Boomers, Busters, the Old Criterion, & the Next Millennium—
|
Martin Schecter
|
|
The Great Ventriloquist Act: Gender and Voice in the Fiction Workshop
|
Julie Brown
|
|
Standing & Listening: Marianne Moore's Strategies
|
Nancy Sherman
|
|
Poetry as Democracy: A Letter to AWP
|
Garrett Hongo
|
|
Teaching & Transference: A Response to Ann Turkle
|
Eric Torgersen
|
|
The Old Testament and Feminist Imagination
|
Alicia Ostriker
|
|
Rocks in Our Beds: A Dark Valentine to New England
|
John Clellon Holmes
|
|
The Writer as Midwife
|
Daniel Halpern
|
|
Whole Sight: Notes on New Black Fiction
|
Charles Johnson
|
|
Tendril: A Brief History
|
Mari Lonano
|
|
Solitude or Community: Writing As It is Taught
|
Donald Justice
|
|
Committee Reports to the Members: II. Guidelines for Teachers of Writing
|
AWP Committee
|
