Two panelists speaking speaking at a #AWP24 Featured Event with Kansas City graphics in the background.

2014 AWP Conference Schedule

Below is a list of AWP events for the #AWP14 Conference & Bookfair in Seattle, Washington. The schedule is searchable by day, time, title, description, participants, type of event, and various category tags self-selected by the event’s organizer. A version accessible to screen readers is also available.

Visit the offsite event schedule for a listing of literary events that took place throughout the Seattle area during our conference. Official AWP events took place in the Seattle Convention Center & Sheraton Seattle Hotel. Events offsite from these venues are not produced, moderated, or curated by AWP.

Scroll over participants’ names in blue to read their biographies.

 

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Thursday, February 27, 2014

6:00 p.m. to 7:15 p.m.

Room 400, Washington State Convention Center, Level 4



Sober AWP

Daily 12-Step Meeting
All in recovery from anything are welcome.
soberawp@gmail.com

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8:00 a.m. to 5:30 p.m.

Registration Area, Washington State Convention Center

R100.

Conference Registration

Attendees who have registered in advance may pick up their registration materials in AWP’s preregistered check-in area, located in the registration area on level 4 of the Washington State Convention Center. If you have not yet registered for the conference, please visit the unpaid registration area, also in the registration area on level 4. Please consult the bookfair map in the conference planner for location details. Students must present a valid student ID to check-in or register at our student rate. Seniors must present a valid ID to register at our senior rate. A $50 fee will be charged for all replacement badges.

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8:30 a.m. to 6:00 p.m.

North & South Exhibit Halls, Washington State Convention Center

R101.

AWP Bookfair, Sponsored by Hollins University: Jackson Center for Creative Writing

With more than 650 literary exhibitors the AWP bookfair is the largest of its kind. A great way to meet authors, critics, and peers, the bookfair also provides excellent opportunities to find information about many literary magazines, presses, and organizations. Please consult the bookfair map in the conference planner for location details.

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8:30 a.m. to 5:30 p.m.

Washington State Convention Center, Level 4

R102.

Bookfair Concessions, Coffee, Bars, & Lounge

Breakfast and lunch concessions are available from 8:30am to 4:30pm in the North and South halls of the bookfair, Level 4 of the Washington State Convention Center. There will be a bar and a coffee cart in each the North Hall and the South Lobby complete with lounge seating. Both bars serving wine, beer, and mixed drinks will be open 12:00pm to 5:30pm. Both coffee carts are open 8:30am to 5:30pm each day. Cash, debit, and credit cards are accepted at all food and beverage locations. Please consult the bookfair map in the conference planner for detailed locations.

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Washington State Convention Center, Level 4

R103.

Dickinson Quiet Space

A dedicated quiet space for you to collect your thoughts, unwind, and escape the literary chaos. Please consult the bookfair map in the conference planner for detailed location. "There is a solitude of space, / A solitude of sea, / A solitude of death, but these / Society shall be, / Compared with that profounder site, / That polar privacy, / A Soul admitted to Itself: / Finite Infinity." - Emily Dickinson

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R104.

Lactation Room

Please visit the AWP Help Desk in the registration area of the bookfair on level 4 of the Washington State Convention Center for access to the lactation room. For reasons of privacy and security, access to the lactation room is granted with permission by AWP only.

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9:00 a.m. to 10:15 a.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R105.

Home and Not Home: Poetries of/in a Changing Japan

( , , , Mariko Nagai) How do poets of/in Japan see through dangerous nostalgias and clichés and bear witness to new stories? How can poets help clear a space for learning what it means to be at home and not at home in a story that, in an accelerating, globalizing world, indeed is forever changing? Four Japan-based writers discuss the contributions of 20th-century Japanese women poets, post-war modern Japanese poets, expatriate poets in Japan, and contemporary Japanese poets writing in English.

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Gregory Dunne is the author of two books of poetry Home Test and Fistful of Lotus. His nonfiction book Quiet Accomplishment: Remembering Cid Corman is forthcoming later this year. He is a professor at Miyazaki International College, Japan.

Alan Botsford is a professor at Kanto Gakuin University, Japan, and serves as editor of Poetry Kanto. He is author of the poetry collections mamaist: learning a new language and A Book of Shadows, and also of the hybrid essay-dialogue-poetry collection Walt Whitman of Cosmic Folklore.

Bern Mulvey's publications include the poetry book The Fat Sheep Everyone Wants and two chapbooks The Window Tribe and Character Readings. The former poetry editor of the Missouri Review, he is currently a professor at Iwate National University, teaching modern Japanese literature and writing.

Cedar Room, Sheraton Seattle, 2nd Floor

R106.

Stacking the Stacks: Getting Indie Lit Books and Journals into Libraries

(, , , ) Independent literary publishers want their books and magazines in libraries, and librarians want that, too. However, libraries increasingly build their collections based on patron demand and other economic factors. Librarians, learn how to best identify indie lit for your collections. Indie lit publishers, learn how to get noticed by librarians.

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Jeffrey Lependorf serves as the shared Executive Director of America's two national service organizations for independent literary publishing: the Council of Literary Magazines and Presses (CLMP) and Small Press Distribution.


Twitter Username: flowchartfdn

Website: http://www.jeffreylependorf.com

Karen Gisonny is Helen Bernstein Librarian for Periodicals at the New York Public Library. She is curator of the Library's collection of small press books, contemporary poetry, and serials. She collaborates with CLMP and Academy of American Poets to host programs highlighting these collections.

Meredith Walters is the Director of Programs and Exhibitions for Brooklyn Public Library, where she oversees all cultural events, including film, music, and literary programs. Prior to joining BPL, she was Assistant Director of Public and Interpretive Programs at the Walker Art Center in Minneapolis.

Brent Cunningham is the Operations Director for Small Press Distribution, where he has worked since 1999. Along with SPD’s other directors, he helped nearly double sales at the organization over the past decade. Last year he served as the point person for SPD’s NEA-funded library project.

Redwood Room, Sheraton Seattle, 2nd Floor

R107.

Melville House 12th Anniversary Reading

(, , , , ) Melville House was founded in 2001 by co-publishers Dennis Johnson and Valerie Merians and is based in Brooklyn. Over the past decade, Melville House has published leftist political reportage, avant-garde fiction, titles in translation, poetry, and cookbooks, while launching the Art of the Novella series, the Neversink Library, and the Melville House International Crime series. The publishers will join authors to present brief readings.

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Valerie Merians is the co-founder and co-publisher of Melville House.

Dennis Johnson is the co-founder and co-publisher of Melville House and the founder of the book blog MobyLives.

Christopher Boucher is the author of the novel How to Keep Your Volkswagen Alive and the managing editor of Post Road magazine. He teaches writing and literature at Boston College.


Twitter Username: heychrisboucher

Jeremy P. Bushnell is the author of the novel The Weirdness and is the fiction editor for Longform.com. He teaches writing at Northeastern University in Boston.


Twitter Username: jbushnell

Website: www.jeremypbushnell.com

Rachel Cantor is the author of the novel A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World and the forthcoming novel Door Number Two. She has published stories in the Paris Review, One Story, Kenyon Review, and New England Review.


Twitter Username: rachelcantor

Website: www.rachelcantor.com

Willow Room, Sheraton Seattle, 2nd Floor

R108.

Lives Not Our Own: The Ethics and Practice of Assuming the Voices of Others

(, , , , ) A novel written from the perspective of the singer John Mayer. Memoirs told by intertwining the lives of Wyatt Earp, James Baldwin, and a pedophile murderer with those of the authors. Poems crafted from the lives of internment camp detainees and the Japanese bride of a murdered Dutchman. Each of the writers on this panel brings the story of real-life strangers into their writing. Join us as we discuss the whys, hows, research, and responsibilities of the decision to take on the lives of others.

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Alexandria Marzano-Lesnevich's essays appear in The New York Times, Oxford American, Fourth Genre, TriQuarterly Online, and the anthology True Crime. She has received a Rona Jaffe Award and fellowships to the MacDowell Colony and Yaddo. She lives in Boston and teaches at Grub Street and Harvard.


Twitter Username: alexmlwrites

Website: http://www.alexandria-marzano-lesnevich.com/

Nicholas Boggs is Clinical Assistant Professor in the Department of English at NYU. His writing has appeared in PANK, Chelsea Station, Mary Literary, James Baldwin Now, Callaloo, and is forthcoming in the Cambridge Companion to James Baldwin and Best Gay Stories 2013.

Rebecca Morgan Frank is the author of Little Murders Everywhere, a finalist for the Kate Tufts Discovery Award. A recipient of the Alice Fay di Castagnola Award, she is an assistant professor at the University of Southern Mississippi and co-founder and editor of Memorious.org.


Twitter Username: poetmorgan

Website: www.rebeccamorganfrank.com

Courtney Maum is the humor columnist behind the "Celebrity Book Review" series on Electric Literature and a satirical advice columnist for Tin House. Her debut novel, I Am Having So Much Fun Here Without You is forthcoming in the summer of 2014. courtneymaum.tumblr.com @cmaum


Twitter Username: cmaum

Website: https://www.courtneymaum.com/

Justin St. Germain is the author of the memoir Son of a Gun. He received his MFA from the University of Arizona and was a Wallace Stegner Fellow at Stanford. He is the Joseph M. Russo Professor at the University of New Mexico.

Room 2A, Washington State Convention Center, Level 2

R109.

Disrupting Class: Changing Pedagogical Landscapes in the Writing Classroom

(, , , , ) This panel focuses on the ways teachers can challenge and disrupt pedagogical landscapes. By employing a variety of mediums including social media, video games, and boundary-crossing genres like prose poetry and graphic novels, we create a hybrid approach to teaching writing that distills and translates the classroom experience into out-of-classroom reality. Featuring five teachers of writing (creative, performance, composition, and community), this panel presents resources for disrupting class.

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Kate Guthrie Caruso teaches writing and literature for community colleges in Denver, CO. She is also the designer/facilitator of a writing MOOC using game-based learning. In classes she explores landscapes such as digital storytelling, twitter, and hybrid fiction.


Twitter Username: guthriek

Andrea Spofford is assistant professor of poetry at Austin Peay State University. She teaches poetry workshop, literature, and both basic and standard composition with service-learning components, using hybrid genres throughout.


Twitter Username: andspoff

Website: http://andreaspofford.com

Cole Cohen is the Program Coordinator for UC Santa Barbara's Interdisciplinary Humanities Center. A 2011 finalist for the Bakeless Prize and  the AWP prize in Nonfiction, she was a Yaddo Fellow.


Twitter Username: Cole_Cohen

Johnny Jones is assistant professor of African American Studies at Austin Peay State University where he teaches theatre and composition. He designs curriculum with an emphasis on performance within contemporary African American culture.

Kristin Cerda teaches in various contexts, including for-profit universities, ESL classrooms, and writing workshops. A poet studying feminism and hybridity, she teaches rhetoric through popular music and food writing, focusing on personal narrative.

Room 3A, Washington State Convention Center, Level 3

R111.

It's Funny Because It's True

(, , , , Claire Dederer) Mark Twain said humor is the great thing, the saving thing. In memoir as in life, it makes our tragedies bearable, shareable, and unifying. The well-timed joke saves the first person singular from its inevitable inward turn, exorcises the overly-earnest, and compels readers to let down their defenses just enough to feel the full force of a punch. This panel takes on yoga, sex, faith, and the perils of youth with an eye to the art of crafting humorous scenes.

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Brangien Davis is the arts editor at Seattle magazine. Previously, she has been a freelance arts writer, humor writing teacher, book editor, and founder of the literary magazine Swivel: The Nexus of Women and Wit. Her poetry and essays have appeared in the journals Rivet, Swink, Filter, and Arcade.

Nicole Hardy is the author of a memoir, Confessions of a Latter-day Virgin, and two poetry collections: This Blonde and Mud Flap Girl's XX Guide to Facial Profiling. One of her essays was "notable" in 2012's Best American series. She earned her MFA at the Bennington College Writing Seminars.


Twitter Username: nicolejhardy

Suzanne Morrison is a writer and solo performer. Her first memoir, Yoga Bitch, has been translated into six languages, and her fiction and essays have been published in Salt Hill, Printers Row at The Chicago Tribune, the Huffington Post, and the anthology Going Om.

Lauren Weedman is an award-winning comedic actress, playwright, and author. Her book A Woman Trapped in a Woman's Body-Tales From A Life of Cringe was named by Kirkus Review as a top ten Indie Book in 2007. She is currently at work on a forthcoming second collection of comedic personal essay.

Room 3B, Washington State Convention Center, Level 3

R112.

Project-Driven Publicity for Publishers and Writers

(, , , ) In the face of declining budgets and attention spans, a well-timed project can be a low-cost solution to boost attention for publications and writers. Found Poetry Review editors will discuss two successful National Poetry Month projects, including a 2012 Kickstarter-funded campaign and a 2013 initiative that united 85 poets to produce 2,500+ poems in a single month. Project participants will detail the initiatives’ impact on their morale, practice, and exposure to new and supportive readers.

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Jenni B. Baker is the founder and editor-in-chief of the Found Poetry Review, as well as a practicing found poet. Her poetry has appeared in more than twenty publications. She is perpetually working on a manuscript of found poetry from David Foster Wallace's Infinite Jest, called Fest.


Twitter Username: acontainerco

Website: http://www.jennibbaker.com

Beth Ayer is a Providence, Rhode Island-based poetry and short fiction writer and web editor. She is the senior poetry editor for Found Poetry Review.

E. Kristin Anderson is an author, poet, and editor. She is best known for her work on the Dear Teen Me anthology, and she has been published recently in PANK, Post Road, Asimov's, and the Futuredaze anthology.


Twitter Username: ek_anderson

Website: http://www.ekristinanderson.com

Jerome Joseph Gentes taught literature, composition, and writing at Niagara University and Medaille College and with Just Buffalo Literary Center. He will participate in the 2013 International Research Society for Children’s Literature Conference. He was a 2012 Pushcart Prize nominee for poetry.


Twitter Username: JJGentes

Website: jeromejosephgentes.com

Room 400, Washington State Convention Center, Level 4

R113.

Go Somewhere, Write Something: Teaching Intentional Experience

(, , , , ) What will students produce if we ask them to sit silently in a crowd, travel on a train, reflect on a painting, or follow the bend of a river? Our panel focuses on activities that guide a student outside the classroom walls with the intention of living an experience worth writing. Panelists will discuss intentional experience as a means to stimulate creativity, encourage risks, and instill concepts such as place, character, theme, and sensory detail.

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Luke Rolfes teaches writing and literature at Northwest Missouri State University. His fiction and nonfiction appear in literary journals around the country, and he is a past winner of the Robert C. Wright and Iron Horse Discovered Voices Award.

Nancy A. Parkes is a member of the faculty at The Evergreen State College, where she teaches Writing, Journalism, Sustainability Studies, and Public Policy. She was an award-winning journalist and writes fiction, nonfiction, and poetry.

Kristine Somerville’s visual and “found text” features appear regularly in the Missouri Review. Her short stories, nonfiction, and prose poems have been published in a variety of magazines, including the North American Review, Passages North, Quarterly West, and New Voices from the Academy of American Poets.

Richard Sonnenmoser is the co-editor of the Laurel Review. He's had fiction and poetry published in Harvard Review, West Branch, Permafrost, Crab Orchard Review, and MAYDAY magazine. His poetry chapbook, Science- Magic School, won the 2010 Midnight Sun Poetry Chapbook contest.

Jenny Yang Cropp is the author of the chapbook, Hanging the Moon. She received her MFA in creative writing from Minnesota State University - Mankato and is finishing a PhD in English at the University of South Dakota where she serves as an associate editor for South Dakota Review.


Twitter Username: JennyYangCropp

Room 602/603, Washington State Convention Center, Level 6

R114.

Daydreaming at the Mini-Mart: The Suburbs and Literary Imagination

(, , , , ) From self-storage yards to auto-parts stores, from high school parking lots to strip malls, much of the American landscape exists in places usually considered banal, but where life is often at its most vivid. Families and money move easily through these marginal landscapes, and so should the literary imagination. Novelists, nonfiction writers, and poets discuss how their imaginations engage with the sprawling edges.

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Dana Johnson is an associate professor of English at the University of Southern California. She is the author of Break Any Woman Down, winner of the Flannery O'Connor Award for Short Fiction, and Elsewhere, California.


Twitter Username: DJohnsonWriter

David McGlynn is the author of the story collection, The End of the Straight and Narrow, and the memoir, A Door in the Ocean. His stories and essays have appeared in Men’s Health, The Huffington Post, Best American Sports Writing, and in numerous literary journals.

Michael Downs has published two books including The Greatest Show: Stories, and House of Good Hope, which won the River Teeth Literary Nonfiction Prize. He has received fellowships from the NEA and the Maryland State Arts Council. He teaches creative writing at Towson University.

Tom Zoellner is an associate professor of English at Chapman University and the author of four nonfiction books, including the recently published Train: Riding the Routes that Created the Modern World.


Twitter Username: tomzoellner

Website: tomzoellner.com

Erika Meitner is the author of four books of poems, including Makeshift Instructions for Vigilant Girls; Ideal Cities, which was a 2009 National Poetry Series winner; and the forthcoming collection Copia. She is an associate professor of English at Virginia Tech, where she teaches in the MFA program.


Twitter Username: rikam99

Website: erikameitner.com

Room 604, Washington State Convention Center, Level 6

R115.

Four Ways Blogging Benefits a Writer

(, , , , ) Creation, career, promotion, and conversation. Your blog is more than a tool for creating the dreaded “platform.” It can be the hub of your online activity and a source of inspiration. Five digitally-savvy authors share stories of how their blogs inspire them to write, build relationships, and help them get published. We’ll cover Internet best practices and ways blogging gets you noticed by search engines and the people who use them. Learn how being yourself online is your very best asset.

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Isla McKetta is a novelist, book reviewer, and an internet marketer. Her latest project, a book of writing prompts co-authored with Rebecca Bridge, is forthcoming. She is on the board of Richard Hugo House.


Twitter Username: islaisreading

Website: http://islamcketta.com

Rebecca Bridge is a poet, essayist, and screenwriter. She is co-author of the forthcoming book Clean Out the Static in Your Attic, a collection of writing prompts and exercises. She has received many awards and fellowships.

Elissa Washuta, a member of the Cowlitz Indian Tribe, is the author of a forthcoming memoir, My Body Is a Book of Rules. Her work has appeared in Filter and Third Coast. She serves as adviser and lecturer for the Department of American Indian Studies at the University of Washington.


Twitter Username: elissawashuta

Website: http://washuta.net

Ann Hedreen is a writer, teacher, filmmaker, and creator of the radio podcast and blog, The Restless Nest. She recently completed a memoir, Her Beautiful Brain. She and her husband Rustin Thompson have made more than 100 films and won many Emmys and other awards.


Twitter Username: restlessnest

Website: www.annhedreen.com

Jack Remick is a poet, novelist, and blogger. He edits and maintains bobandjackswritingblog.com with Robert J. Ray. He has taught writing at the University of Washington Distance Learning Program.


Twitter Username: jackremick

Website: http://jackremick.com

Room 606, Washington State Convention Center, Level 6

R116.

Eco-Spectacular Vision: Post-pastoral Poetics in the 21st Century

(, , , , ) Somewhere between when Frank O'Hara wrote "it is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass" to Jane Griffiths writing in Orion that "a series of artifices has caused climate collapse," a paradigm of poetics has shifted in ways that shake the roots of the pastoral away from myths of Arcadia to what William Empson has written is “the process of putting the complex into the simple." Five vital poets and editors explore.

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Ravi Shankar is Executive Director of Drunken Boat and the author/editor/publisher of eight books or chapbooks of poetry, including W.W. Norton & Co's Language for a New Century: Contemporary Poetry from Asia, the MIddle East & Beyond. He teaches at CCSU and City University of Hong Kong.


Twitter Username: empurpler

Website: http://www.poetravishankar.com

G.C. Waldrep’s most recent books are Your Father on the Train of Ghosts, a lyric collaboration with John Gallaher; The Arcadia Project: North American Postmodern Pastoral, co-edited with Joshua Corey; and a chapbook, Susquehanna. He teaches at Bucknell University and edits West Branch.

Arielle Greenberg is co-author of Home/Birth: A Poemic; author of My Kafka Century and Given; and co-editor of three anthologies, including Gurlesque. She teaches in the University of Tampa MFA and out of her home and writes a column on poetics for the American Poetry Review.

Melissa Tuckey's book Tenuous Chapel was chosen by Charles Simic for the 2012 ABZ First Book Poetry Prize. Her work has been recognized with support from DC Commission on Arts and Humanities, Ohio Arts Council, and by the Provincetown Fine Arts Work Center.


Twitter Username: melissaTuckey

Website: www.melissatuckey.net

Marcella Durand’s most recent books are Deep Eco Pre, a collaboration with Tina Darragh; AREA; and Traffic & Weather, a site-specific poem written during a residency at the Lower Manhattan Cultural Council in downtown Manhattan.

Room 607, Washington State Convention Center, Level 6

R117.

The Raven Chronicles at 23

(, , , , ) In 1991, Raven started as a multicultural magazine of art, literature, and the spoken word. Why and how has it persisted? Each reader briefly describes why Raven made a difference in their very diverse careers, covering things like: flexibility of form, openness to new writing, sense of place, and roots of storytelling. Raven is also one of the earliest magazines to have an online presence. Each participant reads from his or her work.

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Kathleen Alcala is the author of five books set in the Southwest and Mexico, including Spirits of the Ordinary and The Desert Remembers My Name. She has received the Western States Book Award, PNBA Award for Fiction, and the Governor's Writers Award. She teaches Creative Writing in Washington.

Anna Bálint is the author of three books. Her story collection Horse Thief was a finalist for the PNBA Book Award. Currently, she is working on a novel rooted in the Roma experience of the Holocaust. She is an editor for Raven Chronicles magazine.

Matt Briggs is the author of eight works of fiction including The Double E and Virility Rituals of North American Teenage Boys. His novel, Shoot the Buffalo, was a finalist for the Washington State Book Award and was awarded an American Book Award by the Before Columbus Foundation in 2006.

Donna Miscolta is the author of the novel When the de la Cruz Family Danced. Her short story manuscript has been a runner-up for the Flannery O’Connor Short Fiction Award and a finalist for the Grace Paley Prize. Her work was selected for inclusion in New California Writing 2013.


Twitter Username: donnamiscolta

Website: donnamiscolta.com

Carletta Carrington Wilson's poems, most recently, appeared in the Raven Chronicles, Cimarron Review, and Pilgrimage. Her exhibit, book of the bound, featuring collages and poems exploring text, textiles, and narratives of cloth was exhibited at the Northwest African American Museum.

Room 608, Washington State Convention Center, Level 6

R118.

AWP Program Directors Plenary Assembly

() All AWP program directors should attend and represent their programs. The Executive Director of AWP will report on AWP’s new projects and on important statistics and academic trends that pertain to creative writing programs and to writers who teach. A discussion with the AWP board’s Regional Representatives will follow. The plenary assembly will be followed by regional breakout sessions.

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David Fenza joined the staff as publications manager in 1988, when he began to engineer the remaking of the AWP Newsletter into the Writer's Chronicle. The first bookfair he organized for AWP featured 33 publishers at the 1989 AWP Conference in Philadelphia, which attracted 300 attendees. After becoming Executive Director of AWP in 1995, he initiated many of the improvements in AWP's governance, conference, and public outreach.

Room 609, Washington State Convention Center, Level 6

R119.

The Third Degree: Why Writers Pursue Additional Education Beyond the Bachelor’s and Master’s

(, , , , ) In this time of shrinking job markets, a third degree, with its promise of financial support over two to six years, can seem pretty enticing. Such third degrees include: same MFA in same genre, MFA in different genre, MA plus MFA, and on to a PhD. But is a third degree worth the time and space it will take up in your brain? This panel will feature writers who have more than one graduate degree and what it did and didn’t do for them.

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Fred Leebron has published essays, stories, and novels, co-edited anthologies, and co-written a textbook. He directs two MFA programs and a summer program, is an English professor at Gettysburg College, and a managing partner of Unboxed Books.

