In the Spotlight
Featuring AWP members who represent AWP’s mission to foster literary achievement, to advance the art of writing as essential to a good education, and to serve the makers, teachers, students, and readers of contemporary writing.
Athens, Georgia Member Since: 1998
“Do something that takes you out of your comfort zone. Do something that you can write about later. Otherwise your fiction will not grow, you will not get a publisher, and you will give up creative writing because you will have nothing interesting to say.”
About: LeAnne Howe, an enrolled citizen of the Choctaw Nation, teaches at the University of Georgia. Traveling the world has been her greatest joy; while in Japan in 1993, she made nearly everyone she met cry. Savage Conversations, Coffee House Press, 2019, is Howe’s most recent book.
Previously in the Spotlight
Melissa Fraterrigo, Carol D. Guerrero-Murphy & Yiyun Li
October Members in the Spotlight, AWP Pandemic Series
About: AWP is proud of the support and amazing contributions that our members are making to the literary community as writers, educators, organizers, and publishers in spite of our current climate. Over the next few months, AWP will be shining a spotlight on these members to recognize and honor their valuable contributions. Our October members in the Spotlight are Melissa Fraterrigo, Carol D. Guerrero-Murphy and Yiyun Li.
New York Member Since: 1998
“Hearing that I have moved a reader is the most powerful compliment. That’s what I want to accomplish after all with my storytelling, take the reader into emotional terrain and have her/him feel it, connect to it viscerally.”
About: Martha McPhee is the author of the novels An Elegant Woman, Dear Money, L’America, Gorgeous Lies, and Bright Angel Time. Her work has been honored with fellowships from the National Endowment of the Arts, the John Simon Guggenheim Memorial Foundation, and a National Book Award nomination. She teaches Creative Writing at Hofstra University and lives in New York City with her children and husband, poet and writer Mark Svenvold.
Hélène Cardona & Laura J. Braverman
“Whether writing or acting, I find myself in an exalted state of concentration and consciousness, like a meditation or trance. It’s as if time stops or expands, and I’m able to touch other worlds and keep a sense of connection with what is bigger than me.” —Hélène Cardona
“There is intensity and ‘headiness’ that can come about when writing, the experience of which is very satisfying but also sometimes draining. Painting helps to bring me back to my body, and to the nonverbal.” —Laura J. Braverman
About: Hélène Cardona is a poet, editor, and literary translator. Her recent books include Life in Suspension and Dreaming My Animal Selves and the translations Beyond Elsewhere (Gabriel Arnou-Laujeac), ce que nous portons (Dorianne Laux), Birnam Wood (José Manuel Cardona), and Walt Whitman’s Civil War Writings for WhitmanWeb. The recipient of over 20 honors & awards, she holds an MA in American Literature from the Sorbonne and taught at Hamilton College and LMU. She is Cultural Editor of Levure Littéraire and Contributing Editor to Cervena Barva Press. Hélène has also served as a mentor for children in the schools in Los Angeles and for AWP's Writer to Writer mentorship program and co-wrote the screenplay Primate with John FitzGerald, based on his novel. Hélène has been a member of AWP since 2005. Find Hélène in the Directory of Members.
About: Laura J. Braverman’s debut poetry collection, Salt Water, came out in 2019. Her poetry has also appeared in Levure Litteraire, Live Encounters, and Sky Island Journal, among other journals, and in the anthology Awake in the World, Volume II by Riverfeet Press. She received her BFA from Rhode Island School of Design and studied poetry and essay at Stanford University, Bennington College, and the New School. She lives in Lebanon with her family and has been a member of AWP since 2013. Find Laura in the Directory of Members.
Joanne Veal Gabbin & Lauren K. Alleyne
“I advise my students to live their lives with passion, to find a job that they would do without pay and then make a career of that, and finally to be committed.” —Joanne Veal Gabbin
“...I would say my mother who, despite her trepidation about what the future would hold for me, encouraged me along the path I’d chosen.” —Lauren K. Alleyne
Sherwin Bitsui & Allison Adelle Hedge Coke
“Navajo poets have attempted to define or locate the meaning or phrase(s) for Poetry in Navajo language, but we are constantly debating whether one person’s name for it, which then also houses meaning, is also shared by someone else. In that sense poetry is continually mysterious—a depth within language, it beautifies and generates thought and connection to a moment in time and connects us again to some truth of an experience. It’s energy, carried into the world through utterance and song.” —Sherwin Bitsui
“Poets, if equipped, if so moved, have the same essential responsibility as any critical time implicates; to address, articulate, call, summon, insist, portray. The entire planet is endangered, in crisis. The consuming empires are literally killing us. To not speak would seem to some criminal” —Allison Adelle Hedge Coke
Alabaster, Alabama Member Since: 2006
“Now more than ever, it is crucial to support, celebrate, and promote works written, edited, and compiled by underrepresented and marginalized identities. Literature is, in my opinion, the clearest, most intimate representation of the human experience. I feel that it is the responsibility of the publishing industry in general—and small presses in particular—to uplift the voices of the full spectrum of human experience.”
San Antonio, TX Member Since: 2016
“Polish your craft. Spend time reading. Talking about what you read and about what you write. Publication will come and you’ll be happy you were not in a rush.”
Austin, TX Member Since: 2016
“Read as much as you can, and when you do read, don’t just read for the content. Pay attention to the language, the paragraphs, the punctuation: the execution. Don’t write sentences just for their content; instead, look at a sentence as a piece of art that belongs to a larger work of art.”