Andrew Levy is Edna Cooper Chair in English at Butler University, where he has served as MFA Director and is currently the English Department Head. He is the author of The First Emancipator, A Brain Wider Than The Sky, and co-editor of The Norton Anthology of Postmodern American Fiction. His essays have appeared in Best American Essays.

Nadine Sabra Meyer's The Anatomy Theater won the National Poetry Series. Her poems have won the New Letters Prize for Poetry, the 2011 Meridian Editor's Prize, and a Pushcart Prize. New poems have appeared in the Missouri Review, Southwest Review, Literary Imagination, and Ploughshares.

Margaret MacInnis’s essays have appeared in Colorado Review, Gettysburg Review, and Mid-American Review. Her essays were named notable by Best American Essays 2007, 2009, and 2011. She was the 2007 William Raney Scholar in Nonfiction at Bread Loaf.

Brighde Mullins's twelve plays have been performed in New York, London, San Francisco, and Los Angeles. Awards include a Guggenheim, Whiting, and NEA fellowships, and a United States Artists Award. She is the Director of MPW, a multi-genre creative writing program at the University of Southern California.

Room 611, Washington State Convention Center, Level 6

R120.

Translating the Foreign: What Does It Mean?

(, , , , Poupeh Missaghi) Translators from Turkish, Chinese, Polish, Persian, and Hebrew attempt to define the foreign element in their source texts as well as how they offer it linguistic hospitality (Paul Ricouer's words) in their translations into English. What is this thing we call foreign?

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Lisa Katz, who taught most recently at Ben Gurion University, is the author of Reconstruction (poems), and translator from the Hebrew of Approaching You in English, Look There, and the forthcoming volumes Late Beauty and Suddenly the Sight of War: Hebrew Poetry and Nationalism in the 1940s.


Twitter Username: LKwordperson

Website: https://www.poetryinternational.org/pi/country/12/Israel/en/tile

Aron Aji translates Turkish literature, including works by Bilge Karasu, Murathan Mungan, and Elif Shafak. Member of the American Literary Translators Association, he is dean of arts & sciences at St. Ambrose University, and visiting professor in the MFA in translation at the University of Iowa.

Mira Rosenthal is the author of the The Local World, which won the Wick Poetry Prize. She has received fellowships from the NEA, PEN, the MacDowell Colony, and Stanford University, where she was a Stegner Fellow. She is the translator of Colonies and The Forgotten Keys, both by Tomasz Rozycki.


Twitter Username: mira_rosenthal

Website: www.mirarosenthal.com

Andrea Lingenfelter is a poet, scholar, and translator of Chinese poetry and fiction (Farewell My Concubine, Candy, and The Changing Room: Selected Poetry of Zhai Yongming). She was awarded a 2014 NEA Translation Fellowship to support her translation of fiction by Hong Kong author Hon Lai Chu.


Twitter Username: OndiLing

Room 612, Washington State Convention Center, Level 6

R121.

More Terrible Sonnets: Four Poets on Faith and Doubt

(, , , ) From Gerard Manley Hopkins’s Terrible Sonnets to Christian Wiman’s My Bright Abyss, our greatest poets of faith have been our greatest poets of doubt. This session will present four established poets – diverse in background and poetics but all professing Christian faith – reading poems that originate in the shadowland between faith and doubt, exploring, through reading and discussion, the poetic energy derived from religious anxiety and the role of uncertainty in poetic motivation.

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Benjamin Myers is a winner of the Oklahoma Book Award and the author of two books of poetry, including the recently published Lapse Americana. His poems may be read in Poetry Northwest, 32 Poems, and other journals. He teaches at Oklahoma Baptist University.


Twitter Username: BenMyersPoet

Website: www.benjaminmyerspoetry.com/

Tania Runyan is the author of Second Sky, A Thousand Vessels, Simple Weight, and Delicious Air, which was awarded Book of the Year by the Conference on Christianity and Literature. Her poems have also appeared in several literary journals and anthologies and she received an NEA Literature Fellowship in 2011.


Twitter Username: Taniarunyan

Website: Taniarunyan.com

Brett Foster is the author of two poetry collections, The Garbage Eater and Fall Run Road. His writing has appeared in Boston Review, Image, Kenyon Review, Pleiades, Shenandoah, and Southwest Review. He teaches creative writing and Renaissance literature at Wheaton College.

Claire Bateman teaches part-time at the Fine Arts Center in South Carolina and is poetry editor of the St. Katherine Review. She is the author of seven poetry collections.

Room 613/614, Washington State Convention Center, Level 6

R122.

The Influence of Theory Upon a Creative Practice

(, , , ) Critical theory is considered by most writers to be at best an unnecessary and at worst harmful element in their creative work. This panel of writers explores the ways in which an understanding of theory may help inform us of the motives behind our own work, why we write, and even enrich our experience of creating that work. Writers may be wary of theory because of the various schools and the need to feel like you have to belong to one of them, but, in a sense, we belong to all of them.

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Michael Shou-Yung Shum is currently a PhD candidate at The University of Tennessee. His stories have appeared in The Doctor TJ Eckleburg Review, Barrelhouse, Weave, and Defunct.

Jaclyn Watterson's work has appeared in elimae, Fringe, PANK, and Western Humanities Review. She studies and teaches writing at the University of Utah and she works as a fiction editor for Quarterly West.

Tasha Matsumoto is a doctoral student at the University of Utah, where she teaches creative writing. Her work has appeared or is forthcoming in Black Warrior Review, Ninth Letter, DIAGRAM, and the Collagist.

Room LL4, Western New England MFA Annex, Lower Level

R123.

Teaching Brief, Sudden, Flash, and Very Short Prose

(, , , , ) With The Rose Metal Press Field Guide to Writing Flash Nonfiction now a familiar text among college-level instructors and an international anthology of very short fiction due out from Norton, questions about best approaches to attempting brief prose abound. If this can be a good way to teach writing, as anthologist Robert Shapard suggests, how do students negotiate the new horizons of genre and form? Five instructors offer lessons from workshops, grading, new media, doctoral research, and more.

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Raul Benjamin Moreno is a doctoral student at the University of South Dakota, where he teaches advanced writing courses and edits nonfiction for South Dakota Review. His essays and journalism have been published by The Normal School, The Millions, and NPR.


Twitter Username: rbmoreno

Website: http://www.rbmoreno.info/

Meagan Cass is an assistant professor of English at the University of Illinois Springfield, where she directs the creative writing program. Her fiction has recently appeared in Hayden’s Ferry Review, the Pinch, and Puerto Del Sol. She is an assistant editor for Sundress Publications.


Twitter Username: leopardlamp

Website: https://meagancass.wordpress.com/

Damian Dressick teaches writing at Robert Morris University. His work has appeared in nearly fifty literary journals, including failbetter.com, New Delta Review, Alimentum, McSweeney's (online), Caketrain, Smokelong Quarterly, and Contrary magazine.

Sara Henning is a doctoral student at the University of South Dakota, where she serves as managing editor for South Dakota Review. The author of two collections of poetry, A Sweeter Water and To Speak of Dahlias, her work appears in such journals as Verse, Willow Springs, and Crab Orchard Review.


Twitter Username: SaraDHenning

Website: https://www.sarahenningpoet.com/

Steve Pacheco is an author in the anthology Shedding Skins: Four Sioux Poets. He also served as guest editor for the Yellow Medicine Review. Currently, he is an Assistant Professor at Southwest Minnesota State University, where he teaches writing and literature.

Room LL5, Western New England MFA Annex, Lower Level

R124.

Male Creations and Their Female Creators

(, , , , ) Five women authors will read their writing: work written from the point of view of men, or work in which male characters figure prominently. The women who will be reading are deeply interested in the psychological complexity of men and seek to understand what internal conflicts produce their behavior and decisions. The expression of this fascination, and the resolution of the questions it produces, are worked out in the creative writing of the authors.

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Naomi Long is the author of a chapbook, Radiant Field, and has published poems in Arts & Letters, Tinfish Journal, and Manoa. She works as a book editor in Los Angeles.


Twitter Username: artfuleditor

Website: www.artfuleditor.com

Sharon May researched the Khmer Rouge regime for Columbia University’s Center for the Study of Human Rights and co-edited In the Shadow of Angkor: Contemporary Writing from Cambodia. Her fiction has appeared in Best New American Voices, The Chicago Tribune, Manoa, and Tin House.

Shawna Yang Ryan is the author of Water Ghosts, and The Boston Globe has called her “a writer to watch.” A graduate of the Creative Writing Master’s program at UC Davis and a former Fulbright Scholar in Taiwan, she teaches at the University of Hawai‘i at Manoa.


Twitter Username: shawnayangryan

Website: www.shawnayangryan.com

Adele Ne Jame has published four books of poems, including Field Work and The South Wind. She has received a National Endowment for the Arts Fellowship in Poetry and a Pablo Neruda prize for poetry. Her broadsides have been exhibited at the Sharjah, United Arab Emirates International Biennial.

Pat Matsueda is the managing editor of Manoa: A Pacific Journal of International Writing, and a recipient of the Elliott Cades Award for Literature. Her poetry collection Stray was published in 2006. She is also a freelance editor, typesetter, and book designer.


Twitter Username: patmatsueda

Website: http://someperfectfuture.com

Room 101, Western New England MFA Annex, Level 1

R125.

Structuring the Novel

(, , Jennie Shortridge, Tara Conklin) An effective structure is critical to a novel's success, but finding that dynamic organizing principle can be a maddeningly elusive process. Sometimes structure will emerge naturally, making connections, and suggesting appropriate narrative strategies; more often, the writer has to dive in to moderate the struggle between form and content. Three veteran novelists join an MFA candidate embarked on her own first novel to discuss their specific solutions and offer strategies for approaching the task.

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Summer Wood is the author of two novels, Arroyo and Raising Wrecker, which received a 2012 WILLA Award, is a Book-of-the-Month Club selection, and a BookBrowse Editors’ Choice. She is the fourth recipient of the Literary Gift of Freedom from A Room of Her Own Foundation.

Melissa Remark served as associate editor of Bayou magazine at the University of New Orleans, where she is an MFA candidate.


Twitter Username: melissaremark

Room 202, Western New England MFA Annex, Level 2

R126.

What Was Is: The Use of Present Tense in Creative Nonfiction

(, , , , ) This panel of memoirists and essayists will consider what happens when we write about past events in the present tense. When does present tense provide needed immediacy, and when does it limit an author’s ability to write to the true story? We will explore the benefits, challenges, and drawbacks of using present tense as we craft our lives on the page, and we will discuss how tense affects other craft issues, such as voice, reflection, and structure.

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Kate Hopper is the author of Ready for Air: A Journey Through Premature Motherhood and Use Your Words: A Writing Guide for Mothers. She teaches writing online and at The Loft Literary Center in Minneapolis. She has been the recipient of a Fulbright Scholarship and a Sustainable Arts Grant.


Twitter Username: mnkatehopper

Website: http://www.katehopper.com

Hope Edelman is the author of six nonfiction books, including the bestsellers Motherless Daughters, Motherless Mothers, and The Possibility of Everything. Her articles and essays have been published widely. She teaches at Antioch University-LA and in the Iowa Summer Writing Festival every July.


Twitter Username: hope_edelman

Website: www.hopeedelman.com

Bonnie J. Rough is the author of the 2011 Minnesota Book Award-winning memoir Carrier: Untangling the Danger in My DNA. She teaches in the Ashland University low-residency MFA program in nonfiction, and she is a prose editor for Versal.

Marybeth Holleman is author of The Heart of the Sound, co-author of Among Wolves, and co-editor of Crosscurrents North. A Pushcart-prize nominee, her essays, poems, and articles have appeared in such venues as Orion, Christian Science Monitor, The Future of Nature, and on National Public Radio.


Twitter Username: mbhalaska

Website: http://www.marybethholleman.com/

Ryan Van Meter's essay collection, If You Knew Then What I Know Now, was published in 2011. His work has also appeared in journals and anthologies, including Best American Essays. A recent finalist for the Lambda Literary Award, he teaches at the University of San Francisco.

Room 301, Western New England MFA Annex, Level 3

R127.

You Are Here: A Pacific Northwest Poetry Sampler

(, , , , ) Addressing wilderness theory, cultural displacement, memory, doubt, and desire, these Pacific Northwest-engaged poets read from recent work that explores how our idea of the frontier complicates the place we write from, and toward. Representing a spectrum of sources (archival research, experience, and the imagination) and approaches (from formal to experimental), these poets use frontiers as lines by which to claim the Pacific Northwest’s place in contemporary poetry.

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Megan Snyder-Camp's first poetry collection is The Forest of Sure Things. She has been awarded grants and residencies from the 4Culture Foundation, Bread Loaf, and Djerassi, and her work has been featured on the PBS NewsHour.

C.S. Giscombe teaches English at the University of California, Berkeley. His recent and forthcoming books include Prairie Style, Back Burner, and Into and Out of Dislocation. He is at work on a mixed-genre prose book titled Railroad Sense and a poetry book titled Plantation Songs.

Sean Hill is the author of Blood Ties & Brown Liquor and the forthcoming Dangerous Goods. His poems have appeared in Callaloo, Poetry, Tin House, and numerous other journals and anthologies. He is currently a visiting professor in the creative writing program at University of Alaska-Fairbanks.


Twitter Username: adamalzeal

Website: http://www.seanhillpoetry.com

Gregory Sherl is the author of four poetry collections: Glow, Monogamy Songs, The Oregon Trail is the Oregon Trail, and Heavy Petting. His debut novel, The Future For Curious People (in participation with Julianna Baggott), is forthcoming.

Laura Jensen has published poetry books and chapbooks and a broadside compilation. Linked to her blog, Spice Drawer Mouse, is work at Salt River Review. A poem was at the State Poet Laureate’s blog in 2012.

Room 302, Western New England MFA Annex, Level 3

R128.

The Poet, the Scholar, and the Critic

(, , , , ) The relationship of poetry to criticism and scholarship is unique among literary genres. It is codependent, vexed, necessary, and contradictory, and it has become a central issue in today’s literary world. How does one form of expression enable, ignore, or impair the other? What intellectual, artistic, and professional issues arise in and out of the academy? Does writing about poetry have the same social function as poetry itself? In 2014, what is at stake to be a poet/critic or a poet/scholar?

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David Baker is a poet, critic, and editor whose recent books include Show Me Your Environment: Essays on Poetry, Poets, and Poems, and Never-Ending Birds, winner of the Theodore Roethke Memorial Poetry Prize. He is Poetry Editor of Kenyon Review and teaches at Denison University.


Twitter Username: davidbakerpoet

Website: davidbaker.website

Kimberly Blaeser, a professor at the University of Wisconsin-Milwaukee, is the author of three books of poetry: Apprenticed to Justice, Absentee Indians and Other Poems, and Trailing You. She also edited two collections of Ojibwe writing: Stories Migrating Home and Traces in Blood, Bone, and Stone.


Twitter Username: kmblaeser

Troy Jollimore is the author of Tom Thomson in Purgatory, and At Lake Scugog, as well as two books of analytic philosophy. His poems have appeared in the New Yorker, McSweeney's, and Poetry. A poetry fellow at the 2012 Bread Loaf Writers' Conference, he is also a 2013 Guggenheim fellow.


Twitter Username: TroyJollimore

Website: www.troyjollimore.com

Julie Carr is the author of five books of poetry, most recently 100 Notes on Violence and Sarah-Of Fragments and Lines. RAG is forthcoming. She is also the author of Surface Tension: Ruptural Time and the Poetics of Desire in Late Victorian Poetry.


Twitter Username: carrcarrjuli

Website: juliealicecarr.com

Dean Rader’s debut collection of poems, Works & Days, won the 2010 T. S. Eliot Poetry Prize, and his work appears in Best American Poetry 2012. He writes about and reviews poetry for The Rumpus, The San Francisco Chronicle, and the Huffington Post. He chairs the English Department at the University of San Francisco.


Twitter Username: deanrader

Website: http://deanrader.com

Room 305, Western New England MFA Annex, Level 3

R129.

We’re Having a Party: Building a Literary Community Through Event Series

(, , , ) Language is, in essence, a form of communication. Literary reading series provide a public space for writers to connect with the community and collaborate with each other and artists of other mediums. This panel focuses on creating a home for independent authors and artists who are traveling by promoting their work alongside local creative communities. Panelists will address issues of event space, curating, funding, press, hosting, and establishing a nonprofit organization.

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Cindy St. John is the author of I Wrote This Poem and several other chapbooks including Be the Heat and City Poems. She is editor of a poetry and art collaboration called Headlamp and co-curates a reading series called Fun Party.


Twitter Username: cindyjstjohn

Website: http://cindyjstjohn.com/

Dan Boehl is founding editor of Birds, LLC, an independent poetry publisher, which put out his book Kings of the F**king Sea. He is editor of the First Four Books of Sampson Starkweather, a freelance arts writer, and he organizes an Austin-based reading series, Fun Party, with Cindy St. John.


Twitter Username: dboehl

Website: www.danboehl.com

Chris Tonelli is one of the founding editors of the independent poetry press, Birds, LLC. He also founded and curates the So & So Series and edits So & So magazine. He is the author of five chapbooks, most recently Increment, and his first full-length collection is The Trees Around.


Twitter Username: christonelli

Website: https://www.birdsllc.com/authors/chris-tonelli

Matthew Henriksen organizes the Burning Chair Readings, founded in Brooklyn and currently happening in Fayetteville, Arkansas, and he co-curates Vino and Verse at the 21C Museum in Bentonville. In 2008 he put together the Frank Stanford Literary Festival and plans for another in 2015.


Twitter Username: mchenriksen

10:30 a.m. to 11:45 a.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R130.

The Reed Way: 101 Years of Inquiry & Poetry

(, , , ) A Pacific Northwest icon and bastion of critical and creative inquiry, Reed College has long produced an exciting array of writers. From Gary Snyder and Leslie Scalapino to more recent emerging voices, Reed’s writers represent a celebration of aesthetic and cultural differences bound by a love and respect for learning and creative exploration. This reading features poets reading from their newly released books as well as poems from famous, and not as famous, Reed poets.

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Brittney Corrigan is the author of the poetry collection Navigation and the chapbook 40 Weeks. She is the poetry editor for the online journal Hyperlexia: poetry and prose about the autism spectrum. She is both an alumna and employee of Reed College in Portland, Oregon.

Lisa M. Steinman is the author of three books about poetry, most recently Invitation to Poetry, and six volumes of poetry, most recently Absence and Presence. Her work has received recognition from the NEA and the NEH. She teaches at Reed College in Portland, Oregon.

Cathy Linh Che is the author of Split, the winner of the 2012 Kundiman Poetry Prize. She is the recipient of fellowships from the Fine Arts Work Center at Provincetown, Hedgebrook, Poets & Writers, and Poets House.

CJ Evans is the author of A Penance and The Category of Outcast, a chapbook selected by Terrance Hayes for the Poetry Society of America's Chapbook Fellowship. He is the recipient of the 2013 Amy Lowell Traveling Scholarship and the editor of Two Lines Press.


Twitter Username: snavejc

Website: www.cjevans.org

Cedar Room, Sheraton Seattle, 2nd Floor

R131.

Translation and U.S. Spanish-Language Poetry

(, , , ) Opening with a short reading, this panel will take up questions involving two groups of writers: Spanish-language poets residing in the U.S. and translators. Can translation help to build cultural communities that might not yet exist in reality? How might conditions differ from one place to another? How do poets perceive and seek out translators? What challenges do translators face? How and where can writer/translator teams create bilingual reading opportunities for all?

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Kristin Dykstra is professor of English at Illinois State University. A 2012 NEA Translation Fellow, she has translated books by Reina María Rodríguez, Omar Pérez, Juan Carlos Flores, and Ángel Escobar. She co-edits Mandorla: New Writing from the Americas /Nueva escritura de las Américas.

Tina Escaja is a writer, digital artist, and scholar based in Burlington, Vermont. She is the author of awarded poetry and fiction as well as experimental and multimedia works, including hypertext. Her digital artefacts have been exhibited in museums and galleries of Spain, Mexico, and the U.S.

Mariela Dreyfus is the author of six poetry books, most recently Cuaderno músico. She has translated into Spanish the poetry of Diane Wakoski, Allen Ginsberg, and Daniel T. Moran. She currently teaches poetry and literary translation in the MFA in Creative Writing in Spanish at New York University.

E.M. O’Connor has translated the poetry collection Fish by Mariela Dreyfus and the novel I Lived on Butterfly Hill by Marjorie Agosín. Her essays, poetry, and translations have appeared in various journals. She teaches Literature and Spanish at Lesley University and is writing her first novel.

Redwood Room, Sheraton Seattle, 2nd Floor

R132.

Another Voice in My Mouth: Persona in Poetry and Prose

(, , , , ) This interdisciplinary panel features five writers whose work puts significant distance between speaker and writer—whether by writing across gender, setting, historical time, or conventions of language—to reimagine, challenge, and expand the writer’s or narrator’s persona. Each panelist will provide a short rhetorical and practical framework that focuses on crafting these voices before presenting representative work from inside and outside the classroom.

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Holly M. Wendt teaches writing and literature at Casper College and he is the director of the Equality State Book Festival. Her fiction and nonfiction has appeared most recently in Hobart's baseball issue, The Classical, and the Rumpus.


Twitter Username: hmwendt

Website: https://www.hollymwendt.com/

Kathryn Henion’s fiction has appeared in the Briar Cliff Review, Confrontation, the MacGuffin, and RE:AL, and was a finalist in Writecorner Press’s short fiction contest. She earned a PhD in English from Binghamton University, where she served as editor of Harpur Palate.

Claire Hero is the author of four volumes of poetry, including Sing, Mongrel, afterpastures, and Dollyland. She teaches in the Creative Writing program at the State University of New York-New Paltz.

Deborah Poe’s books include the last will be stone, too, Hélène, Elements, and Our Parenthetical Ontology. She also co-edited Between Worlds: An Anthology of Contemporary Fiction and Criticism. Her writing regularly appears in journals. She is assistant professor of English at Pace University.

Virginia Shank teaches at Irvine Valley College and writes poetry. Her work has appeared online and in print journals, including Oregon Literary Review, Rhino, and others. She has worked with several journals, including Fugue and Harpur Palate, and is working to resurrect The Ear in Southern California.

Willow Room, Sheraton Seattle, 2nd Floor

R133.

How Many Readers is Enough?

(, , , , ) Using this provocative question as a starting point, panelists at various stages in their writing lives will examine the idea of the writer’s career. In a world that tends to value completed, marketable products—the success of which is measured in terms of sales figures, Amazon rankings, and the awarding of prestigious prizes, etc.—how do we view our own ongoing creative work? How do we maintain our affiliation to the less tangible incentives for writing, such as connecting with readers?

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Valerie Vogrin is the author of a novel, Shebang and was awarded a Pushcart Prize in 2010. She is an associate professor at Southern Illinois University Edwardsville where she is prose editor of Sou’wester.

Kelcey Parker is the author of For Sale By Owner, a story collection, and Liliane's Balcony, a novella set at Frank Lloyd Wright's Fallingwater. Her current project is a collage biography of the Czech fairy tale writer Bozena Nemcova. She teaches at Indiana University South Bend.


Twitter Username: KelceyErvick

Website: http://kelceyervick.com

Allison Adelle Hedge Coke is author of the poetry collections Dog Road Woman, recipient of the American Book Award, and Off-Season City Pipe. Her other books include Rock Ghost, Willow, Deer, a memoir; and Blood Run, a verse-play. She is the editor of Sing: Poetry from the Indigenous Americas, Effigies, and Effigies II.


Twitter Username: AAHedgeCoke

Website: www.allisonhedgecoke.com

Chad Simpson is the author of the story collection Tell Everyone I Said Hi. His work has appeared in McSweeney's Quarterly, Esquire, The Sun, American Short Fiction, and New Stories from the Midwest 2012. He teaches at Knox College.

Kellie Wells is the author of a collection of short fiction, Compression Scars, winner of the Flannery O'Connor Award, and two novels, Skin and Fat Girl, Terrestrial. She teaches in the MFA programs at the University of Alabama and Pacific University.


Twitter Username: KellieWells

Website: www.kelliewells.com

Room 2A, Washington State Convention Center, Level 2

R134.

Writing Outside: The Importance of an Interdisciplinary Approach to Writing

(, , , , ) Iowa State University’s unique program in creative writing and environment is also the only MFA program with its own nature reserve. All students do fieldwork and take twelve units of outside courses, ranging from restoration ecology to history of architecture. Here, ISU students will discuss how experiences outside of workshop become a necessary component to the writing life. Other disciplines are important to writers; this is how one program seeks to integrate outside disciplines with writing.

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Claire Kruesel studies Creative Writing and Environment, focus in poetry, at Iowa State University's MFA program. Her writing is informed by her work as a nationally certified yoga teacher and her scientific background, including degrees in Biochemistry and Genetics and graduate level labwork.

Stefanie Brook Trout edits nonfiction for Flyway: Journal of Writing and Environment and teaches at Iowa State University. She writes environmental nonfiction and fiction that draws on her science and history backgrounds as well as her experiences as a first-generation American in the Midwest.


Twitter Username: brooktrouting

Website: http://stefaniebrooktrout.com

Audrey McCombs is currently an MFA candidate in the Creative Writing and Environment Program at Iowa State University. A writer of fiction and nonfiction, she has worked for many years in natural resources management.

Meg Brown is a nonfiction writer and scholar in the field of anthrozoology, focusing on animal-related subcultures and animal protection reform. She is a Master of Fine Arts candidate in creative writing and environment at Iowa State University.

Michelle Donahue is an MFA candidate in creative writing and environment at Iowa State, where she is the managing editor of Flyway Journal of Writing and Environment. A writer of fiction and poetry, her work has appeared in Whiskey Island, Paper Darts, and Redactions.


Twitter Username: ML_Donahue

Website: http://michelle-donahue.com/

Room 2B, Washington State Convention Center, Level 2

R135.

Is Poetry Ready for Prime Time?

(, , , ) Recently poets have ventured into other media for the fun of collaborating and to reach out to a wider audience. Projects include combining animation with poetry, writing plays based on the lives of poets, and using poetry as lyrics for rock and jazz bands. Is poetry ready to dive out of its literary tower and swim in the world of mass audiences? Is it possible? What are the pleasures and pains of working with artists in other media? Do collaborations change the way we write or hear poetry?

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Zack Rogow is the author, editor, or translator of nineteen books or plays. His seventh book of poems is My Mother and the Ceiling Dancers. Currently he teaches in the low-residency MFA in writing program at the University of Alaska Anchorage.


Twitter Username: @ZackRogow

Website: www.zackrogow.com

Cornelius Eady is the author of eight poetry collections including Victims of the Latest Dance Craze, winner of the 1985 Lamont Prize, and Brutal Imagination. He holds the Miller Chair at the University of Missouri and is co-founder of Cave Canem.


Twitter Username: roughband

Website: http://blueflowerarts.com/artist/cornelius-eady/

Kim Addonizio's most recent books are Lucifer at the Starlite and Ordinary Genius: A Guide for the Poet Within. The Palace of Illusions, a collection of stories, is forthcoming from Counterpoint/Soft Skull. She teaches writing workshops in Oakland, California and online.


Twitter Username: kim_addonizio

Website: www.kimaddonizio.com

Toby Barlow is a graduate of the Great Books Program at St. John's College. He has worked in advertising in San Francisco, New York City, and now in Detroit. In 2005, he created The Billy Collins Action Poetry series. He is also the author of the award winning free verse novel Sharp Teeth. His latest novel is Babayaga.

Room 3A, Washington State Convention Center, Level 3

R136.

How Far, Imagination: Writing Characters of Another Race in Fiction

(, , , , ) Five writers discuss the politics behind the decisions they make about writing race and their thoughts on writing beyond one’s own ethnicity. Is writing characters of another race a matter of imagination, as some writers claim, or verboten? The diverse panel of published and award-winning novelists, essayists, and short story writers will explore topics of social responsibility, appropriation, artistic integrity, and even cultural or ethnic loyalties around the process and research of doing so.

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Christine Lee Zilka is the fiction editor at Kartika Review. Her work has appeared or is forthcoming in journals and anthologies such as ZYZZYVA, Guernica, Hyphen, and Men Undressed. Awarded a residency at Hedgebrook, she earned her MFA from Mills College.


Twitter Username: xtinehlee

Website: http://www.christinehlee.com/

Mat Johnson is the author of the novel Pym, the graphic novel Incognegro, and several other books. He is a recipient of the United States Artist James Baldwin Fellowship, The Hurston/Wright Legacy Award, and the Dos Passos Prize. He teaches at the University of Houston Creative Writing Program.

Patricia Engel is the author of It's Not Love, It's Just Paris and Vida, a finalist for the PEN/Hemingway and Young Lions Fiction Awards and a New York Times Notable Book of the Year. Her stories have appeared in A Public Space, the Atlantic, Boston Review, Guernica, and Harvard Review.


Twitter Username: patricia_engel

Website: www.patriciaengel.com

Randa Jarrar is the author of the critically acclaimed novel A Map of Home. Her work has appeared in Ploughshares, Five Chapters, Guernica, the Oxford American, The New York Times magazine, the Utne Reader, Salon.com, and the Progressive. She is assistant professor at Fresno State's MFA program.


Twitter Username: randajarrar

Website: randajarrar.com

Susan Kiyo Ito co-edited the anthology A Ghost At Heart's Edge: Stories and Poems of Adoption and her work has appeared in numerous journals and anthologies. She has been a columnist and editor for the online journal Literary Mama. She is a member of the San Francisco Writers' Grotto.


Twitter Username: thesusanito

Website: http://www.susanito.com

Room 3B, Washington State Convention Center, Level 3

R137.

Courting the Peculiar: the Ever-Changing Queerness of Creative Nonfiction

(, , , ) What do we mean when we claim that creative nonfiction is a queer genre? Four queer-identified panelists collectively position creative nonfiction as a genre welcoming of writers and writing that embraces the peculiar, courts the unconventional, and opens to forms yet to be imagined. At the turn of the 20th century, Gertrude Stein in Tender Buttons proposed: “Act so that there is no use in a center”; how can practitioners of creative nonfiction today use language to express truths still to come?

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Ames Hawkins is an associate professor in the Department of English at Columbia College Chicago. Her most recent work appears in Polari, Water~Stone Review, Off the Rocks, and Interdisciplinary Humanities. Her essay, “Optickal Allusion,” was selected by Robert Atwan as a notable essay of 2011.


Twitter Username: amesthehawk

Website: ameshawkins.com

Barrie Jean Borich is the author of Body Geographic. Her previous book, My Lesbian Husband, won the American Library Association Stonewall Book Award. She’s a member of the creative writing faculty of the English Department and MA in Writing and Publishing Program of DePaul University in Chicago.


Twitter Username: BOOKofBJB

Website: barriejeanborich.com

Mary Cappello is the author of four award-winning books, most recently, Swallow. With recent essays in the Georgia Review, Salmagundi, and Cabinet magazine, she is the recipient of The Bechtel Prize for Educating the Imagination, the Dorothea Lange-Paul Taylor Prize, and a Guggenheim Fellowship.

K. Bradford is a poet, performer, and cultural worker whose work has appeared in literary journals and experimental performance venues. After teaching poetry and literature at Columbia College Chicago for nearly a decade, she is pursuing a dual MFA in Writing and in Art + Technology at CalArts.

Room 400, Washington State Convention Center, Level 4

R138.

Double Lives: Writer/Translators

(, , , , ) Many creative writers are also accomplished translators, and they establish parallel careers; but the two pursuits, and the resulting publications, are rarely considered in tandem. Four writers discuss how translating affects their other creative work, how reimagining another writer’s fiction and poetry in English can influence one’s “own” writing in those genres, and how they move between and within their dual identities.

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Susan Harris is the editorial director of Words without Borders and the coeditor, with Ilya Kaminsky, of The Ecco Anthology of International Poetry.


Twitter Username: SusanHarrisWWB

Lawrence Schimel is an award-winning author and anthologist writing in both Spanish and English who has published over one hundred books in many different genres. He is also the publisher of A Midsummer Night's Press. He is a Spanish to English translator in Madrid.


Twitter Username: LawrenceSchimel

Sholeh Wolpé was born in Iran and has lived in Trinidad, the UK, and the United States. Her publications include three collections of poetry, most recently, Keeping Time with Blue Hyacinths, an award-winning book of translations, Sin, and three anthologies. She teaches at Stonecoast MFA program.


Twitter Username: Sholeh_Wolpe

Website: https://www.sholehwolpe.com//

Geoffrey Brock is a poet and a translator of Italian poetry and prose. He's the author of Weighing Light: Poems, the editor of The FSG Book of Twentieth-Century Italian Poetry, and the translator of Cesare Pavese's Disaffections: Complete Poems 1930-1950. He teaches at the University of Arkansas.


Twitter Username: gbrock

Website: geoffreybrock.com

Idra Novey is the author of Exit, Civilian, selected by Patricia Smith for the 2011 National Poetry Series, and The Next Country. Her work has appeared on NPR's "All Things Considered," in Poetry, and Slate. Her most recent translation is Clarice Lispector's The Passion According to G.H.


Twitter Username: idranovey

Website: www.idranovey.com

Patricia Olson Bookfair Stage, Washington State Convention Center, Level 4

R139.

Tumbleweeding Out of the Great Plains: A Reading by Writers from the Graduate Writing Programs at The University of South Dakota

(, , , ) Meet some of the complex mosaic of voices that comprise graduate creative writing at The University of South Dakota in this sampler reading by graduate creative writing students at USD, which will pull a number of our hardworking, volunteering South Dakota Review editors and staff members out from behind the bookfair table and onto the stage. Our graduate students come from across the nation and Canada, representing a diverse array of geographies as well as cultural and aesthetic backgrounds.

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Sara Henning is a doctoral student at the University of South Dakota, where she serves as managing editor for South Dakota Review. The author of two collections of poetry, A Sweeter Water and To Speak of Dahlias, her work appears in such journals as Verse, Willow Springs, and Crab Orchard Review.


Twitter Username: SaraDHenning

Website: https://www.sarahenningpoet.com/

Jenny Yang Cropp is the author of one chapbook, Hanging the Moon. She is finishing a PhD in English at the University of South Dakota where she serves as an associate editor for South Dakota Review.


Twitter Username: JennyYangCropp

Robert Muroff Bookfair Stage, Washington State Convention Center, Level 4

R140.

Antioch University Alumni Book Launch

(, ) Graduates of the Antioch University Los Angeles MFA program will read from their recently published novels.

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Jenn Crowell is the author of the critically-acclaimed novels Necessary Madness, Letting the Body Lead, and Etched On Me. She holds an MFA in Creative Writing from Antioch University Los Angeles and she is a former Berlin Film Festival Talent Campus delegate in screenwriting.

Elizabeth Earley's stories and essays have appeared in Time Out magazine, Outside magazine, Fugue, Glimmer Train, and other publications. Her debut novel, A Map of Everything, is forthcoming.


Twitter Username: ElizabethEarley

Website: www.elearley.com

Scott James Bookfair Stage, Washington State Convention Center, Level 4

R141.

Cutthroat, a Journal of the Arts Mentor Program Reading

(, , , ) Prize-winning writers and faculty members read their poetry, short fiction, and selections from memoir, as well as selections from student writings in this reading to celebrate Cutthroat magazine's innovative One-On-One Online Writing Mentorship Program. Cutthroat has administered this writing program for a year, garnering rave reviews from writing students whose work has blossomed under the supervision of these fine writer/teachers.

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Pamela Uschuk has authored seven poetry books, including Blood Flower (2014) and Wild In The Plaza of Memory & Crazy Love, winner of the 2010 American Book Award. Translated into twelve languages, her work has won awards from the National League of American PEN Women, New Millenium, Ascent, and Amnesty Intl. She edits Cutthroat.


Twitter Username: pamuschuk1

Website: www.cutthroatmag.com and www.pamelauschuk.com

Joy Harjo has authored the memoir Crazy Brave; four CDs of music; books for children and young adults; and seven collections of poetry, including In Mad Love and War, recipient of an American Book Award and the Delmore Schwartz Memorial Award. Her many honors include the Lifetime Achievement Award from the Native Writers Circle of the Americas, the Josephine Miles Poetry Award, the William Carlos Williams Award from the Poetry Society of America, and a Native American Music Award (NAMMY) for Best Female Artist of the Year.


Twitter Username: joyharjo

Darlin’ Neal is author of the story collections Elegant Punk and Rattlesnakes & The Moon. She is an assistant professor of creative writing in the University of Central Florida’s MFA program.

Room 602/603, Washington State Convention Center, Level 6

R142.

Once It’s Out of the Gate: Post-Publication Marketing and Platform-Building

(, , , , ) While pre-publication marketing to trade publications and book sellers remains an important part of the life of a book, there is still a lot one can do to create buzz and multiply readers after the book is already out there.

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Jeffrey Lependorf serves as the shared Executive Director of America's two national service organizations for independent literary publishing: the Council of Literary Magazines and Presses (CLMP) and Small Press Distribution.


Twitter Username: flowchartfdn

Website: http://www.jeffreylependorf.com

Steph Opitz is the literary director of the Texas Book Festival, the fiction co-chair for the Brooklyn Book Festival, and the book reviewer for Marie Claire.


Twitter Username: stephopitz

Katie Freeman is Associate Director of Publicity for Riverhead Books. She started in publishing at Pantheon Books, and has also worked at Farrar, Straus & Giroux. She serves as the publicity chair of the Brooklyn Book Festival and on the membership committee of PEN America.


Twitter Username: foxyhedgehog

Caroline Casey serves as Marketing and Sales Director at Coffee House Press and as a director at Unstuck.


Twitter Username: casey_cac

Jane Friedman is web editor for Virginia Quarterly Review. She teaches digital publishing at the University of Virginia. Her expertise has been featured throughout many events and media, including NPR, SXSW, and BEA. She has also served on grant panels for the NEA and keeps a blog for writers at JaneFriedman.com.


Twitter Username: JaneFriedman

Website: http://janefriedman.com

Room 604, Washington State Convention Center, Level 6

R143.

Midwest Region: AWP Program Directors’ Breakout Session

If you are a program director of an AWP member creative writing program in the following states you should attend this session: Iowa, Illinois, Indiana, Kansas, Michigan, Minnesota, Missouri, Nebraska, Ohio, Oklahoma, and Wisconsin. This regional breakout session will begin immediately upon the conclusion of the Program Directors Plenary Meeting, so we recommend that you attend the Plenary Meeting first. Your regional representative on the AWP Board of Directors will conduct this meeting.

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Room 606, Washington State Convention Center, Level 6

R144.

Shouting in a Crowded Room: Challenges in Expanding Small Press Readership

(, , , ) A publisher, publicist, and a small press librarian discuss the challenges of expanding the audience of independent literature. Often driven by love over profit, small press, and independent publishers are producing some of the most urgently interesting work on the market, but reaching new audiences is often challenging. In this panel, representatives from Red Lemonade, The Lit Pub, and Mellow Pages will discuss solutions to this problem while working with limited time and marketing budgets.

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Frances Dinger is one of the organizers for APRIL (Authors, Publishers, and Readers and Independent Literature), an annual literary festival in Seattle celebrating independent publishers and their authors. She also works as an environmental communicator.

Richard Nash is VP of Community and Content of Small Demons. From 2001 to 2009 he ran Soft Skull Press for which work he was awarded the AAP’s Award for Creativity in Independent Publishing in 2005. In 2010, the Utne Reader named him one of Fifty Visionaries Changing Your World.


Twitter Username: r_nash

Website: http://rnash.com

Molly Gaudry is the author of the verse novel We Take Me Apart, which was named 2nd finalist for the 2011 Asian American Literary Award for Poetry and shortlisted for the 2011 PEN/Joyce Osterweil. She teaches at the Yale Writers' Conference and is the creative director at The Lit Pub.


Twitter Username: mollygaudry

Website: http://mollygaudry.com

Jacob Perkins is a co-founder of Mellow Pages Library in Bushwick, NYC, which supplies residents of the area with a substantial collection of small and independently pressed books, as well as zines, journals, and philosophy titles. Mellow Pages is also destination for literary events and gatherings.

Room 607, Washington State Convention Center, Level 6

R145.

West Region: AWP Program Directors’ Breakout Session

If you are a program director of an AWP member creative writing program in the following states you should attend this session: Arizona, Colorado, Idaho, Montana, North Dakota, Nevada, New Mexico, South Dakota, Texas, Utah, and Wyoming. This regional breakout session will begin immediately upon the conclusion of the Program Directors Plenary Meeting, so we recommend that you attend the Plenary Meeting first. Your regional representative on the AWP Board of Directors will conduct this meeting.

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Room 608, Washington State Convention Center, Level 6

R146.

Pacific West Region: AWP Program Directors’ Breakout Session

If you are a program director of an AWP member creative writing program in the following states you should attend this session: Alaska, California, Hawaii, Oregon, and Washington. This regional breakout session will begin immediately upon the conclusion of the Program Directors Plenary Meeting, so we recommend that you attend the Plenary Meeting first. Your regional representative on the AWP Board of Directors will conduct this meeting.

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Room 609, Washington State Convention Center, Level 6

R147.

Northeast Region: AWP Program Directors’ Breakout Session

If you are a program director of an AWP member creative writing program in the following states you should attend this session: Connecticut, District of Columbia, Delaware, Maryland, Massachusetts, Maine, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, and Vermont. This regional breakout session will begin immediately upon the conclusion of the Program Directors Plenary Meeting, so we recommend that you attend the Plenary Meeting first. Your regional representative on the AWP Board of Directors will conduct this meeting.

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Room 611, Washington State Convention Center, Level 6

R148.

Come Talk Story: Hawai`i Writers on Place, Politics, and Da Kine

(, , ) Hawai`i’s literary culture is unique in that it encompasses indigenous, local, Oceanic, and settler perspectives to create a layered, complex vision of place and politics. With their fiction, poetry, and nonfiction, the writers in this panel are working to break regional branding and push back against a touristic gaze. The reading will be followed by a lively discussion about how work by Hawai`i writers and from Hawai`i presses is shifting the genres of multicultural and American literature.

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Kristiana Kahakauwila is the author of This is Paradise, a collection of short stories about Hawai`i, which was selected for the Barnes & Noble Discover Great New Writers program and Target’s Emerging Author program. She is an assistant professor of creative writing at Western Washington University.

Keala Francis is a creative writer, freelance journalist, and PhD student at UH Manoa. She has won awards for her fiction and her short story, “Language Glass,” was recently published in the journal Essays & Fictions.

Robert Barclay is the author of the novel Melal, which was short-listed for the 2003 Kiriyama Prize and selected by Barnes and Noble for its Discover Great New Writers program. He has also written Hawai`i Smiles: Island Stories. He is a professor of English at Windward Community College.

Room 612, Washington State Convention Center, Level 6

R149.

Southeast Region: AWP Program Directors’ Breakout Session

If you are a program director of an AWP member creative writing program in the following states you should attend this session: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, and West Virginia. This regional breakout session will begin immediately upon the conclusion of the Program Directors Plenary Meeting, so we recommend that you attend the Plenary Meeting first. Your regional representative on the AWP Board of Directors will conduct this meeting.

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Room 613/614, Washington State Convention Center, Level 6

R150.

Don't Hate Your Life: Redesign Your Comp Class

(, , , , ) Experienced composition writing professors share strategies for how to design a course that will engage students and not overwhelm instructors with unending piles of grading or grammar instruction. Using course texts ranging from Didion to Real Housewives, we will share practical and useful approaches for syllabus design, student success, managing your grading workload, and juggling multiple employers.

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Rachel M. Simon is the author of the poetry collection Theory of Orange and the chapbook Marginal Road. She teaches writing, gender studies, and film classes at SUNY Purchase College, Pace University, Bedford Hills Correctional Facility, Poets House, and others.

Chloe Yelena Miller is the author of Unrest, a poetry chapbook. Her work has been published in Narrative and the Cortland Review among others. She teaches writing at Politics & Prose Bookstore in Washington, D.C., online at Fairleigh Dickinson University, and privately.


Twitter Username: chloeymiller

Website: http://chloeyelenamiller.blogspot.com

Melissa Febos is the author of the memoir, Whip Smart. Her work has been widely published and anthologized, and she has been featured in venues ranging from NPR’s "Fresh Air" to "Anderson Cooper Live." She is assistant professor of English at Monmouth University.


Twitter Username: melissafebos

Website: melissafebos.com

Kamilah Aisha Moon is the author of She Has a Name. Widely published in journals and anthologies, she is the recipient of fellowships from the Vermont Studio Center, the Fine Arts Work Center, and Cave Canem. She teaches poetry and creative writing for schools, colleges, and diverse organizations.


Twitter Username: kamoonshine

Website: http://www.kamilahaishamoon.org

Alex Samets holds an MFA from Sarah Lawrence College and is an educator and activist teaching composition and literature at Bay Path College. With Jules Rosskam, she is co-writer of the film Thick Relations.

Room 618/619/620, Washington State Convention Center, Level 6

R151.

Commercial Literary Fiction (Not an Oxymoron): The Place of Craft in Writing and Teaching Children's and Young Adult Literature

(, , , , ) Young Adult and Children’s literature are exciting, increasingly popular markets that many writers want to break into. How do you make your manuscript—or help make your students’ manuscripts—stand out... and sell? How does being commercial mean respecting the reader, not something crass? Five published YA and Children’s authors will present exercises they employ in their own writing, and in workshops they teach, to develop authentic voice, characters, and story worlds that editors will snap up.

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Micol Ostow has written many books for teens, including the Sydney Taylor Notable So Punk Rock (and Other Ways to Disappoint Your Mother). She spent eight years as a young adult editor, and she currently runs a teen writing workshop at MediaBistro.com.


Twitter Username: micolz

Website: www.micolostow.com

Stephanie Kuehnert is the author of two young adult novels, Ballads of Suburbia and I Wanna Be Your Joey Ramone. A writer for Rookie magazine, she has taught fiction writing to teens, undergraduate and graduate students, and working professionals.


Twitter Username: writerstephanie

Website: www.stephaniekuehnert.com

Laurel Snyder is the author of five children's novels, six picture books, and two collections of poems. She has published essays in such places as Salon, The Boston Globe, and the Utne Reader, and she is a commentator for NPR's All Things Considered.


Twitter Username: laurelsnyder

Website: http://laurelsnyder.com

Sara Zarr is the author of five novels for young adults. A National Book Award finalist and two-time Utah Book Award winner, she is currently on the faculty of Lesley University’s Low-Residency Master of Fine Arts in Creative Writing program.

Nova Ren Suma is the author of the YA novels Imaginary Girls and 17 & Gone. She has received fellowships from NYFA, the MacDowell Colony, Yaddo, Djerassi, the Millay Colony, and the Hambidge Center. She teaches YA writing with Mediabistro.


Twitter Username: novaren

Website: http://novaren.com/

Room LL4, Western New England MFA Annex, Lower Level

R152.

The Art of Difficulty: Challenging Poetry Students to Think Clearly, Read Smartly, Write Evocatively

(, , , , ) Poets continually negotiate and renegotiate the balance between clarity and obscurity, from Emily Dickinson’s admonition to tell it slant to Kay Ryan’s suggestion that each word we use is a step into a jungle of forking paths, making clarity through language a contradiction in terms. The panelists will discuss how this negotiation plays out in the classroom and offer strategies for helping students venture into this thicket as readers of poetry and as beginning poets.

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Amorak Huey spent fifteen years as a reporter and editor before leaving the newspaper business to teach writing at Grand Valley State University in Michigan. His poetry appears in The Best American Poetry 2012 and many print and online journals.


Twitter Username: amorak

Website: http://amorakhuey.net

Shaindel Beers's poetry, fiction, and creative nonfiction have been published in numerous anthologies and journals. She is the author of two full-length poetry collections, A Brief History of Time and The Children's War and Other Poems. She also serves as poetry editor of Contrary.


Twitter Username: shaindelr

Website: http://shaindelbeers.com

L.S. Klatt's first collection of poems, Interloper, won the Juniper Prize for Poetry. His second book, Cloud of Ink, won the Iowa Poetry Prize. His lyric poem “Andrew Wyeth, Painter, Dies At 91” was anthologized in Best American Poetry 2011 and made into a 90-second animated film.

Judy Halebsky's book of poems, Sky=Empty, won the New Issues Prize and was a finalist for the California Book Award. The MacDowell Colony, the Millay Colony, and the Japanese Ministry of Culture have supported her work. She teaches creative writing at Dominican University of California.

Jill Alexander Essbaum is the author of several collections of poetry including Heaven, Harlot, and Necropolis. Her poems have appeared Poetry, the Christian Century, Gulf Coast, and Smartish Pace. She teaches in the UCR Palm Desert low-residency MFA program.

Room LL5, Western New England MFA Annex, Lower Level

R153.

A Bag Full of God: Female Memoirists with Daddy Issues

(, , , , ) Every daughter must bury her father – marble-heavy, a bag full of God – as Sylvia Plath wrote. These daughters did so in the form of memoir. The task of authoring the man who authored you is necessarily fraught, with the need to find a balance between deification and bitterness. Female memoirists discuss how they confronted the long shadows cast by their fathers, with a special focus on the craft of memoir, how to find the truth of a true story, and writing to make the personal universal.

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Sarah Tomlinson has ghostwritten eight books, including two un-credited New York Times best sellers. Her journalism and essays have appeared in publications including Marie Claire, The Los Angeles Times, The Boston Globe, the Huffington Post, and Salon. Her father-daughter memoir is forthcoming.


Twitter Username: duchessofrock

Website: www.sarahtomlinson.com

Alysia Abbott is the author of Fairyland, A Memoir of My Father. Her essays have appeared in Real Simple, Salon, Marie Claire, Vogue, and TheAtlantic.com. She was a contributing producer at WNYC radio.


Twitter Username: alysiaabbott

Website: www.alysiaabbott.com

Jennie Ketcham is an author, public speaker, graduate student, and former porn star who tackled her daddy issues on VH1 shows with Dr. Drew and in her book, I Am Jennie.

Tracy McMillan is a screenwriter, author, and television and radio personality. Her television credits include Mad Men and United States of Tara. She is the author of Why You're Not Married... Yet, and I Love You and I'm Leaving You Anyway. She recently appeared on the NBC show, Ready For Love.

Alison Wearing is an award-winning writer and performer. Her most recent project, Confessions of a Fairy's Daughter: growing up with a gay dad, is both a one-woman show and a memoir.

Room 101, Western New England MFA Annex, Level 1

R154.

Goodbye, Lenin: Poets Write the Cold War and Its Aftermath

(, , , , ) 2014 marks the 25th anniversary of the fall of the Berlin Wall, a symbol of the collapse of Communism in Eastern Europe. In this reading, five American poets explore landscapes of the Iron Curtain: East Germany, Poland, the Soviet Union, and the Ukraine. These poets present their direct encounters with the Eastern Bloc, exploring what it means to have witnessed firsthand the traumas of Communism and to have watched as the region made its delicate transition to democracy.

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Jehanne Dubrow is the author of four poetry collections, including most recently Red Army Red and Stateside. She is the director of the Rose O’Neill Literary House and an assistant professor of creative writing at Washington College.

Michelle Chan Brown is the author of Double Agent. A Kundiman fellow, she has received scholarships from the Vermont Studio Center, the Sewanee Writers' Conference, and others. She was a Rackham fellow in the University of Michigan's MFA program and poetry editor of Drunken Boat.

Michael Dumanis is the author of the poetry collection My Soviet Union, winner of the Juniper Prize for Poetry; and the coeditor of Russell Atkins: On the Life & Work of a Lost American Master and Legitimate Dangers: American Poets of the New Century. He is a professor at Bennington College.


Twitter Username: MichaelDumanis

John Drury is the author of three poetry collections: The Refugee Camp, Burning the Aspern Papers, and The Disappearing Town. He teaches at the University of Cincinnati.

Jacob Shores-Arguello is the recipient of a Fulbright Fellowship to Ukraine, the Dzanc Books ILP International Literature Award, and the Fine Arts Work Center Fellowship in Provincetown. His manuscript, In The Absence of Clocks, was awarded the 2011 Crab Orchard Series Open Competition.

Room 202, Western New England MFA Annex, Level 2

R155.

Richard Hugo: Triggering Towns, Triggering Syntax

(, , , , ) Richard Hugo (1923-1982) may have been the best-known poet of the Northwest who was actually from the Northwest. Hugo’s hardscrabble beginnings in White Center, just south of Seattle, led him to write about the downtrodden people and industrial landscapes of the Duwamish River. Later, after moving to Montana, Hugo’s poems continued to focus on overlooked people and places. The panel will discuss Hugo’s legacy as a teacher and his achingly beautiful poems set in Western Washington and Montana.

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Stephen Corey is the editor of the Georgia Review, with which he has worked in various roles since 1983. He is the author of nine poetry collections, most recently There Is No Finished World. His poems, essays, and reviews have appeared in a range of periodicals since 1975.

Gary Thompson studied with Richard Hugo, and later taught in the writing program at CSU, Chico. His books of poems include One Thing After Another, To the Archaeologist Who Finds Us, and On John Muir's Trail. As co-editor of Cedar House Books, he published Ripley Hugo's On the Right Wind in 2008.

Frances McCue is a poet, prose writer, and Arts Instigator. The Founding Director of Richard Hugo House from 1996-2006, she is the author of The Car That Brought You Here Still Runs (about Richard Hugo) and two poetry collections, The Bled and The Stenographer's Breakfast.

Patricia Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. Author of four volumes of poetry, Her latest book is Sunday Rising. Her work has appeared in the Atlantic, Gettysburg Review, Slate, Stand, and the Galway Review.


Twitter Username: poetclark

Website: http://patriciafclark.com

M.L. Smoker, Assiniboine & Sioux, holds an MFA from the University of Montana in Missoula, where she was the recipient of the Richard Hugo Fellowship. Her collection of poems, Another Attempt at Rescue, was published in 2005. She most recently co-edited an anthology of human rights poetry, I Go to the Ruined Place.

Room 301, Western New England MFA Annex, Level 3

R156.

Writing About Children for Adults

(, , , Kent Meyers) What makes for a compelling child character in literary fiction? Four authors of acclaimed novels about children share insights into creating dramatic situations based on a child's perspective and offer suggestions for working with child narrators and adult narrators looking back at childhood. They will also discuss ways to avoid sentimentalizing and oversimplifying childhood experience and provide literary examples of dynamic, believable child characters and why they are so engaging.

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Suzanne Berne is the author of a memoir, Missing Lucile, and three novels: The Ghost at the Table, A Perfect Arrangement, and A Crime in the Neighborhood, winner of the 1999 Orange Prize. She teaches creative writing at Boston College and at the Ranier Writing Workshop.

Ann Pancake is author of the novel Strange As This Weather Has Been and the story collection Given Ground. Her awards include a Whiting Award, an NEA grant, and a Bakeless Prize, and her work has appeared in Orion, among other journals. She teaches at Pacific Lutheran University.

Melanie Rae Thon's most recent books are the novel The Voice of the River and In This Light: New and Selected Stories. She teaches in the Creative Writing and Environmental Humanities programs at the University of Utah.

Room 302, Western New England MFA Annex, Level 3

R157.

Peace Corps Writers Across the Genres

(, , , , ) Returned Peace Corps Volunteers discuss their experiences translating volunteer service to the page. From poetry to travel writing to journalism and fiction, former volunteers reflect on the ways in which their service inspired, influenced, and shaped their work. The panelists will share the challenges and possibilities of writing about place, character, and conflict, from the position of both insider and outsider, addressing how international aid work contributes to cross-cultural exchange.

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Joanna Luloff is the author of the short story collection The Beach at Galle Road. Her stories have appeared in the Missouri Review, Confrontation, and elsewhere. She is an assistant professor at SUNY Potsdam.


Twitter Username: joluloff

Website: www.joannaluloff.com

Mark Brazaitis is the author of six books, including The Incurables: Stories, winner of the 2012 Richard Sullivan Prize and The River of Lost Voices: Stories from Guatemala, winner of the 1998 Iowa Short Fiction Award. He is a professor of English at West Virginia University.


Twitter Username: markbrazaitis

Website: http://english.wvu.edu/facu/mark-brazaitis

Tyler McMahon is the author of the novel How the Mistakes Were Made. His short work has appeared in Threepenny Review, Antioch Review, and the Rumpus. He studied at the University of Virginia and Boise State University. He teaches writing at Hawaii Pacific University in Honolulu.


Twitter Username: tylermcmahon

Website: www.tylermcmahon.net

Peter Chilson teaches writing and literature at Washington State University. He has written three books on West Africa. In 2012, on assignment for Foreign Policy magazine, he was one of the first Western journalists to travel the new border with the short-lived jihadist state in northern Mali. 

Susi Wyss’s book of fiction set across Africa, The Civilized World, received the Maria Thomas Fiction Award from Peace Corps Writers and was called a Book to Watch For by Oprah magazine. She earned her writing degree from Johns Hopkins and works for Jhpiego, an international health organization.

Room 303, Western New England MFA Annex, Level 3

R158A.

Booklift: The Author Cooperative Model for Launching New Work

(, , , , ) What is an author to do when publishers’ marketing budgets evaporate? Many in Seattle are forming their own marketing collectives, such as Booklift, wherein authors become the promoters of one another’s work, utilizing a cooperative rather than competitive model. In this panel, fiction, poetry, and nonfiction writers will discuss author collectives and the promotional strategies they have used to lift one another’s work.

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Kelli Russell Agodon is the author of four poetry collections, including Letters from the Emily Dickinson Room and Hourglass Museum, forthcoming in 2014. She is the editor of Crab Creek Review and the co-founder of Two Sylvias Press.


Twitter Username: kelliagodon

Website: www.agodon.com

Susan Rich is author of four books of poetry, including Cloud Pharmacy and The Alchemist’s Kitchen, and co-editor of The Strangest of Theatres: Poets Writing Across Borders. A recipient of awards from the Times Literary Supplement and Fulbright Foundation, she teaches at Highline Community College


Twitter Username: susanrichpoet

Website: http://www.poetsusanrich.com

Elizabeth Austen’s poetry collection Every Dress a Decision was a finalist for the Washington State Book Award. She is the literary producer for NPR-affiliate KUOW 94.9 and was the 2007 Washington State Roadshow Poet. She teaches at Richard Hugo House.

Sarah Callender is a 4Culture grant recipient and a graduate of Artist Trust’s EDGE Professional Development Program for Writers. She blogs regularly at Writer Unboxed and her personal blog, Inside-Out Underpants. She is at work on her second novel.

Janna Cawrse Esarey is author of the memoir The Motion of the Ocean: 1 Small Boat, 2 Average Lovers, and a Woman’s Search for the Meaning of Wife. A 2008 Jack Straw Writer, she has taught at Richard Hugo House, the Pacific Northwest Writers Association, and the Whidbey Island Writers Conference.

Room 304, Western New England MFA Annex, Level 3

R158B.

Publish it Forward: Creating the Future Together

(, , ) Innovations in technology and communication have made the written word more portable, accessible, and popular than ever. It is an exciting but challenging time for writers. With the NEA-funded Publish it Forward series, Grub Street has educated, inspired, and dared writers to think creatively and optimistically about new opportunities and new models made possible by the digital age. Panelists will illustrate key lessons from the lecture series designed specifically for emerging writers.

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Kate Pullinger writes novels, short stories, and collaborative multimedia digital fiction. Her forthcoming novel is Landing Gear. Her best known digital work is Inanimate Alice. She is professor of creative writing and digital media at Bath Spa University, England.

Michelle Toth is a member of the board of directors of Grub Street. She is also the founder of SixOneSeven Books, a small press based in Boston, and the author of the novel Annie Begins. She is a human capital professional by day.

Eve Bridburg is the founder and Executive Director of Grub Street. She is also an at-large literary agent with ZSH literary agency, where she has edited and sold bestselling and award-winning nonfiction and fiction.


Twitter Username: eve_grubstreet

Room 305, Western New England MFA Annex, Level 3

R159.

An Invisible Geography: Writing Trauma, Pain, and Loss

(, , , , ) Other people’s pain, writes critic Elaine Scarry, is an invisible geography flickering for a moment before vanishing. Yet poets, novelists, and memoirists navigate by writing trauma, pain, and loss into stories and poems that empower us. How do we steer between loud language and a cool stance, hiding behind detachment or irony? How does a chosen genre make a hard story sing? Join us in sharing strategies for translating pain into words that shoulder sorrow with grace.

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Nadine Pinede is the author of An Invisible Geography, poems of place and displacement. Her work has appeared in Spoon River Poetry Review, Haiti Noir, and Becoming: What Makes a Woman. An Elizabeth George and a Brown Foundation fellow, she serves on the board of the Hurston/Wright Foundation.

Kim Stafford is the author of a dozen books of poetry and prose, including 100 Tricks Every Boy Can Do: How My Brother Disappeared; The Muses Among Us; and Early Morning: Remembering My Father, William Stafford. He directs the Northwest Writing Institute at Lewis & Clark College.

Ana Maria Spagna is the author of two essay collections, Now Go Home and Potluck, and the history/memoir Test Ride on the Sunnyland Bus, winner of the River Teeth literary nonfiction prize. She is assistant director of the MFA program at Northwest Institute of Literary Arts.


Twitter Username: amspagna

Website: www.anamariaspagna.com

Anna Bálint is the author of three books. Her story collection Horse Thief explores intersections of lives and cultures and was a finalist for the PNBA Book Award. Currently, she is working on a novel rooted in the Roma experience of the Holocaust. She is an editor for Raven Chronicles magazine.

Danielle Legros Georges is a poet, essayist, and associate professor at Lesley University. She is the author of a book of poems, Maroon.

12:00 p.m. to 1:15 p.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R160.

Books About Books: A Nonfiction Conundrum

(, , , , ) Whether it's a biography of Gone With the Wind, travels among readers of Russian novels, or an afterlife of Lives of the Saints, great works of literature are now inspiring stories other than the ones between their covers. We will discuss this trend in terms of craft: How does the book’s structure influence the new narrative? How does a nonfiction writer approach books differently from the academic or critic? What are the opportunities and pitfalls of having a book as your main character?

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Brook Wilensky-Lanford is author of Paradise Lust: Searching for the Garden of Eden. Her essays appear in The San Francisco Chronicle, Guernica, and Lapham's Quarterly. She received an MFA from Columbia University, and she teaches in the Writing Center at Baruch College, City University of New York.

Andrea Pitzer is the author of The Secret History of Vladimir Nabokov. Her writing has appeared in Poet Lore, and Slate, USA Today, and other magazines. She is the founder and former editor of Nieman Storyboard, the narrative nonfiction website of Harvard University’s Nieman Foundation for Journalism.

Ellen F. Brown is co-author of Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood, a Publishers Weekly top pick. An award-winning freelance journalist, she sits on the boards of the Library of Virginia Foundation and James River Writers.


Twitter Username: ellenfbrown

Website: www.ellenfbrown.com

Kristin Swenson, PhD, is the author of Bible Babel: Making Sense of the Most Talked About Book of All Time and Living Through Pain: Psalms and the Search for Wholeness. A visiting associate professor at the University of Virginia, she is also affiliated with Virginia Commonwealth University.


Twitter Username: kristinswenson

Website: http://www.kristinswenson.com/

Colin Dickey is the author of Afterlives of the Saints: Stories from the Ends of Faith and Cranioklepty: Grave Robbing and the Search for Genius. He is a regular contributor to Lapham’s Quarterly and the LA Review of Books, among other publications.

Cedar Room, Sheraton Seattle, 2nd Floor

R161.

Writing Across Borders: Bringing Real World Voices into High School Classrooms and Community Centers

(, , , , ) The growing number of refugees that fill our urban schools suggests a need to address forced migration and displacement in high school classrooms. In this pedagogical and practical panel, we will showcase young adult literature (fiction and memoir) and poetry that deal with these themes; offer examples of writing prompts and poetry created by young Somali and Burmese refugees; and share teaching prompts for approaching the topic sensitively and thoroughly in classrooms and the larger community.

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Merna Hecht, storyteller, poet, and essayist teaches creative writing and humanities at the University of Washington, Tacoma and directs the Stories of Arrival Poetry Project with immigrant and refugee youth. Her forthcoming book is on using storytelling and poetry with young people facing trauma and loss.

Hamdi Abdulle, Somali poet and scholar, directs Seattle’s Somali Youth and Family club. She spearheaded the acclaimed Community Café model. She is a leader in bringing about social change and strengthening families for East African communities and a dedicated advocate for human rights for refugees.

Marge Pellegrino is an award-winning writer and workshop facilitator who has provided writing and expressive arts workshops for children and caregivers of the incarcerated, refugee families impacted by torture, at-risk youth, youth in detention, Native American youth and elders, and mainstream folks.

J.L. Powers is the author of several young adult novels, including The Confessional, This Thing Called the Future, and most recently, Amina. She is also the editor of the anthologies That Mad Game: Growing Up in a Warzone and Labor Pains and Birth Stories. She blogs at www.jlpowers.net.


Twitter Username: jlpowers

Website: www.jlpowers.net

Lyn Miller-Lachmann is the author of the young adult novels Gringolandia and Rogue. She has an MFA in Writing from Vermont College of Fine Arts. The former editor of MultiCultural Review, she currently reviews books on social justice themes for The Pirate Tree and blogs at www.lynmillerlachmann.com.


Twitter Username: LMillerLachmann

Website: www.lynmillerlachmann.com

Redwood Room, Sheraton Seattle, 2nd Floor

R162.

Creative Composition: Incorporating Creative Writing into College Composition

(, , , ) Creative writing graduate students often teach first-year composition, usually with little experience or formal training, but are there aspects of our creative training that suit teaching expository writing? Is good writing just good writing? This panel will address essential questions such as can creative writing students be effective writing teachers (hint, yes we can), and how can we incorporate our skills into the curriculum to address matters of social justice and identity in creative ways.

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Robby Nadler is a doctoral student at the University of Georgia. He also holds degrees and fellowships from UCLA, University of Montana, University of Auckland, and Bar-Ilan University in Israel. He is the recipient of a Fulbright fellowship and the 2010 Discovered Voice Award from the Iron Horse Literary Review.

Dan Rosenberg's first book, The Crushing Organ, won the 2011 American Poetry Journal Book Prize. His translation, with Boris Gregoric, of Miklavz Komelj's Hippodrome is forthcoming. A graduate of the Iowa Writers’ Workshop and UGA PhD student, he co-edits Transom.


Twitter Username: dancrosenberg

Website: danrosenberg.us

Gale Marie Thompson is the author of Soldier On and the chapbooks Expeditions to the Polar Seas and If You're a Bear, I'm a Bear. She lives in Athens, Georgia, where she edits Jellyfish magazine and works at the Georgia Review.


Twitter Username: thegalester

Website: galemariethompson.com

Marni Ludwig is the author of Pinwheel and Little Box of Cotton and Lightning. She holds degrees from Sarah Lawrence College, Columbia University, and Washington University in St. Louis.

Willow Room, Sheraton Seattle, 2nd Floor

R163.

Grub Street National Book Prizewinners Reading

(, , , , ) This reading features a diverse and dynamic cross-section of authors who have won Grub Street's prestigious National Book Prize in Fiction, Nonfiction, and Poetry. Literary merit is the top criterion for this prize, which celebrates a variety of styles, influences, and genres and is the only significant award designed for nondebut writers from outside New England.

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Ellen Cassedy is the author of We Are Here: Memories of the Lithuanian Holocaust, which won the Grub Street National Nonfiction Prize, a Prakhin International Literary Foundation Award, and the Towson Prize for Literature last year.

Sheri Joseph is an NEA fellow, winner of the Grub Street National Book Prize, and the author of three books of fiction: Where You Can Find Me, Stray, and Bear Me Safely Over. She teaches in the creative writing program at Georgia State University and serves as fiction editor of Five Points.

 

Rick Barot has published two volumes of poetry: The Darker Fall and Want. He teaches at Pacific Lutheran University in Tacoma, Washington, and in the MFA Program for Writers at Warren Wilson College.


Twitter Username: BarotRick

Rahna Reiko Rizzuto is the author of Hiroshima in the Morning and Why She Left Us. A U.S./Japan Creative Artist Fellow; Hedgebrook alumna; and Goddard College faculty member. She has been interviewed on The Today Show, 20/20, and The View. Her articles have been published globally.


Twitter Username: r3reiko

Website: www.rahnareikorizzuto.com

Christopher Castellani is the author of three novels, most recently All This Talk of Love, and numerous essays on writing. He is the artistic director of Grub Street and on the faculty of the MFA program at Warren Wilson and the Bread Loaf Writers Conference.


Twitter Username: cdcastellani

Room 2A, Washington State Convention Center, Level 2

R164.

20 Things You Need to Know About Starting a Writers Group & 10 Things You Need to Know If You're Already in One!

(, , , ) Can a writing group fulfill its mission to foster and support writers while responding to community needs for mentors, advocates, and role-models? The Latino Writers Collective will explore the balance between artist and administrator. Learn how we developed our Página reading series, educational programs for at-risk and migrant youth, our in-school and after school programs, and how we created a press, all with no paid staff. Get tips and tools for success. Learn how to avoid the diva syndrome.

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Miguel M Morales, a former migrant farmwoker, is a Latino Writers Collective board member, a founding member of Fabulous Queer Writers, and a Lambda Literary Fellow. His work is featured in Primera Página, Cuentos del Centro, From Macho to Mariposa, and Joto: An Anthology of Queer & Chicano Poetry.


Twitter Username: TrustMiguel

José Faus is a Kansas City, Missouri, resident, writer, and visual artist. He is a founding member of the Latino Writers Collective and president of the board of the Writers Place. He is also a youth advocate and community worker.

Maria Vasquez Boyd is a painter/artist/writer and founding member of the Latino Writers Collective in Kansas City Missouri. Her work is published in Primera Pagina, Cuentos Del Centro, Everyday Other Things, Salit magazine, America Now, and Here Kansas City Renga.

Gabriela Ybarra Lemmons's work appears in Primera Pagina: Poetry from the Latino Heartland, Cuentos: Stories from the Latino Heartland, and NewBorder: Contemporary Voices from the US/Mexico Border. She is a co-founder and current president of the LWC.

Room 2B, Washington State Convention Center, Level 2

R165.

Like Sand to the Beach: Bringing Your Book to Market

(, , , , ) What does it take to sell a book? How can you build an ecosystem to support your work? These booksellers, social media experts, editors, and authors will answer those questions and more during an action-oriented conversation about promoting literature in print, online, and in person. (Hint: being successful requires sustained effort.) After offering multimedia presentations and empirically tested advice, we will address your individual concerns during a Q&A session.

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Kristen Millares Young is a freelance reporter for The New York Times and was researcher for Snow Fall: The Avalanche at Tunnel Creek, which won a Pulitzer Prize and a Peabody Award in 2013. Hailed by The Stranger as one of the fresh new faces in Seattle fiction, she is writing her first novel.


Twitter Username: kristenmillares

Website: www.kristenmyoung.com

Jonathan Evison is the author of three award-winning novels: All About Lulu, The Revised Fundamentals of Caregiving, and the New York Times best-selling, West of Here. He is currently at work on novels four and five: Harriet Chance and The Dreamlife of Huntington Sales.

Karen Maeda Allman has worked as a bookseller and author events co-coordinator at the Elliott Bay Book Company in Seattle, Washington since 1999. Each month, Elliott Bay hosts and co-promotes over fifty author events both at the bookstore and at a variety of other Seattle locations.

Rachel Fershleiser heads publishing outreach at Tumblr. She has been Community Manager at Bookish and Events Director at Housing Works Bookstore Cafe. She’s co-creator of Six-Word Memoirs and co-editor of the New York Times best seller Not Quite What I Was Planning and three other books.

Jarret Middleton is the author of An Dantomine Eerly and other fiction. He is the editor-in-chief and co-founder of Dark Coast Press and the imprint Pharos Editions in Seattle, Washington.

Room 3A, Washington State Convention Center, Level 3

R166.

Writing for Musical Theatre: The Collaboration & Collision of Disparate Crafts

(, , ) Arguably, the “book musical” is America’s most original contribution to world theatre. However, few writers can agree upon how a book musical is written. With its primary focus on text, this panel will discuss ways of collaborating with colleagues who speak, necessarily, different languages of craft and ways of teaching the convergence of these crafts to create effective and polished book musicals.

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Anton Dudley's plays have been produced Off-Broadway and at major regional theaters around the country. A finalist for the Lambda Literary Award in LGBT Drama, he has received new play commissions from Manhattan Theater Club, Cherry Lane Theater, and Williamstown Theatre Festival.

Kellen Blair is the co-creator of Murder For Two, the murder mystery musical comedy that debuted off-Broadway at Second Stage Uptown in 2013. In 2011 he received the Joseph Jefferson Award recognizing Murder For Two as the Best New Musical Work in Chicago.

Charlie Sohne has written several musicals as both a bookwriter and a lyricist. His shows have been seen at The O'Neill, New York Stage and Film, and the Yale Institute for Music Theater. His songs have been seen at Second Stage, Joe's Pub, and 54 Below. He teaches as part of Lincoln Center's SISP.

Room 3B, Washington State Convention Center, Level 3

R167.

A Tribute to Hayden Carruth: Poet, Teacher, Editor, Critic

(, , , , ) Hayden Carruth is among the most revered poets of the 20th century. His legacy will be honored as a poet of jazz, country matters, and the poetics of social utility, for his editing of Poetry magazine, his essays and criticism, and his political dissent. Panelists include editors of Carruth's work, the editor of a new book on Carruth, the executive director of Poets House, and more for tributes.

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Douglas Unger is the author of four novels, including Leaving the Land, a finalist for the Pulitzer Prize. His most recent book is Looking for War and Other Stories. He is cofounder of the Creative Writing International Program at the University of Nevada, Las Vegas.

Sam Hamill co-founded Copper Canyon Press and was editor for thirty-two years. He has published forty books of poetry, translations mostly from Chinese and Japanese, and essays. In 2003, he founded Poets Against the War. His Habitation: Collected Poems was published in January 2014.

Shaun Griffin is the author of four books of poetry, most recently This Is What the Desert Surrenders, New and Selected Poems. He recently edited a book of essays on the late poet and critic, Hayden Carruth: From Sorrow’s Well.

Lee Briccetti has been the executive director of Poets House since 1989. Under her leadership, the annual Showcase and Poetry in the Branches were developed and became signature programs, and Poets House mounted a successful capital campaign and construction project, moving to its permanent home.

Malena Morling is the author of two books of poems, Ocean Avenue and Astoria. She is the recipient of a Guggenheim Fellowship and a Lannan Literary Fellowship. She teaches at the University of North Carolina, Wilmington and in the Low-Residency MFA Program at New England College.

Room 400, Washington State Convention Center, Level 4

R168.

Fabulist Fiction for a Hot Planet

(, , , , ) This panel of fabulists explores how eco-conscious fabulism is changing the literary landscape and public imagination. Panelists survey this trend in a collage of eco-fabulism from Kevin Brockmeier, Paolo Bacigalupi, Julia Slavin, Blake Butler, Alissa Nutting, and others. They dissect its writerly effects, pedagogical uses, and potential political and social reach in the world. Read it. Write it. Teach it. Eco-fabulism is the future and a way that writers can help save the world.

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Christian Moody's fiction has been published in Esquire, Best American Fantasy, Best New American Voices, and Cincinnati Review. He teaches at Centre College and has been in residency at Yaddo.

Tessa Mellas's debut story collection Lungs Full of Noise won the Iowa Short Fiction Prize. She is the Distinguished Visiting Fiction Writer at Bowling Green State University this spring.

Alexander Lumans is co-editor of Apocalypse Now, an anthology of fabulist writers confronting environmental crises. His fiction is in StoryQuarterly, Gulf Coast, and Cincinnati Review. He received fellowships to MacDowell Colony, Blue Mountain, and ART342.


Twitter Username: oldmanlumans

Website: http://www.alexanderlumans.com/

E. Lily Yu received the 2012 John W. Campbell Award for Best New Writer. She was a finalist for the 2012 Hugo, Nebula, and World Fantasy Awards. Her short fiction has appeared in Boston Review, Kenyon Review Online, and the Best Science Fiction and Fantasy of the Year.

Matt Bell is the author of the novel In the House upon the Dirt between the Lake and the Woods, as well as two other books, How They Were Found and Cataclysm Baby. He is an assistant professor in the Creative Writing program at Northern Michigan University.


Twitter Username: mdbell79

Website: http://www.mdbell.com

Room 609, Washington State Convention Center, Level 6

R169.

Ahsahta Press 40th Anniversary Reading

(, , , , ) Ahsahta Press, publishing at Boise State University in Idaho, celebrates its 40th year by bringing together women poets from its current season. Ahsahta champions an aesthetic that embraces experimental, highly voiced writing, and each of these writers plays the language differently. At this reading, they come together to celebrate the Press and its vision as it looks toward its future.

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Heidi Lynn Staples is the author of four published works, including her latest poetry collection, Noise Event, and an illustrated memoir, Take Care Fake Bear Torque Cake. She is Assistant Professor of English and co-director of the creative writing track at Piedmont College in Georgia.

Lucy Ives is the author of the books Anamnesis and Orange Roses. Her poems have appeared in the Colorado Review, Conjunctions, Fence, Ploughshares, Volt, and 1913. A deputy editor at Triple Canopy, she is co-editor of Corrected Slogans: Reading and Writing Conceptualism.

Kathleen Jesme is the author of five collections of poetry, including Albedo, Meridian, and The Plum-Stone Game.

Rusty Morrison's books of poetry include After Urgency, winner of the Dorset Prize; the true keeps calm biding its story, winner of several awards including the Sawtooth Prize and Academy of American Poets’ James Laughlin Award; and Whethering, which won the Colorado Prize for Poetry. She is co-publisher of Omnidawn.


Twitter Username: whethering

Website: http://www.rustymorrison.com/

Stephanie Strickland has published seven books of  poetry, most recently Dragon Logic, and collaborated on seven electronic poems, most recently Sea and Spar Between, a poetry generator. Her forthcoming work is V: WaveTercets / Losing L’una, with an accompanying app for mobile devices.

Room 607, Washington State Convention Center, Level 6

R170.

All This and More: What Form of Creative Nonfiction is the Essay/Review?

(, , , ) In an essay published in the Manilla Review, Jennifer B. McDonald, an editor at The New York Times Book Review, wrote, “A good review introduces a book and attempts a rigorous appraisal, while demonstrating fairness, intelligence, clarity, discernment, and style.” A good essay review does all of this and more. In addition to reviewing the books (usually two or more), the essay review serves as a springboard for the author to explore ideas and probe aspects of his/her own life. The panelists, all of them editors and/or writers of the essay review—for Water~Stone Review, the Georgia Review, and Fourth Genre—will focus on what the essay review is and isn’t, what it offers the reader as well as the author of the book being reviewed, and how it contributes not only to the literary magazine but to the writer (and field) of creative nonfiction.

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Mary F. Rockcastle is the author of the novels In Caddis Wood and Rainy Lake. She is director of The Creative Writing Programs at Hamline University and the founding and executive editor of Water~Stone Review. Her awards include a Loft-McKnight Award of Distinction in Prose and a Bush Fellowship.

Stan Sanvel Rubin is director of the Rainier Writing Workshop MFA at Pacific Lutheran University. He has published six collections of poetry and The Post-Confessionals, a selection from his widely published interviews with writers. Awards include the Barrow Street Book Prize. He writes essay-reviews for Water-Stone Review.


Twitter Username: cosmos comic

David Ingle is assistant editor at the Georgia Review. In addition to helping select and solicit poetry, short fiction, and nonfiction manuscripts, he is also primarily responsible for the assignment and editing of book reviews that are published in the magazine.

Jocelyn Bartkevicius teaches creative writing at the University of Central Florida and is editor of the Florida Review. Her work has appeared in Bellingham Review, the Hudson Review, Fourth Genre, Missouri Review, Sweet, and Gulf Coast. She is completing a memoir, The Emerald Room.

12:00 p.m. to 1:30 p.m.

Washington State Convention Center, Level 4

R171.

Meet & Greet with AWP Board Members

Interested in meeting current AWP board members? Have some ideas for AWP to implement? Do you have questions, or are you looking to get more involved in the organization? If so, join us at the AWP Bookfair Booth (#100 and 102) on Thursday and Friday between Noon and 5:45pm. Please consult the bookfair map in the conference planner for detailed location.

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12:00 p.m. to 1:15 p.m.

Room 602/603, Washington State Convention Center, Level 6

R172.

Editing the Poetry Book

(, , , , Jill Bialosky) Poetry editors from five leading publishing houses discuss the unique challenges and opportunities of editing books of poetry. Discussion topics will include: establishing and maintaining a mutually beneficial author-editor relationship, best practices for editing individual poems in the context of a full collection, editing a collection qua collection, and secondary but nonetheless crucial, considerations such as the choice of font and selection of cover art.

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Dominic Luxford edited The McSweeney’s Book of Poets Picking Poets, and co-edited Open the Door: How to Excite Young People about Poetry. He edits poetry for the Believer magazine and is a founding editor of the McSweeney’s Poetry Series.

Kate Gale, managing editor Red Hen Press writes poetry, memoir, creative nonfiction, and librettos.

Jeff Shotts is executive editor at Graywolf Press, where he acquires and edits poetry, creative nonfiction, literary criticism, and translation.


Twitter Username: JeffShotts1

Joshua Edwards directs and co-edits Canarium Books. He is the author of two poetry collections, Imperial Nostalgias and Campeche, and the translator of Mexican poet Maria Baranda's Ficticia.


Twitter Username: canariumbooks

Room 604, Washington State Convention Center, Level 6

R173.

Past, Passing, & To Come: 30th Anniversary Reading, MFA at Virginia Commonwealth University

(, , , , ) The MFA Program at Virginia Commonwealth University marks its 30th anniversary—looking to its future with new genres and faculty (including Pulitzer-winning poet Claudia Emerson and nonfiction writer Harrison Fletcher), recognizing present strengths (such as the Blackbird journal, the Cabell First Novelist Award, the Levis Reading Prize, and the Rebecca Mitchell Tarumoto Short Fiction Prize), and honoring its past—with a reading by faculty and alumni from new and forthcoming books.

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Gregory Donovan is the author of the forthcoming poetry collection Torn from the Sun, as well as Calling His Children Home. He directs the MFA in Creative Writing program at Virginia Commonwealth University, where he is also senior editor of the online journal Blackbird.

Kathleen Graber is the author of two collections of poetry, The Eternal City and Correspondence. She teaches in the Creative Writing Program at Virginia Commonwealth University and the low residency MFA Program at Fairleigh Dickinson University.

Clint McCown is the author of eight books. He teaches in the MFA program at Virginia Commonwealth University and in the Vermont College of Fine Arts low-residency MFA program.

Harrison Candelaria Fletcher is author of Descanso For My Father: Fragments Of A Life. His award-winning essays have appeared in numerous journals including New Letters, Fourth Genre, and the Touchstone Anthology of Contemporary Creative Nonfiction. He teaches at Virginia Commonwealth University.

Sheri Reynolds is the author of six novels: Bitterroot Landing, The Rapture of Canaan, A Gracious Plenty, Firefly Cloak, The Sweet In-Between, and The Homespun Wisdom of Myrtle T. Cribb. She teaches at Old Dominion University in Norfolk, VA, where she holds the Morgan Chair of Southern Literature.

Room 606, Washington State Convention Center, Level 6

R174.

Walt Whitman’s Niece: Poetry and Popular Music

(, , , , ) Popular music and its images reflect our changing values, desires, and identities, and offer poets a rich source of material and a key into social, political, and economic realities. Taking on punk, jazz, R&B, and celebrity culture, this panel explores the possibilities and implications of engaging with popular music through poetry, thinking not only about how poetry can illuminate popular music, but how music can help us reimagine poetry as a force of resistance and transformation.

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Matt Hart is the author of five books of poetry, most recently Sermons and Lectures Both Blank and Relentless and Debacle Debacle. A co-founder and the editor-in-chief of Forklift, Ohio: A Journal of Poetry, Cooking & Light Industrial Safety, he teaches at the Art Academy of Cincinnati.

Steve Dickison directs the Poetry Center and American Poetry Archives at San Francisco State University, and teaches there and at California College of the Arts. He co-edited Shuffle Boil, a magazine of poets and music with David Meltzer, and he is author of Disposed (poetry) and Wear You to the Ball.

Julia Bloch is the author of Letters to Kelly Clarkson, a poetry finalist for the Lambda Literary Award; coeditor of the poetics journal Jacket2; and associate director of the Kelly Writers House in Philadelphia. She holds an MFA from Mills College and a PhD from the University of Pennsylvania.


Twitter Username: julivox

Harmony Holiday is the author of Negro League Baseball, winner of the Motherwell Poetry Prize. She runs a boutique production house devoted to the crossing between archiving, improvisation, myth, and black music.

Jeffrey Sirkin has written on the role of popular music in postmodern literature, and his poetry can be found in numerous journals. He is assistant professor in the Creative Writing Department at University of Texas El Paso, where he co-curates the Dishonest Mailman Reading Series.

Room 608, Washington State Convention Center, Level 6

R175.

Put Your Shit on Paper: Two Chicago-Based Writing Programs on Running Trauma-Informed High School Workshops

(, , , Jamila Woods, Nathaniel Marshall) Gloria Anzaldúa calls on all writers to transform raw experience into poetic expression: "Write with your eyes like painters, with your ears like musicians, with your feet like dancers... Put your shit on paper." Panelists from Literature for All of Us and Young Chicago Authors share how this ethos inspires their trauma-informed writing programs with Chicago youth. Each organization will present their methodology, best practices and concrete tools for educators in and out of the classroom.

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rebecca brown is a poet. She has facilitated numerous community and school-based conversation circles for upwards of eight years.

Liz London is a fiction writer and trained facilitator. Since 2011 she has been a Book Group Leader at Literature for All of Us, a literary arts organization for youth in Chicago. She has also worked for several years as a dialogue facilitator for an international, conflict resolution youth program.

VersAnnette Blackman is a performance poet, playwright, and a social justice advocate for ending violence against women. She joined the Literature for All of Us family in 2009.

Room 611, Washington State Convention Center, Level 6

R176.

Translating Radical Women Poets

(, , , , ) This panel focuses on the historical and political importance, practical complexity, and artistic excitement of translating the work of radical women poets. Panelists explore what constitutes radical poetics in different countries and how they can be brought from one language, literary tradition, or culture to another. We also discuss how these women poets interact with larger forces, opening up new ways to speak and think here and now about poetics, politics, and gender.

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Stefania Heim is author of A Table that Goes on for Miles. Founding Editor of CIRCUMFERENCE: Poetry in Translation, she teaches at Columbia, Hunter, and Deep Springs College.

Don Mee Choi is the author of The Morning News Is Exciting and the recipient of a Whiting Writers’ Award. She also translates contemporary Korean women’s poetry and has recently received the Lucien Stryk Asian Translation Prize for All the Garbage of the World, Unite! by Kim Hyesoon.

Jen Hofer is a poet, translator, interpreter, and co-founder of Antena, dedicated to language justice and literary activism. Her latest poetry translations are Ivory Black by Myriam Moscona and books by Dolores Durantes. Her hand-stitched poems include "Shroud" (w/Jill Magi) and "The Missing Link."

Jennifer Scappettone is the author of From Dame Quickly and of several chapbooks. Locomotrix: Selected Poetry and Prose of Amelia Rosselli, which she translated, was awarded the Raiziss/De Palchi Book Prize by the Academy of American Poets. She is associate professor at the University of Chicago.


Twitter Username: oikost

Website: http://oikost.com

Jennifer Kronovet is the author of the poetry collection Awayward and the co-translator of In Her White Wake, the selected poems of Yiddish writer Celia Dropkin. She co-founded Circumference, the journal of poetry in translation.


Twitter Username: jennykr

Room 612, Washington State Convention Center, Level 6

R177.

Literary Politics: White Guys and Everyone Else

(, , , , ) Even when women writers lean in, they’re rarely afforded equal respect. This we know, post-VIDA counts and other depressing statistics. But race and sexual orientation can also brand you as an identity author constrained to talk about your people rather than the big questions of literature. Rather than the usual one-note focus on gender discrimination, this moderated panel of diverse writers discusses the challenges they’ve faced and why it’s still mostly a straight white men’s club.

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Lorraine Berry is associate editor at Talking Writing. She is a frequent contributor at Salon, a featured writer at Byliner, and her work has appeared in Diagram, Flavorwire, The Raven Chronicles, you are here, and Slow Trains. She is Project Director for NeoVox at SUNY Cortland.


Twitter Username: BerryFLW

Website: http://ambersands.net

Roxane Gay is the author of three books, Ayiti, an Untamed State, and Bad Feminist. She has had work in Best American Short Stories 2012, Oxford American, Virginia Quarterly Review, and New York TImes Book Review. She is the co-editor of PANK and teaches at Eastern Illinois University.


Twitter Username: rgay

Amy Hoffman is the author of Lies About My Family. Her other memoirs are Hospital Time and An Army of Ex-Lovers: My Life at the Gay Community News. She is editor of Women's Review of Books and teaches creative nonfiction in the Solstice low-residency MFA program at Pine Manor College.

Aimee Phan is the author of two books of fiction: We Should Never Meet and The Reeducation of Cherry Truong. She has received fellowships from the NEA, the MacDowell Arts Colony, and Hedgebrook. She currently chairs the MFA Writing Program at California College of the Arts.


Twitter Username: aimeephan

Website: Aimeephan.com

Mat Johnson is the author of the novel Pym, the graphic novel Incognegro, and several other books. He is a recipient of the United States Artist James Baldwin Fellowship, The Hurston/Wright Legacy Award, and the Dos Passos Prize. He teaches at the University of Houston Creative Writing Program.

Room 613/614, Washington State Convention Center, Level 6

R178.

Don’t Just Stand There and Read: Literary Events That Go Beyond the Usual

(, , , Jamie FitzGerald) We’ve all been to a reading that had us checking our watches (or wishing the poet would check his). Members of this panel are offering a variety of exciting antidotes: multi-disciplinary events, participatory events, carnivals, avant-garde garden parties, and more. Find out how literary events can build audiences, build on textual work, and deliver more than just wine and cheese—not that we’re against wine and cheese.

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Teresa Carmody is the author of the short story collection Requiem and three chapbooks: I Can Feel, Eye Hole Adore, and Your Spiritual Suit of Armor by Katherine Anne. She is the co-founding director of Les Figues Press in Los Angeles.

Joshua S. Raab is editor, creative director, and carnival master for the Newer York Press. His aim in life is to publish weird literature, make book readings less boring, and experiment with publishing methodologies. 

Karen Finneyfrock has written two full-length books of poetry, including Ceremony for the Choking Ghost. Her debut young adult novel is The Sweet Revenge of Celia Door. She is a former Writer-in-Residence at Richard Hugo House.

Room 615/616/617, Washington State Convention Center, Level 6

R179.

Pitching Outside the Box: How Literary-Minded People Write for Nonliterary Publications

(, , , ) Literary writing rarely pays the bills. But there are plenty of other markets looking for good writers, as long as you know how and what to pitch. Panelists who have had success writing for nonliterary outlets explain how to draft a pitch and what kinds of publications to solicit. The panel examines ways to make a living from writing—art criticism, movie reviews, love advice—and how writing for nonliterary publications can help support literary pursuits in various ways.

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Artis Henderson is the author of the memoir Unremarried Widow. She writes the "Sandy Days, Salty Nights" column for Florida Weekly, which earned her two Florida Press Association awards.

Julia Cooke's essays, profiles, and cultural criticism have appeared in the Virginia Quarterly Review, the Village Voice, the Paris Review Daily, and the Atlantic. Her book, All the Young Punks: Grandchildren of the Cuban Revolution in Post-Fidel Havana, is forthcoming.

Claire Dederer is the author of the bestselling memoir Poser: My Life in Twenty-Three Poses. Her writing has appeared in The New York Times, Vogue, The Nation, Slate, Salon, and New York magazine, as well as several essay anthologies.


Twitter Username: ClaireDederer

Website: www.clairedederer.com

Suzanne Mozes is a writer and editor. Her work has appeared in Travel + Leisure and New York. At present, she is at work on a book about one of her obsessions: Dante Gabriel Rossetti and his masterpiece Beata Beatrix.

Room 618/619/620, Washington State Convention Center, Level 6

R180.

Creative Nonfiction’s 20th Anniversary Reading

(, , , , ) A reading in celebration of the 20th anniversary of Creative Nonfiction magazine. Creative Nonfiction was the first literary magazine to publish nonfiction exclusively, and for two decades the magazine has featured prominent authors such as Gay Talese, Phillip Lopate, and Adrienne Rich while helping to launch the careers of some of the genre's most exciting emerging writers. Help us celebrate and honor Creative Nonfiction’s dedication to this still-expanding genre.

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John Edgar Wideman is the recipient of the American Book Award for Fiction, the Lannan Literary Fellowship, a MacArthur Fellowship, and the Pen/Faulkner Award for Fiction. His articles have appeared in the New Yorker, Vogue, Esquire, Emerge, and The New York Times magazine.

Floyd Skloot is a three time Pushcart Prize winner and the recipient of a PEN USA Literary Award. His eighteen books include the memoirs In the Shadow of Memory, The Wink of the Zenith: The Shaping of a Writer's Life, and the forthcoming Revertigo: an Off-Kilter Memoir.


Twitter Username: fskloot

Website: www.floydskloot.com

Brian Doyle is editor of Portland magazine at the University of Portland, Oregon, "the finest spiritual magazine in America," says Annie Dillard. The author of thirteen books of fiction, essays, and poems, he contributes to the bestselling Daily Guideposts and has won the Catholic Book Award.

Rebecca Skloot wrote the #1 New York Times bestseller The Immortal Life of Henrietta Lacks, which has been translated into thirty languages and is being made into a film by Oprah Winfrey and Alan Ball. She's working on a book about animals and ethics.


Twitter Username: rebeccaskloot

Elena Passarello is the author of Let Me Clear My Throat, a collection of essays on the human voice in pop culture. She is an assistant professor in the School of Writing, Literature, and Film at Oregon State University and a faculty mentor in Murray State University's low-residency MFA program.


Twitter Username: elenavox

Website: www.elenapassarello.com

Room LL4, Western New England MFA Annex, Lower Level

R181.

The Challenges and Rewards of Cross-Genre Teaching in an MFA Program

(, , , , ) What of that developing poet with an interest in playwriting, that burgeoning fiction writer in love with exploring sonnets and sestinas, and that talented playwright moved to write a memoir? What about those students in your genre specific workshops whose thesis projects clearly won’t be of that genre? Writers who both write in and teach more than one genre will discuss not only strategies for successfully teaching cross-genre but also why such teaching is, in fact, important and necessary.

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Kermit Frazier has had many plays produced in New York and around the country. He has also written for several television series and he has published fiction and creative nonfiction in several magazines and journals. He teaches in the MFA Program in Creative Writing at Adelphi University.

Catherine Chung is the author of the novel Forgotten Country and an assistant professor at Adelphi University. Her work has been published in The New York Times, Granta.com, and The Rumpus, and she is fiction editor at Guernica.


Twitter Username: chung_catherine

Jessica Hagedorn is an award-winning novelist, playwright, and screenwriter. She is the director of the MFA Creative Writing Program at Long Island University Brooklyn.

Cassandra Medley, playwright and professor at Sarah Lawrence College, won the 2006 Audelco August Wilson Award for Playwriting. Her most recently produced plays include: American Slavery ProjectCell, and Daughter.

Jacqueline Jones LaMon is the author of two collections, Last Seen, a Felix Pollak Poetry Prize selection, and Gravity, U.S.A., recipient of the Quercus Review Press Poetry Series Book Award; and the novel, In the Arms of One Who Loves Me. She teaches at Adelphi University.


Twitter Username: JaJoLaMo

Website: www.jacquelinejoneslamon.com

Room LL5, Western New England MFA Annex, Lower Level

R182.

Getting Your Foot in the Door: Alternatives to Traditional Children's Book Contracts

(, , , , ) The road to publishing can be long and trying. Fortunately, there are more opportunities and publishing fields than a children's writer might think. From working with book packagers and writing on commission, to online publishers, art journals, and writing nonfiction, there are multiple ways of becoming a published author in the children's market. Join five authors, who have also had traditional book deals, as they discuss their experiences breaking into nontraditional publishing.

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Alexandra Diaz is the author of three novels for young adults, including Of All the Stupid Things, which was an American Library Association Rainbow List book. She teaches creative writing to adults and teens.

Mimi Thebo is an American who lives, writes, and works in the UK. She's had seven books published in ten years, and her work has been adapted for a BAFTA-winning film by the BBC, iilustrated in light on London's South Bank, signed for deaf children on ITV, and extensively translated.

Kekla Magoon is the Coretta Scott King/John Steptoe Award-winning author of YA novels The Rock and the River, Camo Girl, and 37 Things I Love. Author of historical nonfiction for teens, she is a three-time NAACP Image Award nominee, and she serves on the board of VIDA: Women in Literary Arts.


Twitter Username: keklamagoon

Website: www.keklamagoon.com

Michele Corriel is the author of two middle grade novels as well as a nonfiction picture book, Weird Rocks. She is a freelance art writer, working with regional and national publications, and she conducts writing workshops and is a Regional Adviser for SCBWI.

Mindy Hardwick is the author of the middle grade novel, Stained Glass Summer, and a young adult novel, Weaving Magic. She is listed on the Washington State Arts Commission Teaching Artist Roster and facilitates a poetry workshop with teens in juvenile detention.

Room 101, Western New England MFA Annex, Level 1

R183.

Sounds Through the Wall: Writing about Music and Musicians

(, , , , Tom Williams) This panel brings together writers with experience writing about music and musicians to discuss the unique challenges encountered when representing something as visceral, immediate, and sensory as music in a literary medium. How can such attention to auditory experience enhance one’s storytelling, and how do these authors evoke music without relying on abstraction, cliched language, or assumed familiarity with certain songs?

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Phong Nguyen is the author of Memory Sickness & Other Stories, and Pages from the Textbook of Alternate History. He is co-editor of Pleiades Press, for which he edited the book Nancy Hale: The Life and Work of a Lost American Master. He teaches creative writing at the University of Central Missouri.


Twitter Username: AlternaHistory

Website: http://www.phongvnguyen.com

A. Manette Ansay is the author of eight books, including Vinegar Hill, Blue Water, and, most recently, Good Things I Wish You, based on the life of pianist Clara Schumann and her friendship with Johannes Brahms. She teaches in the MFA program at the University of Miami.

Will Boast is the author of the story collection Power Ballads and a forthcoming memoir, The Pantomime Horse. He has received fellowships from Stanford University and the University of East Anglia and has taught at Stanford, the University of San Francisco, and San Francisco State University.

Constance Squires is the author of the novel Along the Watchtower, for which she received the Oklahoma Book Award. Short fiction has appeared in the Atlantic monthly, the Village Voice, This Land, the Dublin Quarterly, and Ginkgo Tree Review. She teaches fiction writing at the University of Central Oklahoma.


Twitter Username: ConnieSquires

Website: http://constancesquiresofficial.com

Room 202, Western New England MFA Annex, Level 2

R184.

The Third I: The Writer as Mediator in Memoir and Personal Narrative

(, , , , ) As both subject and writer, memoirists must mediate the I of the past and the I of the present with a third I: the writer who has both lived the material and shapes it. In this session, authors of literary memoir discuss the distinct challenges of creating literature from life that is both truthful and compelling and how they use the authorial I to find the voice to narrate the story, the structure to support the narrative and selection of material from the vast archives of personal history.

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Janice Gary is the author of Short Leash: A Memoir of Dog Walking and Deliverance. She is the recipient of the Christine White Award for memoir and the Ames Award for Essay and is a fellow of the Virginia Center for the Creative Arts.


Twitter Username: jtgary1

Website: www.janicegary.com

Aimee Liu is author of the novels Flash House, Cloud Mountain, and Face. Nonfiction works include Gaining and Solitaire. Her short stories and essays have appeared in more than a dozen anthologies, magazines, and literary journals. She teaches in Goddard College's MFA program in Creative Writing.


Twitter Username: aimee_liu

Website: https://aimeeliu.net/

Richard Hoffman is author of five books, Half the House: A Memoir, the poetry collections Without Paradise, Gold Star Road, and Emblem, and Interference & Other Stories. He is Senior Writer-in-Residence at Emerson College.


Twitter Username: rhoffman49

Website: richardhoffman.org

Jerald Walker is the author of Street Shadows: A Memoir of Race, Rebellion, and Redemption, recipient of the 2011 PEN New England/L.L. Winship Award for Nonfiction. His essays have appeared in numerous publications, including three times in The Best American Essays.

Meredith Hall is the author of the bestselling memoir Without A Map. She is listed on Flavorwire's "17 Women to Read" and was awarded the Gift of Freedom Award from the Rona Jaffe Foundation. Her work has appeared in The New York Times and Kenyon Review. She teaches in the MFA program at the University of New Hampshire.

Room 301, Western New England MFA Annex, Level 3

R185.

Canadian-Cascadian: Four Poets from British Columbia

(, , , ) Join us for a reading by four acclaimed Canadian poets, whose subjects range from Western red cedars to First Nations art, sonatas to logging, Japanese gardens to Vermeer. Their influences extend from Elizabethan to Irish to Objectivist, their forms from sonnet to collage. All with ties to the cross-border region of Cascadia, they will discuss how their work may or may not have been affected by local history, cultures, and landscapes, and what borders might mean in the terrain of poetry.

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Stephanie Bolster’s first book won the Governor General’s Award, one of Canada’s highest literary honours, in 1998. She has published three others, most recently A Page from the Wonders of Life on Earth, and edited two anthologies. She teaches creative writing at Concordia University in Montreal.

Barbara Nickel is the author of two books of poetry, The Gladys Elegies and Domain. She is a recipient of the Pat Lowther Memorial Award and the Malahat Review Long Poem Prize.

Christopher Patton is the author of Ox, a book of poetry; Jack Pine, a story in verse for children; and Curious Masonry, a volume of translations from Old English. He teaches creative writing and literature at Western Washington University.

Matt Rader is a Vancouver Island writer and rabble rouser. His work has appeared in magazines, journals, and anthologies across North America, Ireland, and Australia. His poems and stories are rooted in the ecology, geography, and social history of Vancouver Isalnd.

Room 302, Western New England MFA Annex, Level 3

R186.

Hired Help: Exploring the Relationship Between Author and Editor

(, , , , ) An editor can be a writer’s best friend or sharpest critic (and often, both). A group of academic and trade editors from the Northwest Independent Editors Guild discuss what really happens when someone is hired or assigned to review and polish a writer’s literary work, identifying pitfalls, sharing stories of relationships that worked and those that didn’t. The panel will offer suggestions for how writers can make the most of the help they’re offered on the journey to publication.

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Beth Jusino is a freelance editor, teacher, and writer. A former literary agent, she edits fiction and nonfiction, leads a quarterly publishing class at the University of Washington Experimental College,  published two white papers for writers, and speaks nationally at book festivals and events.


Twitter Username: bethjusino

Website: bethjusino.com

Jason Black is a freelance developmental editor in the greater Seattle area. He has edited hundreds of manuscripts for his clients, helping them to strengthen the plots, characters, and writing craft of their novels. He writes a monthly column on character development for Author Magazine.

Waverly Fitzgerald is the author of seven published novels and one nonfiction book, Slow Time. She has received residencies from Hedgebrook and the Whiteley Center, a fellowship from Jack Straw Foundation, and a grant from Artist Trust. She coaches writers and teaches writing classes for Hugo House.

Anne Mini's blog, Author! Author!, provides writers with practical advice on everything from query letter construction to the most delicate of craft issues. She has won numerous writing awards and fellowships. She also holds degrees from Harvard and the Universities of Chicago and Washington.

David B. Schlosser has earned awards for editing and fiction and nonfiction writing. After careers in politics and PR, he has worked as a freelance writer and editor since 2001. His work ranges from mystery, scifi/fantasy, and literary fiction to STEM, economics, and business/HR nonfiction.


Twitter Username: dbschlosser

Website: http://www.dbschlosser.com/

Room 303, Western New England MFA Annex, Level 3

R187.

FC2 at Forty Years

(, , , Steve Tomasula) A flash fiction reading of new FC2 authors in celebration of the press' 40th year.

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Matthew Roberson is the author of two novels, 1998.6 and Impotent, and editor of a critical book, Musing the Mosaic. His short fiction has appeared in journals such as Fourteen Hills, Fiction International, and Western Humanities Review. He teaches at Central Michigan University.

Luke B Goebel is the recipient of the FC2 Ronald Sukenick Prize for Innovative Fiction. His novel in stories, Fourteen Stories | None of Them Are Yours will be released in 2014. He is an assistant professor of english at the University of Texas at Tyler.

Lance Olsen is author of more than twenty books, most recently the novel Calendar of Regrets and the anti-textbook Architectures of Possibility: After Innovative Writing. A Guggenheim and Berlin Prize fellowship recipient, he teaches experimental theory and practice at the University of Utah.

Room 304, Western New England MFA Annex, Level 3

R188.

Writing the Monster Body

(, , , , ) Under the bed, in the real or proverbial closet, in movies, in politics, in history, and even in our own bodies, today there are more “monsters” than ever. In this panel, five writers from three genres discuss the risks and rewards of writing the monster body. Some questions to be considered: How do we depict what’s human about what’s monstrous, and vice versa? How do we best question socially constructed monster-hood? And what does it mean when the monster is us?

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Carrie Shipers is the author of the chapbooks Ghost-Writing and Rescue Conditions and the full-length collection Ordinary Mourning. Her poems have appeared in New England Review, North American Review, and Prairie Schooner. She teaches at the University of Wisconsin-Marshfield/Wood County.

Andrea Scarpino is the author of the chapbook The Grove Behind and the poetry collection Once, Then. She received an MFA in Creative Writing from The Ohio State University and has published in numerous journals including the Cincinnati Review, Los Angeles Review, and Prairie Schooner.

Aaron Raz Link is assistant professor at Pacific NW College of Art, nonfiction MFA, historian of science, and mask performer. His book What Becomes You was a Lambda Literary Award finalist in both gay and transgender writing; essays appear in books and journals including Brevity and Fourth Genre.

Kwame Dawes is author of eighteen collections of poetry; two novels; several anthologies; and plays. He has won a Pushcart Prize, a Guggenheim Fellowship, and an Emmy. At the University of Nebraska he is a Chancellor's Professor of English and Glenna Luschei Editor of Prairie Schooner.


Twitter Username: kwamedawes

Website: www.kwamedawes.com

emily m. danforth is author of the YA novel The Miseducation of Cameron Post, winner of the 2012 Montana Book Award and finalist for the William C. Morris and Lambda awards. She teaches creative writing at Rhode Island College in Providence and is co-editor of the Cupboard.


Twitter Username: emdanforth

Website: http://www.emdanforth.com

Room 305, Western New England MFA Annex, Level 3

R189.

Not What I Was Looking For, But What I Found: Deploying Research in Creative Writing

(, , , , ) How can research enrich creative writing? Many writers collect information as a way to engage their inner lives, educate themselves about the world, look out as a means of looking in, animate the historical and political—and then deploy those findings in their work, often to strange, wonderful, and unexpected effect. This cross-genre panel composed of writers of fiction, nonfiction, and poetry will discuss the strategies, pleasures, and potential pitfalls of digging for facts to use in your art.

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Edward McPherson is the author of two nonfiction books, Buster Keaton: Tempest in a Flat Hat and The Backwash Squeeze and Other Improbable Feats. His fiction and nonfiction have appeared in a number of venues, including The New York Times magazine. He teaches at Washington University in St. Louis.

Ethan Rutherford’s first book, The Peripatetic Coffin and Other Stories, a Barnes & Noble Discover Great New Writers selection for Summer 2013, has been long-listed for the Frank O’Connor Award, and was named by Publishers Weekly as one of the Best Books of Summer 2013.

Sandra Lim is the author of Loveliest Grotesque, a book of poems, and the forthcoming collection, The Wilderness, which was awarded the 2013 Barnard Women Poets Prize. She is an Assistant Professor of English at the University of Massachusetts, Lowell.

Amy Leach is the author of Things That Are. Her work has appeared in Best American Essays, A Public Space, and Orion. She has been recognized with the Whiting Writers' Award, a Rona Jaffe Foundation Award, and a Pushcart Prize, and she holds an MFA from the University of Iowa.

Jim Shepard is the author of six novels, including most recently Project X, and four story collections, including most recently Like You’d Understand, Anyway, which was a finalist for the 2007 National Book Award and won The Story Prize, and You Think That’s Bad, released in 2011.

1:30 p.m. to 2:45 p.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R190.

From the Stage to the Page: Why Teaching Drama in the Creative Writing Classroom Improves Student Fiction, Creative Nonfiction, and Poetry

(, , , ) Playwriting crystallizes many essential aspects of craft. Focusing on monologue opens revelations in voice. Shaping scene forces students to show rather than tell. Working through pacing highlights problems in plot. Yet the vast majority of creative writing classrooms ignore playwriting. This panel not only argues for the relevance of teaching playwriting in its own right but for the pedagogical importance of teaching playwriting alongside the other genres.

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Peter Grandbois is the author of four books, including most recently a collection of fictions, Domestic Disturbances, a novel, Nahoonkara, and The Arsenic Lobster, a memoir. He is associate editor at Boulevard magazine and teaches at Denison University.

Janet Burroway is author of eight novels including Raw Silk, Cutting Stone, and Bridge of Sand, and textbooks Writing Fiction and Imaginative Writing. Her memoir Losing Tim appeared 2013. She is at work on a musical, Morality Play, and a drama, Headshots. She is Distinguished Professor Emerita at FSU.


Twitter Username: janetburroway

Website: www.janetburroway.com

Brighde Mullins's twelve plays have been performed in New York, London, San Francisco, and Los Angeles. Awards include a Guggenheim, a Whiting, an NEA, and a United States Artists Award. She is the Director of MPW, a multi-genre creative writing program at the University of Southern California.

David Starkey is Director of the Creative Writing Program at Santa Barbara City College and served as Santa Barbara’s 2009-2010 Poet Laureate. His introductory textbook, Creative Writing: Four Genres in Brief, is in its second edition, and a two-genre version of the book has just been published.

Cedar Room, Sheraton Seattle, 2nd Floor

R191.

Communication is Translation: How the Act of Translating Influences the Act of Poesis

(, , , Esther Allen, William Pitt Root) George Steiner believes that “all acts of communication are acts of translation.” If this is fact, then why is there so often so little room in the world of translation for creative communication? Through selected readings and lively discussion, this panel of poets, prose writers, and editors will examine the validity of Steiner’s supposition by exploring the effects of traditional translation, imitation, and riff on the "making" and communication of their own bodies of creative work.

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Iris Mahan was the runner-up for 2013 Donald Everett Axinn Award in poetry. Editor of the online review, Ter Duende, her chapbook Bathe Once Before and Twice After is also available online.


Twitter Username: i_mayhem26

Barbara Siegel Carlson is a poet and translator. Her poetry collection Fire Road was published in 2013. She is co-translator (with Ana Jelnikar) of the Slovene Srecko Kosovel's selected poems Look Back, Look Ahead.

Richard Jackson is the winner and recipient of AWP's George Garrett Award; Guggenheim, Witter-Bynner, NEA, and NEH fellowships; five Pushcart prizes; and the Slovene Order of Freedom Award. He is the author of ten books of poems including Resonance, Out of Place, two books of criticism, and two Slovene anthologies.

Redwood Room, Sheraton Seattle, 2nd Floor

R192.

The Author’s Children: The Intersection of Art, Advocacy, and Ethics in Writing About Your Kids

(, , , , ) Writers of personal nonfiction often wrestle with how much to divulge about themselves and others, and the tension increases when the subject matter includes children. What are our rights, responsibilities, and imperatives as we write about our kids? How do we respond to concerns that we’re leaving a legacy that might make our children uncomfortable? In this panel, authors who have written boldly about their children and themselves will discuss these issues.

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Zoe Zolbrod is the author of Currency, which received a 2010 Nobbie Award and was a Friends of American Writers prize finalist. She's a contributor to The Nervous Breakdown, The Rumpus, and The Weeklings, and works as a senior editor at Houghton Mifflin Harcourt.


Twitter Username: zoezolbrod

Website: zoezolbrod.com

Jillian Lauren has an MFA in Creative Writing from Antioch University. She is the author of the memoir Some Girls: My Life in a Harem and the novel Pretty. Her writing has appeared in the Paris Review, The New York Times, and Los Angeles magazine.

Ben Tanzer is an Emmy-award winning Public Service Announcement writer and the author of the books My Father's House, You Can Make Him Like You, and the forthcoming Orphans and Lost in Space. He is also the editor of the anthology Daddy Cool and a partner at Curbside Splendor.


Twitter Username: BenTanzer

Website: https://www.tanzerben.com/

Claire Dederer is the author of the bestselling memoir Poser: My Life in Twenty-Three Poses. Her writing has appeared in The New York Times, Vogue, the Nation, Slate, Salon, New York magazine, and in several essay anthologies.


Twitter Username: ClaireDederer

Website: www.clairedederer.com

Kerry Cohen is the author of six books, including Loose Girl: A Memoir of Promiscuity and Seeing Ezra: A Mother’s Story of Autism, Unconditional Love, and the Meaning of Normal. Her work has been featured in numerous anthologies and journals. She teaches in the Red Earth MFA.


Twitter Username: kerrycohen

Website: www.kerry-cohen.com

Willow Room, Sheraton Seattle, 2nd Floor

R193.

Hot off the Presses: A Reading by Copper Canyon Poets

(, , , , ) An event featuring the freshest work by Copper Canyon poets, with an introduction by executive editor Michael Wiegers. Hear poetry from the newest collections on the market by a diverse group of voices.

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Michael Wiegers, a veteran of independent literary publishing for over two decades, is the Executive Editor of Copper Canyon Press, and the Poetry Editor of Narrative magazine. He translates poetry from Spanish and has edited poetry books from around the globe at every stage in their careers.


Twitter Username: MWiegers

Marianne Boruch's recent collection of poems, The Book of Hours, won the Kingsley Tufts Poetry Award, 2013. Her eighth book, Cadaver, Speak, is due out in 2014. Author of a memoir, The Glimpse Traveler, and two essay collections on poetry, she teaches at Purdue University and Warren Wilson College.

Ellen Bass's poetry books include Like A Beggar, The Human Line, and Mules of Love. Her poems have appeared in the New Yorker, American Poetry Review, Kenyon Review, and the New Republic. She is co-author of The Courage to Heal and Free Your Mind. She teaches in the MFA program at Pacific University.


Twitter Username: PoetEllenBass

Website: www.ellenbass.com

Mark Bibbins is the author of three books of poems, the most recent of which is They Don't Kill You Because They're Hungry, They Kill You Because They're Full. He teaches at The New School and Columbia University and edits the poetry section of The Awl.


Twitter Username: markbibbins

Matthew Zapruder is an editor for Wave Books, and teaches poetry as a member of the Core Faculty of the MFA Program at St. Mary's College of California. His newest book of poems, Sun Bear, will be published by Copper Canyon in spring 2014.


Twitter Username: matthewzapruder

Room 2A, Washington State Convention Center, Level 2

R194.

What's Next? Pressures and Opportunities in Undergraduate Writing Programs

(, , , , Katharine Whitcomb) Undergraduate programs in creative writing develop student writers who will inevitably face a competitive future—in publishing and editing, MFA or other graduate programs, and the job market. Directors and faculty from various writing programs (U.S. and abroad) will discuss an array of curricular choices made in recent revisions to undergraduate writing programs. The conversation will cover traditional, online, and low residency options, describe choices and outcomes, and weigh the pros and cons of the most recent developments.

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Audrey Colombe is an associate professor in the Department of English and Writing at University of Tampa. Her short fiction and nonfiction has appeared in numerous literary journals, and she is the fiction editor at Tampa Press.


Twitter Username: AAColombe

Kathlene Postma directs the creative writing program for undergraduates at Pacific University, where she also teaches fiction writing. Her fiction, nonfiction, and poetry have appeared in Zyzzyva, Hawaii Review, Willlow Springs, and Green Mountains Review. She edits Silk Road Review.

Janet Sylvester’s books are, That Mulberry Wine and The Mark of Flesh. Her new book, Breakwater, is under consideration at a number of publishers. She directs the low-res BFA in Creative Writing at Goddard College in Vermont.


Twitter Username: JanetASylvester

Abi Curtis is Head of Programme for Creative Writing at York St John University, York, United Kingdom. Her second poetry collection, The Glass Delusion, won a Somerset Maugham Award in 2013.

Room 2B, Washington State Convention Center, Level 2

R195.

Reading Virginia's Mail: Letters and Journals as Creative Nonfiction

(, , , , Marilyn Abildskov) What makes a letter a work of art? When does a diary become literature? How did the letter lead to the essay, and how do the two differ? We seek to expand the territory of creative nonfiction as we present and discuss the letters and journals of authors such as Michel de Montaigne, Virginia Woolf, Anais Nin, Charlotte Forten, Mary Wollstonecraft, Harriet Jacobs, Samuel Pepys, Mark Twain, Ned Rorem, Martin Luther King, Jr., and others. This is a celebration and exploration.

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S.L. (Sandi) Wisenberg is the author of two nonfiction books, The Adventures of Cancer Bitch, and Holocaust Girls: History, Memory & Other Obsessions, and the fiction collection The Sweetheart Is In. She directs the MA/MFA in Creative Writing Program at Northwestern University.


Twitter Username: SLWisenberg

Website: http://SLwisenberg.com

Faith Adiele is author of Meeting Faith, a PEN-award-winning memoir/travel diary and writer/subject/narrator of My Journey Home, a PBS documentary based on a memoir-in-progress about finding her global family. She teaches at California College of the Arts, Stanford, Berkeley, and around the world.


Twitter Username: meetingfaith

Website: adiele.com

Donald Morrill is the author of four books of nonfiction, among them Impetuous Sleeper and The Untouched Minutes, as well as two volumes of poetry. He is currently associate dean of Graduate and Continuing Studies at the University of Tampa and teaches in UT’s Low-Residency MFA in Creative Writing.

Kenny Kruse is an MFA candidate at the University of Alabama. He teaches with the Alabama Prison Arts + Education Project and is a co-founder of Writers in the Schools - Alabama.

Room 3A, Washington State Convention Center, Level 3

R196.

Why Can’t We Be Friends?: Book Arts in the Digital Age

(, , , , ) Alongside the rise of online publishing is a renaissance in the traditional art of the book. Handmade chapbooks, broadsides, artist books, and other literary objects are often viewed in opposition to computers and the Internet; but in fact, the digital world and the book arts cooperate in unexpected ways. Our discussion will address practical strategies to open book arts to a wider audience online and examine what the fine arts gallery has to add to conversations in contemporary publishing.

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Meryl DePasquale is the author of a chapbook, Dream of a Perfect Interface, and her poems have appeared recently in DIAGRAM, Handsome, and Interim. A member of the artist co-op at Minnesota Center for Book Arts, she collaborates with Shawn Hebrank on Four-Letter Press.

Anna Lena Phillips is editor of Ecotone and author of A Pocket Book of Forms, a letterpress-printed, travel-sized guide to poetic forms. Her other letterpress projects include Forces of Attention, a series of printed interventions. She teaches in the creative writing department at UNC Wilmington.


Twitter Username: aproflection

Website: http://todointhenewyear.net

MC Hyland is the author of Neveragainland and the chapbooks Every Night In Magic City, Residential, As In, and, with Kate Lorenz and Friedrich Kerksieck, the hesitancies. She runs DoubleCross Press with Jeff Peterson, and she recently started work toward a PhD in English Literature at NYU.

Drew Burk is an editor and bookbinder for Spork Press. He continues to work on his next novel.

Guy Pettit is the executive director of Flying Object, an arts and publishing nonprofit in Western Massachusetts. He is an editor at Factory Hollow Press.

Room 3B, Washington State Convention Center, Level 3

R197.

Writing Rules I Break, Presented by The Southampton Review

(, , , , ) Writing workshop leaders often focus on the rules of narrative arc, point of view, characterization, and punctuation. But the rule breakers of today are the rule makers of the canon. How can we know when to stretch and bend literary principles? A craft talk by writers who know the rules and know when to circumvent them, this panel, which includes fiction writers, memoirists, literary review editors, and a poet, considers when and how rule breakers are able to create livelier, more exciting work.

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Lou Ann Walker is the editor-in-chief of TSR: The Southampton Review. The author of A Loss for Words: The Story of Deafness in the Family, as well as many other books and articles, she is a professor at Stony Brook Southampton.

Susan Scarf Merrell is fiction editor of TSR: The Southampton Review, and teaches in the MFA in Creative Writing & Literature at Stony Brook Southampton. Her novel Shirley is forthcoming in 2014.


Twitter Username: susan_merrell

Website: susanscarfmerrell.com

Dinah Lenney wrote Bigger than Life: A Murder, A Memoir and co-authored Acting for Young Actors. She teaches in the Bennington Writing Seminars, the Rainier Writing Workshop, and the Master of Professional Writing Program at USC. Her new memoir The Object Parade will be published in 2014.


Twitter Username: dinahlenney

Website: dinahlenney.com

Robert Wrigley teaches at the University of Idaho. His most recent books include Anatomy of Melancholy & Other Poems, and The Church of Omnivorous Light: Selected Poems.

Rachel Pastan is the author of three novels, Alena, Lady of the Snakes, and This Side of Married. A member of the core faculty of the Bennington Writing Seminars, she is also editor-at-large for the Institute of Contemporary Art in Philadelphia, where she writes the blog "Miranda."

Room 400, Washington State Convention Center, Level 4

R198.

Development of Community-Based Creative Writing Programs in the Inland Northwest

(, , , , ) In recent years, panelists have created community writing programs for female veterans, children, cancer survivors, prison inmates, and the public. They will discuss how to start and organize a writing program, how to prepare course offerings and partner with local organizations, businesses, or universities. They will also examine the interconnections among their programs, the populations they serve, the philosophies that motivate their decisions, and how they plan to develop their programs.

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Tami Haaland is the author of When We Wake in the Night. She is a graduate of Bennington Writing Seminars and a professor at MSU Billings. She teaches at Montana Women’s Prison and coordinates a writing-in-the-schools program for Arts Without Boundaries. She is Montana’s poet laureate.


Twitter Username: TamiHaaland

Danell Jones’s poetry, fiction, and reviews have appeared in various publications. Winner of the Jovanovich prize for poetry, she was a finalist for the Breadloaf Poetry Prize and the PEN/Nelson Algren in Fiction. She is the author of The Virginia Woolf Writers’ Workshop.

Dave Caserio, recipient of a Fellowship in Poetry award from the New York State Foundation of the Arts and a member of the Humanities Montana Speakers Bureau, conducts writing workshops for cancer survivors and produces multi-media poetry events. His CD of poetry is Wisdom For A Dance In The Street.

Amelia M. McDanel is an MFA candidate at Antioch University Los Angeles. She teaches poetry to children and facilitates a writing group for veteran women. A six-year veteran of the US Navy, she is also the Commander of American Legion Post 117 in Billings, Montana.


Twitter Username: meaface1

Ashley K. Warren graduated from the Stonecoast MFA Program and writes fiction and poetry. She won first prize for fiction in Concordia College’s Annual Literary Contest. She teaches creative writing at Montana State University Billings.

1:30 p.m. to 3:00 p.m.

Washington State Convention Center, Level 4

R199.

Meet & Greet with AWP Board Members

Interested in meeting current AWP board members? Have some ideas for AWP to implement? Do you have questions, or are you looking to get more involved in the organization? If so, join us at the AWP Bookfair Booth (#100 and 102) on Thursday and Friday between Noon and 5:45pm. Please consult the bookfair map in the conference planner for detailed location.

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1:30 p.m. to 2:45 p.m.

Patricia Olson Bookfair Stage, Washington State Convention Center, Level 4

R200.

Writers Who Play

(, , , ) Writers Who Play is an AWP off-site showcase featuring AWP members who are writers and also musicians and who combine their literary and musical talents. We have presented our showcases since the 2005 AWP conference in Vancouver, B.C. Come to this event to sample the music and poetry you'll hear at our Thursday evening showcase at The Rendezvous, 6:00 - 10:00pm.

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Ken Waldman has six full-length poetry collections, a memoir, a children's book, and nine CDs that combine Appalachian-style string-band music with original poetry. Since 1994 he's made his living as a freelance writer, teacher, musician, and performer, sometimes touring as Alaska's Fiddling Poet.

Garry Craig Powell's novel-in-stories, Stoning the Devil, is set in the United Arab Emirates and has been longlisted for the Frank O' Connor Award and the Edge Hill Prize. He is an associate professor at the University of Central Arkansas.

Vincent Craig Wright is a short story and song writer from Ashland Oregon. Fiction Writer at Southern Oregon University and cofounder of Institute of New Writing/Ashland, he has recent work in BlazeVox, Sleet magazine, the Harvard Advocate, and a book of stories, Redemption Center.

Will Jennings’s writing has appeared in the Water~Stone Review, River Teeth, the Southern Humanities Review, the Wapsipinicon Almanac, Trapeze, Exchange, Fugue, and ICON magazine. A musician, he has performed on Public Television, the Telluride Bluegrass Festival, at SXSW, the CBC, and NPR.

Room 602/603, Washington State Convention Center, Level 6

R201.

Before the Door of God

(, , , , ) Before the Door of God is a poetry reading in celebration of the publication of Before the Door of God: An Anthology of Devotional Poetry, edited by Jay Hopler and Kimberly Johnson, and published by Yale University Press.

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C. Dale Young is the author of three collections of poetry, the most recent being Torn. A recipient of fellowships from the NEA, the Guggenheim Foundation, and the Rockefeller Foundation, he teaches in the Warren Wilson MFA Program for Writers.

 

Mary Szybist is the author of Granted, a finalist for the National Book Critics Circle Award for Poetry, and Incarnadine. She teaches at Lewis & Clark College in Portland, Oregon.

Bruce Beasley is a professor of English at Western Washington University and author of seven collections of poems, including Theophobia and The Corpse Flower: New and Selected Poems. He has won three Pushcart Prizes, an NEA fellowship, the Colorado Prize for Poetry, and other awards and honors.

Mark Jarman is the author of Bone Fires: New and Selected Poems. He has also published two books of essays about poetry, The Secret of Poetry and Body and Soul: Essays on Poetry. He is Centennial Professor of English at Vanderbilt University.


Twitter Username: mfjarman

Jacqueline Osherow is author of six books of poetry, most recently Whitethorn. Her seventh, White on White, is forthcoming in 2014. She’s received the Witter Bynner Prize and grants from the NEA, Guggenheim, and Ingram Merrill Foundations. She directs Creative Writing at Utah.

Room 604, Washington State Convention Center, Level 6

R202.

Engaging Youth with Slam Poetry and Spoken Word

(, , , ) As performance poetry and slam competition grows in popularity, many organizations are using the energetic and entertaining format of slam to engage, inspire, and motivate young students. In this interactive workshop, leading youth workers will discuss the benefits and challenges of slam poetry programs and facilitate dialogue among participants about best practices and how to reach and motivate more students using poetry.

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Pages Matam is a multi-lingual creative writing and performance Artist, originally from Cameroon, Africa. He is a Write Bloody author, educator, activist, playwright, host, event organizer, and an Award Winning slam poet.


Twitter Username: pagesofle

Website: www.pagesmatam.com

Jonathan B. Tucker is a poet, teacher, DJ, and activist. Coach of the DC Youth Slam Team and Youth Programs Coordinator for the nonprofit Split This Rock, he uses performance poetry to raise issues of social justice and inspire dialogue and action. He has twice represented DC at the National Poetry Slam and his book of poems is I Got the Matches.

Josh Healey is an award-winning writer, performer, and creative activist. Author of the poetry collection Hammertime, He has been featured in The New York Times, Al-Jazeera, and NPR's Snap Judgment. Based in Oakland, California, he is the 2013-2014 Culture Shift Fellow for Movement Generation.

Elizabeth Acevedo is currently an MFA candidate at The University of Maryland. She has been a featured poet at The Kennedy Center of the Performing Arts, The Kodak Theatre, and Madison Square Garden.


Twitter Username: acevedowrites

Website: www.acevedopoetry.com

Room 606, Washington State Convention Center, Level 6

R203.

Mix It Up: Teaching Hybrid Forms

(, , , , ) This panel will address the structures and parameters of teaching hybrid forms using various creative writing genres and other artistic disciplines such as film, visual art, music, and new media. Panelists will present approaches used in courses in a range of contexts (undergrad and grad, low-res, noncredit, online, etc). Subjects will include using teaching prompts across media, creating multi-disciplinary salons in the classroom, and reconceiving with students notions of both genre and medium.

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Jeanne Heuving is a scholar and writer. Her published books include Incapacity (winner of the 2004 Book of the Year Award from Small Press Traffic), Transducer, and Omissions Are Not Accidents. She directs the MFA program in Creative Writing & Poetics at the University of Washington, Bothell.

Peter Streckfus is the author of Errings, winner of the 2013 POL Editors Prize through Fordham University Press, and The Cuckoo, published in 2004 as part of the Yale Series of Younger Poets. A 2013 Rome Prize Fellow in literature, he teaches at George Mason University.

Tung-Hui Hu is the author of three books of poetry, The Book of Motion, Mine, and Greenhouses, Lighthouses. He is an assistant professor of English at the University of Michigan, where he teaches creative writing and film/media studies.

Elisabeth Frost is the author of a book of poems, All of Us; a critical study, The Feminist Avant-Garde in American Poetry; and two chapbooks: Rumor and A Theory of the Vowel. She is professor of English at Fordham University, where she edits the Poets Out Loud poetry series from Fordham Press.

Sara Michas-Martin, is the winner of the 2013 Poets Out Loud Prize. A former Stegner Fellow and Jones Lecturer at Stanford University, he currently teaches at Goddard College and Stanford’s Online Writers’ Studio.

Room 607, Washington State Convention Center, Level 6

R204.

Writers and Dads: A Reconciliation

(, , , ) Changing societal expectations have seen fathers frequently embracing more responsibility as caregivers when it comes to parenting. When those fathers are writers, often occupied with drafting, reading, revising, and submitting work, how does that role reconcile with that of Dad? Panelists discuss the ways in which their writing lives coincide with being engaged fathers, including time and schedule management, work/family balance, and using fatherhood experiences as material for their own work.

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Ande Davis has worked as an editor for various magazines and literary journals. His fiction and poetry have recently appeared in PANK, cream city review, Foxing Quarterly, South Dakota Review, and Hawai'i Review.


Twitter Username: andedavis

Luke Rolfes teaches writing and literature at Northwest Missouri State University. His fiction and nonfiction appear in literary journals around the country, and he is a past winner of the Robert C. Wright and Iron Horse Discovered Voices Award.

Eric McHenry teaches creative writing at Washburn University. His books of poetry include Potscrubber Lullabies, which received the Kate Tufts Discovery Award, and Mommy Daddy Evan Sage, a children’s book illustrated by Nicholas Garland.

Matthew Porubsky lives in Topeka, Kansas, and works as a freight conductor for the Union Pacific Railroad. He has four collections of poetry, voyeur poems, Fire Mobile (The Pregnancy Sonnets), Ruled by Pluto, and John, and his poems have appeared in RHINO, Quiddity, {HOOT}, and elimae.

Room 608, Washington State Convention Center, Level 6

R205.

A Tribute to Vern Rutsala

(, , , , ) This panel celebrates Vern Rutsala, a preeminent poet and native of the Pacific Northwest, whose 80th birthday is this year. Rutsala is author of over a dozen books of poems, including The Moment’s Equation – a finalist for the National Book Award. Other honors include the Richard Snyder Prize, Oregon Book Award, and fellowships from the Guggenheim Foundation and National Endowment for the Arts. This panel of colleagues and friends read from Rutsala's poems and discusses his work and life.

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Peter Sears is the author of five books of poetry. His volume of poetry, New and Selected Poems: Small Talk, is forthcoming in 2014. He is a member of the faculty for Mountain Writers Series and the Pacific University MFA in Writing.

Anita Helle is professor of English and director of the School of Writing, Literature, and Film. She is the editor of The Unraveling Archive: Essays on Sylvia Plath and past editor of the American Literary Scholarship annual chapters on American Poetry 1940s to the Present.

Lex Runciman has authored four collections of poetry, including The Admirations, which won the Oregon Book Award. His most recent collections include Starting from Anywhere and the forthcoming One Hour That Morning & Other Poems. He teaches literature and writing at Linfield College.

Maxine Scates is the author of three books of poetry, Undone, Black Loam, and Toluca Street and co-editor, with David Trinidad, of Holding Our Own: The Selected Poems of Ann Stanford. She has received the Starrett Prize, an Oregon Book Award, and a Pushcart Prize.

Christopher Howell has published ten volumes of poems and has published poems, essays, reviews, and interviews in a long list of journals. He has been awarded three Pushcart Prizes, two NEA fellowships, and a number of other distinctions. He teaches at Eastern Washington University and is director of Lynx House Press.

Room 609, Washington State Convention Center, Level 6

R206.

You Can’t Go Home Again: Post-Iraq Assimilation, Trauma, and Narrative Art

(, , , ) How does one write in the long shadow of the Iraq War? While the war is now largely elided in the popular consciousness, a new American postwar fiction and nonfiction is surfacing. Three author-veterans of Iraq and two civilians take up the issues of writing about PTSD, Iraq’s effect on contemporary narrative, and the intersection of national memory and creative work, as well as the struggles, advantages, and best practices of writing about the war as a civilian, or as a Veteran.

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Arna Bontemps Hemenway is the author of Elegy on Kinderklavier. His fiction has appeared in A Public Space, Ecotone, AQR, FiveChapters, and the Missouri Review. He is an assistant professor of Creative Writing at Baylor University.


Twitter Username: arnabontemps

Website: arnabontempshemenway.com

Roy Scranton's work has appeared in The New York Times, Boston Review, New Letters, LIT, and Theory & Event. He is co-editor of Fire and Forget: Short Stories from the Long War. He holds an MA from the New School for Social Research and is earning a PhD in English at Princeton.


Twitter Username: royscranton

Website: http://www.royscranton.com/

David J. Morris is a former Marine and author of Storm on the Horizon, an account of the Gulf War battle of Khafji. His war reportage has appeared in Salon, Slate, VQR, and the Best American Nonrequired Reading series. His biography of PTSD, titled The Evil Hours will be released in fall 2014.

Phil Klay served in the United States Marine Corps and was deployed to Iraq in 2007. He is the author of the forthcoming short story collection, Redeployment, and is a contributor to Fire and Forget: Short Stories From the Long War. His work has appeared in The New York Times, Granta, and Tin House.


Twitter Username: Philklay

Room 611, Washington State Convention Center, Level 6

R207.

Out of the Classroom: Possible Adventures in Creative Writing

(, , , ) This panel chronicles the strategies of four teachers of fiction and nonfiction who assign
undergraduate students to go on “adventures” outside of the classroom and their comfort zone: attending
roller derby games or a quarter horse competition, visiting a pet cemetery, going on a "coyote watch," taking
tango classes, etc. These assignments encourage students to see how “plot” works in real life (instead of in
television narratives) and how easily they can generate material for their writing.

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Philip Graham is the author of seven books of fiction and nonfiction. His work has appeared in the New Yorker, Paris Review, McSweeney's, and elsewhere. He teaches at the University of Illinois, Urbana-Chamapign and the VCFA MFA in Writing program, and is a co-founder and an editor of Ninth Letter.

Dinty W.Moore is author of The Mindful Writer: Noble Truths of the Writing Life, as well as the memoir Between Panic & Desire, winner of the Grub Street Book Prize. Editor of The Rose Metal Press Field Guide to Writing Flash Nonfiction, he lives in Athens, Ohio.


Twitter Username: brevitymag

Website: www.dintywmoore.com

John Warner is the author of The Funny Man. A weekly columnist for the Chicago Tribune's Printers Row book supplement, he is a blogger for Inside Higher Ed. He is also an editor for McSweeney’s Internet Tendency and commentator for the Tournament of Books. Warner teaches at the College of Charleston.

Harmony Neal is the 2011-2013 Fiction Fellow at Emory University. Her essays and short stories have been recently published or are forthcoming in Grist, New Letters, the Gettysburg Review, Paper Darts, and storySouth.

Room 612, Washington State Convention Center, Level 6

R208.

I’m Just Not That Into You: Unsympathetic Characters in Fiction

(, , , , ) American readers, workshops, and editors are often partial to sympathetic characters, but where does that leave contemporary Humbert Humberts and Anna Kareninas? A panel consisting of writers, editors, and an agent will address likeability in fiction. Is it crucial that our characters be sympathetic? Do we expect more likeable characters in fiction written by female rather than male writers? How does an agent approach the submission process if the novel’s protagonist is deemed unsympathetic?

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Irina Reyn is the author of the novel, What Happened to Anna K, and the anthology, Living on the Edge of the World: New Jersey Writers Take on the Garden State. She teaches creative writing at the University of Pittsburgh.


Twitter Username: IrinaReyn1

Hannah Tinti is co-founder and editor-in-chief of One Story and the author of Animal Crackers and The Good Thief. She teaches creative writing at Columbia University's MFA program and the Museum of Natural History. In 2011, she joined the public radio program "Selected Shorts" as their literary commentator.


Twitter Username: hannahtinti

Website: www.hannahtinti.com

Lynne Sharon Schwartz is a novelist, essayist, poet, and translator from Italian. Her latest books are Two-Part Inventions, a novel, and See You in the Dark, a poetry collection. She teaches in the Bennington Writing Seminars and at Columbia University.

Ryan D. Harbage is an agent at The Fischer-Harbage Agency. His clients include award-winning and bestselling authors such as Aliya King, Edward Klein, Taylor Plimpton, Robbie Robertson, p.g. sturges, Amy Sullivan, Jackson Taylor, and Thad Ziolkowski. He teaches at Pratt and The New School.

Maud Newton won the Narrative Prize for "When the Flock Changed," an excerpt from her novel-in-progress. She has written for the New York Times magazine, Narrative, Granta, Tin House, Bookforum, Awl, Paris Review Daily, The Los Angeles Times, and New York Times Book Review.


Twitter Username: maudnewton

Website: http://www.maudnewton.com

Room 613/614, Washington State Convention Center, Level 6

R209.

The I or the Eye: The Narrator's Role in Nonfiction

(, , , , ) Be it a personal or lyric essay, memoir, a  work of journalism, or criticism, writers of literary nonfiction must decide how to craft their narrators to best suit the subject at hand. Why are some narrators situated center-stage as participants (the I) while others locate themselves more offstage as observers (the Eye)? This panel of writers, teachers, and editors will offer rationales for a range of approaches and suggest strategies to determine how best to present their narrators on the page.

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Phillip Lopate has written over twenty books, most recently, the essay collections Portrait Inside My Head and To Show and to Tell: the Craft of Literary Nonfiction. Editor of the anthology Art of the Personal Essay, he directs the MFA nonfiction program at Columbia University.

Elyssa East is the author of Dogtown: Death and Enchantment in a New England Ghost Town, winner of the 2010 PEN New England/LL Winship award in Nonfiction. Her fiction has appeared in Cape Cod Noir and Best of the Akashic Noir. She teaches at Rhode Island School of Design and is working on a novel.

Robert Root teaches nonfiction in the Ashland University MFA Program in Creative Writing. His recent books include the memoir Happenstance, the essay collection Postscripts: Retrospections on Time and Place, and the craft book The Nonfictionist’s Guide: On Reading and Writing Creative Nonfiction.

Lia Purpura is the author of seven collections of essays, poems, and translations, most recently Rough LIkeness (essays) and King Baby (poems). Her awards include a Guggenheim Fellowship and a National Book Critics Circle Award. She is Writer in Residence at University of Maryland, Baltimore County.


Twitter Username: @LiaPurpura

Website: www.liapurpura.com

Michael Steinberg is founding editor of Fourth Genre. Still Pitching won the ForeWord Magazine/Independent Press Memoir of the Year. The Fourth Genre: Contemporary Writers of/on Creative Nonfiction (with Bob Root) is in a 6th edition. He's nonfiction writer in residence in the Solstice MFA program.

Room 615/616/617, Washington State Convention Center, Level 6

R210.

Henry at 100: A Centenary Tribute to John Berryman

(, , , , ) This panel celebrates the lasting legacy of one of the latter 20th Century’s most original figures, John Berryman, whose epic poem, "The Dream Songs," occupies a unique place in American literature. Yet Berryman remains a controversial figure, and our panel will commemorate his accomplishment while at the same time confronting the more fraught elements of his writing, among them matters of gender, race, and the limitations of the confessional mode.

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David Wojahn's eighth collection of poetry, World Tree, was published in 2011 and won the Acadmey of American Poets' Lenore Marshall Prize. He teaches at Virginia Commonwealth University and in the MFA in Writing Program of Vermont College of Fine Arts.

Peter Campion is the author of three collections of poems, Other People, The Lions, and El Dorado. He is the recipient of a Pushcart Prize, the Larry Levis Reading Prize, The Rome Prize (Prix de Rome) and the Guggenheim Fellowship. 
He directs the MFA program at the University of Minnesota.

Kathleen Graber is the author of two collections of poetry, The Eternal City and Correspondence. She teaches in the Creative Writing Program at Virginia Commonwealth University and the low residency MFA Program at Fairleigh Dickinson University.

J. Allyn Rosser's books of poems are Foiled Again, Misery Prefigured, and Bright Moves. She has received fellowships from the Guggenheim and Lannan Foundations, the NEA, and the Ohio and New Jersey Arts Councils. Rosser teaches at Ohio University and edits New Ohio Review.


Twitter Username: Deardarkness

Website: kevinyoungpoetry.com

Room 618/619/620, Washington State Convention Center, Level 6

R211.

How to Do It Now: New Trends in Literary Publishing

(, , , , ) Hear from some of America’s leading publishing experts on what’s new now and what’s likely to happen next for independent literary publishers.

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Jeffrey Lependorf serves as the shared Executive Director of America's two national service organizations for independent literary publishing: the Council of Literary Magazines and Presses (CLMP) and Small Press Distribution.


Twitter Username: flowchartfdn

Website: http://www.jeffreylependorf.com


Twitter Username: jpfine

Rob Spillman is editor and co-founder of Tin House, a fifteen-year-old bi-coastal (Brooklyn and Portland) literary magazine, Executive Editor of Tin House Books, co-founder of the Tin House Writers Workshop, now in its twelfth year, and editor of Gods and Soldiers: The Penguin Anthology of African Writing.


Twitter Username: robspillman

Website: http://www.robspillman.com/

Rachel Fershleiser heads publishing outreach at Tumblr. She has been Community Manager at Bookish and Events Director at Housing Works Bookstore Cafe. She is co-creator of Six-Word Memoirs and co-editor of the New York Times Bestseller Not Quite What I Was Planning and three other books.

Ira Silverberg has worked in the literary world for nearly thirty years. Among the positions he's held are Literature Director of the National Endowment for the Arts, Editor in Chief of Grove Press, and Publisher and founding co-editor of High Risk Books/Serpent's Tail.

Room LL4, Western New England MFA Annex, Lower Level

R212.

Beyond What You Did Last Summer: Teaching Travel Writing

(, , , , ) Travel writing is becoming more popular in both destination workshops and college curriculums. But where does travel writing meet literary nonfiction? How do we move students past the where-to-go, what-to-eat mentality? How can we help students tell their own stories within the context of place? With experience in international workshops, college classrooms, and virtual courses, these panelists will share their theoretical stance, ideas on curriculum development, and practical teaching tips.

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Suzanne Roberts is the author of the memoir Almost Somewhere: Twenty-Eight Days on the John Muir Trail, which won the National Outdoor Book Award, as well as four collections of poetry, including Three Hours to Burn a Body: Poems on Travel. She writes and teaches in South Lake Tahoe, California.


Twitter Username: SuzanneRoberts

Website: http://www.suzanneroberts.net

Rolf Potts is the author of two travel books, and he has reported from more than sixty countries for the likes of National Geographic Traveler, the New Yorker, Slate.com, Outside, Sports Illustrated, and the New York Times magazine. He teaches nonfiction writing at Yale.


Twitter Username: rolfpotts

Website: http://rolfpotts.com/

Lavinia Spalding is series editor of The Best Women’s Travel Writing, author of Writing Away: A Creative Guide to Awakening the Journal-Writing Traveler, and coauthor of With a Measure of Grace: the Story and Recipes of a Small Town Restaurant. Her work appears in many print and online publications.


Twitter Username: laviniaspalding

Website: www.laviniaspalding.com

David Miller is Senior Editor of Matador, the largest independent travel publication on the internet, and Director of Curricula at MatadorU, a global education community for writers, photographers, and filmmakers with an emphasis on travel journalism.

Ann Marie Brown is the author of thirteen guidebooks and dozens of magazine articles on California and Nevada travel and outdoor recreation. She also teaches Travel and Adventure Writing and journalism classes at Sierra Nevada College.

Room LL5, Western New England MFA Annex, Lower Level

R213.

Ring of Fire, New Creations: Translation on the Pacific Rim

(, , , ) Contemporary Asian American poets discuss their strategies and experiences in translating poetry from nations of the Pacific Rim, sharing insights on methodology, collaborative process, cross-cultural representations, and experimental forms. Transcending the conventions of fidelity or transparency, the investigations of these poet-translators go beyond the question of what is “lost in translation” to consider the potential of translations as entirely new creations. A respondent will present closing remarks prior to a question and answer session.

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Karen An-hwei Lee is the author of three books of poetry and a chapbook. Her first collection, In Medias Res, won the Norma Farber First Book Award. A collection of Song Dynasty translations, Doubled Radiance: Poetry & Prose of Li Qingzhao, is forthcoming.


Twitter Username: karenanhweilee

Website: http://www.poetryfoundation.org/bio/karen-an-hwei-lee

Sawako Nakayasu’s books include Mouth: Eats Color, Texture Notes, and a translation of Takashi Hiraide’s For the Fighting Spirit of the Walnut which won the 2009 Best Translated Book Award. She has received NEA and PEN fellowships, and her poetry has been translated into several languages.


Twitter Username: sawakonakayasu

Website: http://sawakonakayasu.net/

Srikanth Reddy is the author of two books of poetry, Facts for Visitors and Voyager, and a scholarly study, Changing Subjects: Digressions in Modern American Poetry. He is currently an associate professor in the English Department at the University of Chicago.

Neil Aitken is the author of The Lost Country of Sight, winner of the 2007 Philip Levine Prize, and the editor of Boxcar Poetry Review. His collaborative translations of Chinese poetry appear in The Book of Cranes: Selected Poems of Zang Di and New Cathay: Contemporary Chinese Poetry, 1990-2012.


Twitter Username: neil_aitken

Website: http://www.neil-aitken.com

Room 101, Western New England MFA Annex, Level 1

R214.

The Floating Bridge Press 20th Anniversary Reading Featuring Washington State Poets

(, , , , ) A reading by four poets celebrating the merit and variety of Floating Bridge Press, a small but respected and regionally significant all-volunteer press dedicated to publishing and publicizing emerging Washington State poets through an annual chapbook competition, the annual publication of a journal, Floating Bridge Review, public readings, and beginning in 2012, a few remarkable full-length poetry collections.

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Kathleen Flenniken is the 2012-2014 Washington State Poet Laureate, and the author of two books of poetry, Famous, and Plume, a meditation on the Hanford Nuclear Site in eastern Washington State, finalist for the 2013 William Carlos Williams Award. She is an editor at Floating Bridge Press.

Nancy Pagh has authored one book of nonfiction (At Home Afloat) and two collections of poetry (No Sweeter Fat, After). She is the recipient of Artist Trust and D.H. Lawrence fellowships and Whiteley Center and Port Townsend Writers’ Conference residencies. She teaches writing at Western Washington University.

Molly Tenenbaum is the author of three books of poetry: By a Thread, Now, and The Cupboard Artist. Honors include a Hedgebrook residency, a GAP grant, and a 2009 Artist Trust Fellowship. She teaches at North Seattle Community College.

Dennis Caswell is the author of the full-length poetry collection Phlogiston and has appeared in Floating Bridge Review, Crab Creek Review, Monarch Review, and other journals and anthologies.

Timothy Kelly has four poetry collections, including Stronger, which won the 1999 Field Poetry Prize. He works as a Physical Therapist, and his work reflects a longstanding fascination with the body, its resilience, and capacity to heal.

Room 202, Western New England MFA Annex, Level 2

R215.

South Dakota Review: A 50th Anniversary Reading and Celebration

(, , , , ) In celebration of its 50th anniversary as a national quarterly print journal, South Dakota Review showcases a small sampling of its authors, representing the magazine's aesthetically eclectic and culturally diverse spin on its ongoing, half-century engagement with themes of ecocriticism, place, landscape, and identity.

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Lee Ann Roripaugh is the author of four volumes of poetry: Dandarians (forthcoming 2014), On the Cusp of a Dangerous Year, Year of the Snake, and Beyond Heart Mountain. She directs the creative writing program at the University of South Dakota, and is editor-in-chief of South Dakota Review.


Twitter Username: artichokeheart

Website: http://southdakota.academia.edu/LeeAnnRoripaugh

Tiffany Midge won the Kenyon Review Earthworks Prize for The Woman Who Married a Bear (forthcoming). She has published work  in the Raven Chronicles, Florida Review, South Dakota Review, Shenandoah, and Poetry Northwest, and she is Standing Rock Sioux.

Ira Sukrungruang is the author of the Talk Thai: The Adventures of Buddhist Boy and In Thailand It is Night. His work has appeared in Brevity, the Sun, and North American Review. The editor of Sweet: A Literary Confection, he teaches in the MFA program at University of South Florida.


Twitter Username: sukrungruang

Website: www,sukrungruang.com

Megan Kaminski is the author of one book of poetry, Desiring Map, and six chapbooks of poetry, including This Place and Gemology. She is assistant professor of poetry writing at the University of Kansas, and she also curates the Taproom Poetry Series in downtown Lawrence.


Twitter Username: megan_kaminski

Website: http://www.megankaminski.com/

Sean Johnston’s latest book is Listen All You Bullets. He is also the author of All This Town Remembers and A Day Does Not Go By, which won Canada’s ReLit Award for short fiction in 2003. He has a PhD from the University of South Dakota and teaches Writing and Publishing at Okanagan College.

Room 301, Western New England MFA Annex, Level 3

R216.

Under-the-Radar Trends in Contemporary American Poetry

(, , , , ) What cultural forces are shaping how younger writers compose and imagine their poems? How have recent political events, social dynamics, and technological advances influenced their aesthetic and ethical concerns? While it is impossible to map out the entire landscape of contemporary American poetry, members of this panel will report on current developments that have not yet come to our collective critical attention.

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David Roderick’s first book of poems, Blue Colonial, won of the APR/Honickman Prize. His next book, The Americans, will be published in the fall of 2014. He teaches in the MFA Writing Program at the University of North Carolina at Greensboro.

Tomás Q. Morín is the author of the poetry collection A Larger Country, winner of the APR/Honickman Prize. He is co-editor with Mari L’Esperance of the anthology, Coming Close: 40 Essays on Philip Levine. He teaches literature and writing at Texas State University.

Shara Lessley is the author of Two-Headed Nightingale. Her awards include a Stegner Fellowship, Diane Middlebrook Fellowship, Colgate University’s O’Connor Fellowship, The Gilman School’s Tickner Fellowship, and a Discovery / The Nation prize. She is the 2014 Mary Wood Fellow at Washington College.


Twitter Username: SharaLessley

Paul Otremba is the author of The Currency and the forthcoming Pax Americana. His poems, reviews, and criticism have appeared in New England Review, the Kenyon Review, Witness, Houston Chronicle, The Washington Post, and American Poets in the 21st Century. He teaches at Rice University.


Twitter Username: protremba

Website: http://paulotremba.com

Rachel Richardson has received fellowships from the National Endowment for the Arts, Sewanee Writers’ Conference, and Wallace Stegner Program at Stanford. She is the author of Copperhead, a poetry collection, and is currently the Kenan Visiting Writer at UNC Chapel Hill.


Twitter Username: rbjrichardson

Website: rachelbjrichardson.com

Room 302, Western New England MFA Annex, Level 3

R217.

From Borges to the Gnostics: Tribute to the work of Willis Barnstone

(, , , ) For sixty years, Willis Barnstone has been opening up American poetry to the rest of the world through his more than seventy books of poetry, translation, memoir, criticism, and religious scholarship. Winner of numerous awards, mentor to generations of younger writers, Willis Barnstone is a national treasure. The panelists will share
anecdotes and analyses and read from his work, followed by a reading by Willis Barnstone himself.

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Sholeh Wolpé's publications include three collections of poetry, most recently, Keeping Time with Blue Hyacinths, an award-winning book of translations, Sin, and three anthologies. She teaches at Stonecoast MFA program.


Twitter Username: Sholeh_Wolpe

Website: https://www.sholehwolpe.com//

Yusef Komunyakaa is author of seventeen collections of poetry. His work has been awarded a Pulitzer Prize and the 2011 Wallace Steven's Award. His plays, musical collaborations, and theater art have been performed internationally. His most recent collection is Testimony, A Tribute to Charlie Parker.

Stanley Moss’s most recent collection of poems is No Tear is Commonplace (2013). In 1977, he founded the Sheep Meadow Press.

Robert Stewart is editor of New Letters, New Letters on the Air radio series, and BkMk Press at the University of Missouri-Kansas City. He is author of Outside Language, essays, and Plumbers, poems. In 2008, he won a National Magazine Award for editorial excellence in the essay category.

Room 303, Western New England MFA Annex, Level 3

R218A.

Beef Jerky, Bras, and Car Parts: What We Write About When We Write for Money

(, , , , ) F. Scott Fitzgerald did it, Salman Rushdie did it, Don DeLillo did it – it is no surprise that many serious writers have earned their rent money by writing copy for advertisements. The poets and novelists on this panel discuss their anecdotal experiences of technical and review writing (including about lingerie, car parts, and porn)—and how the peculiarities of this work sustained, flattened, inspired, or challenged their own literary writing and sense of self. Sellouts? Or workhorses? You decide.

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Rachel Kessler is co-founder of literary collaborations The Typing Explosion and Vis-à-Vis Society. Her poems have been published in Tin House, Poetry Northwest, The Far Field, and City Arts magazine. She teaches creative writing in public schools and in homeless shelters in Seattle.

Anastacia Tolbert is a writer, Cave Canem Fellow, Hedgebrook Alumna, EDGE Professional Writers Graduate, VONA alum, creative writing workshop facilitator, documentarian, and playwright. Her fiction and nonfiction have been published widely.

Matthew Dickman is the author of All-American Poem, 50 American Plays (co-written with his twin brother Michael Dickman, 2012), and Mayakovsky’s Revolver (2012).

Jan Wallace, a poet and essayist, writes advertising copy. She has one chapbook, Kickpleat in the Cosmos. Her poems and essays have appeared in various journals.

Ryan Boudinot teaches at Richard Hugo House. He also teaches in Goddard College's MFA program in Port Townsend, Washington. His work has appeared in McSweeney's and The Best American Nonrequired Reading.

Room 304, Western New England MFA Annex, Level 3

R218B.

Being Juvenile is a Good Thing: A Reading of Old Writers Inspired by Young Writers

(, , , , ) In a recent New Yorker profile of James Salter, the writer dismissed his teenage writing as “terrible”—a common refrain for most writers of renown—yet such false modesty does damage to the public perception of what young people can do. This panel will present writers who have worked with Writers in the Schools programs to read their work and the work of the amazing young people who have inspired them. The reading will also feature a special guest appearance by a young writer from Seattle.

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Rebecca Hoogs is the author of Self-Storage and a chapbook, Grenade. Her poems have appeared in Poetry, AGNI, Crazyhorse, FIELD, and others. She is the Program Director for Seattle Arts & Lectures, and a co-director of the Creative Writing in Rome program for the University of Washington.


Twitter Username: rebeccahoogs

Terry Blackhawk's Escape Artist won the 2003 John Ciardi Prize for Poetry. She also received the 2010 Pablo Neruda Award and has work in many journals, anthologies, and online. A former high school teacher, she is founder of InsideOut Literary Arts, Detroit's acclaimed writers-in-schools program.


Twitter Username: BlackhawkTerry

Website: www.terrymblackhawk.com

Garth Stein is the author of three novels, including The Art of Racing in the Rain, a New York Times and international bestseller. He is the co-founder of Seattle7Writers, a nonprofit collective of Northwest authors working to foster a passion for the written word.


Twitter Username: garthstein

Website: www.garthstein.com

Nick Flynn wrote Some Ether, Another Bullshit Night in Suck City, The Captain Asks for a Show of Hands, The Reenactments, The Ticking is the Bomb, Alice Invents a Little Game and Alice Always Wins, Blind Huber, and A Note Slipped Under the Door. His work has been translated into fifteen languages.


Twitter Username: _nick_flynn_

Website: www.nickflynn.org


Twitter Username: dorothealasky

Website: dorothealasky.tumblr.com

Room 305, Western New England MFA Annex, Level 3

R219.

Writing in Place: The West as Catalyst and Backdrop for Fiction

(, , , ) The three most recent winners of the Oregon Book Award in fiction will discuss the ways place influences their work, both as current residents of Oregon and former residents of Bosnia, Canada, and Nevada. To what extent does Oregon and the American West act as a catalyst for character and conflict? To what extent is a writer's location an incidental backdrop? And what effect does winning a regional book award have on a writer's sense of being "from" or "belonging to" a certain place?

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Susan Denning is the director of Programs and Events at Literary Arts in Portland, Oregon, where she serves as program director for the Oregon Book Awards & Fellowships program. She is also an adjunct professor of writing at Marylhurst University, and her poetry has appeared in several publications.


Twitter Username: susanmoorepdx

Website: www.susanmoorepdx.com

Willy Vlautin has published three novels, The Motel Life, Northline, and Lean on Pete. His fourth novel, The Free will be published spring of 2014. He also founded the band Richmond Fontaine, which has achieved critical acclaim at home and across Europe.

Patrick deWitt is the author of Ablutions: Notes for a Novel and The Sisters Brothers.

Ismet Prcic is a Bosnian-American writer. His debut novel Shards won the Los Angeles Times and Sue Kaufman awards for first fiction as well as the Oregon Book Awards in fiction. Recipient of an NEA Award for Fiction in 2010, he is a Sundance Institute's Screenwriting fellow.

3:00 p.m. to 4:15 p.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R220.

What's Luso Got To Do With It?

(, , , , ) Issues of identity and inclusivity—in literature and life—will be addressed by members of Presence/Presença, a grassroots organization that provides a community for North American writers of the Portuguese and Lusophone diaspora. Hear about how to reach out to writers who might feel marginalized, as well as fundamental requirements for creating a not-for-profit arts organization to nurture writers within our community, a desired goal for this organization, will also be discussed.

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PaulA Neves’ work has appeared in Quiddity, The Waiting Room Reader IIBetween MountainThe New Laurel ReviewThe Newark Metro; Lambda Literary Award finalist The Poetry of Sex; and Stonewall Book Award-winning Uncommon Heroes. Her scholarships include Dzanc Books and West Chester.


Twitter Username: itinerantmuse

Website: paulaneves.net

Melissa da Silveira Serpa serves on the executive committee of Litquake, San Francisco’s Literary Festival, and is a teaching artist for Poetry Inside Out, an education program run by the Center for the Art of Translation.

Marie Carvalho writes poetry, fiction, and nonfiction. Her work has received an AWP Intro award, Ford Foundation and Wyoming Arts fellowships, a Dzanc Books scholarship, and a Pushcart Prize nomination. She teaches and works as a freelance writer in Honolulu.

Amy Sayre Baptista’s stories have appeared in Alaska Quarterly Review, Ninth Letter, S’ouwester, LUSO American Voices, and Chicago Noir. She is a CantoMundo fellow, a Pushcart Prize nominee, and a scholarship recipient to the Disquiet Literary Festival in Lisbon, Portugal.


Twitter Username: amyjosayre

Website: amysayre.org

Cedar Room, Sheraton Seattle, 2nd Floor

R221.

The Write to Network: Women Writers Empowering Women

(, , , , ) In this panel, four women in the writing industry and from diverse segments of the country, cultural backgrounds, and literary affiliations, discuss the ways in which women writers, editors, and publishers are networking to help promote and empower women writers across the publishing industry—from women-empowering virtual gatherings and poetry salons to chain reading series and grassroots community publishing.

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Maria Miranda Maloney is the founder of Mouthfeel Press and author of The City I Love. She is a former writer and literary event organizer for the Smithsonian Latino Virtual Museum, and she is the current poetry editor for BorderSenses.

Arisa White is a Cave Canem fellow, the author of Post Pardon, Hurrah’s Nest, and A Penny Saved, and she is an advisory board member for Flying Object and co-editor for Her Kind, an online literary community powered by VIDA: Women in Literary Arts.

JP Howard aka Juliet P. Howard is a Cave Canem graduate fellow and co-founder of Women Writers in Bloom Poetry Salon, a monthly literary salon in New York, which nurtures women writers of all levels. Her poems have been published widely, including in Muzzle magazine and The Best American Poetry Blog.


Twitter Username: JPHoward_poet

Website: http://www.jp-howard.com

Xánath Caraza’s bilingual poetry and short story collections are Conjuro, Corazón Pintado, and What the Tide Brings. She writes the column, "US Latino Poets en español," and teaches at the University of Missouri-Kansas City. She is an advisory circle member of the Con Tinta literary organization.


Twitter Username: xanathcaraza

Website: http://xanathcaraza.webs.com/

Erica Eller is the organizer of the Hazel Reading Series in San Francisco. She has published fiction in Everyday Genius and the Otolith.

Redwood Room, Sheraton Seattle, 2nd Floor

R222.

Ghost Lives: Writing and Teaching Memoir When the Subject is Missing

(, , , ) Join a conversation about finding story in what has gone missing. How can we work with lapsed memory, missing subjects, and constructing reality for absent others? How can we instruct students healing from traumatic brain injury, PTSD, and other memory perils? Four writers and writing teachers examine the impact of constructing a memoir with missing people, places, and events. Explore their heightened examples of what every memoir writer must face and how to recapture details that point to truth.

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Brian Castner served as an explosive ordnance disposal officer in the U.S. Air Force from 1999 to 2007, deploying to Iraq in 2005 and 2006. His first book, The Long Walk, was published 2012. His writing has appeared in the Daily Beast, The New York Times, and Foreign Policy.


Twitter Username: brian_castner

Website: www.briancastner.com

Warren Etheredge, is a playwright, founder of The Film School, and teacher of the Red Badge Project, a writing program for soldiers. He has conducted over 2,500 interviews and is host of The High Bar, an Emmy®-nominated television series. He is a documentarian, author, and public radio contributor.


Twitter Username: thewarrenreport

Website: www.warrenetheredge.com

Christa Parravani-Swofford's Her: A Memoir was an Indie Bound Next pick, an Amazon Debut Spotlight pick, and a best book of the month. Her writing has appeared in Marie Claire, The Washington Post, The London Times, and The Daily Mail.


Twitter Username: cparravani

Website: www.christaparravani.com

Sonya Lea is the author of Wondering Who You Are, a memoir. She has written for Brevity, the Southern Review, and Cold Mountain Review, and she has been granted an international memoir prize, and Artist Trust award, and the Nicholl Fellowship in screenwriting.


Twitter Username: sonya_lea

Website: www.sonyalea.net

Willow Room, Sheraton Seattle, 2nd Floor

R223.

Hidden Populations: The Working Class in the Writing Workshop

(, , , , ) Frank O’Connor, in The Lonely Voice, discusses “outlawed figures” common to the short story. What happens when such “outlaws” are part of the writing workshop community? In our daily narratives of teaching and writing, the working class can be one such outsider population. Panelists will consider pedagogical and artistic issues from a socio-economic perspective with the intention of questioning how to best serve our students and the literature that will one day be part of the marketplace.

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Lee Martin is the author of four novels, including the Pulitzer Prize finalist, The Bright Forever. He is also the author of three memoirs, most recently Such a Life, and a story collection, The Least You Need to Know. He teaches in the creative writing program at Ohio State University.


Twitter Username: LeeMartinAuthor

Dorothy Allison is the author of the prize-winning novels, Bastard out of Carolina and Cavedweller, as well as the books Two or Three Things I know for Sure, Trash, Skin, and the book of poetry, The Women Who Hate me. A novel, She Who, is forthcoming.


Twitter Username: AllisonRydab

Website: www.dorothyallison.net

Karen Salyer McElmurray won the AWP Award for Creative Nonfiction for her memoir, Surrendered Child: A Birth Mother’s Journey. Her novels are The Motel of the Stars and Strange Birds in the Tree of Heaven. She teaches in low-residencies at Wilkes University, West Virginia, and West Virginia Wesleyan.


Twitter Username: mcelmurraykaren

Website: www.karenmcelmurray.com

Claire Vaye Watkins's Battleborn won the Story Prize, the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and a Silver Pen Award from the Nevada Writers Hall of Fame. One of the National Book Foundation’s 5 Under 35, she is currently teaching at Princeton.

Sonja Livingston’s book, Ghostbreat, won the AWP Award for Nonfiction. Her work has won honors from the Deming Fund, Iowa Review, Arts & Letters, and New York Foundation for the Arts. Essays from a forthcoming collection appear in journals such as RiverTeeth, Seneca Review, and Creative Nonfiction.


Twitter Username: sonjalivingston

Website: www.sonjalivingston.com

Room 2A, Washington State Convention Center, Level 2

R224.

Cascadia Chronicle: Integrating Writing with Digital Geo-Visualization

(, , , , ) The panel showcases Cascadia Chronicle, an emerging online digital space that explores the meanings of place through the creative integration of scholarship, creative nonfiction, and poetry into geo-visualization platforms. Scholars, creative writers, and technical specialists discuss the conceptual, artistic, and technological challenges of this new kind of digital humanistic initiative. How can diverse literary and scholarly points of view be effectively embedded in a GoogleEarth environment?

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Katharine Whitcomb is the co-editor of A Sense of Place: The Washington State Geospatial Poetry Anthology and the author of three poetry collections: Saints of South Dakota & Other Poems, Hosannas, and Lamp of Letters. Her poetry awards include a Stegner Fellowship at Stanford University.


Twitter Username: k_whitcomb

Website: www.katharinewhitcomb.com

Mark Auslander is a sociocultural and historical anthropologist, with interests in slavery, historical memory, ritual performance; research in Africa and African American communities. He is author of The Accidental Slaveowner: Revisiting a Myth of Race and Finding an American Family.

Marc Thompson is currently a Master's Candidate in Resource and Environmental Management at Central Washington University. He is the technical director for www.cascadiachronicle.com and www.asenseofplacewa.com. His main area of interest is finding interesting implementations for Google Earth.

Allen Braden is the author of A Wreath of Down and Drops of Blood and Elegy in the Passive Voice. He has received fellowships from the National Endowment for the Arts and from Artist Trust of Washington State, as well as the Emerging Writers Prize from Witness magazine, the Grolier Poetry Prize, and the Dana Award in Poetry.

Tom Wayman is the Squire of "Appledore," his estate in the Selkirk Mountains of southeastern B.C. He has published more than a dozen collections of poems, most recently Dirty Snow, as well as works of fiction and cultural criticism. He taught most recently for the University of Calgary, 2002-2010.

Room 3A, Washington State Convention Center, Level 3

R225.

Behind the Scenes: Meet the Producers of the Literary Documentary

(, , , ) Three filmmakers discuss their unique, diverse perspectives on the production process working with or documenting contemporary writers. How did they select their respective literary figures? What are the complexities of portraying the distinct life of one National Book Award author, transforming a mother’s novel into film, or capturing a community of Canadian francophone writers? What are copyright and distribution issues? The panel concludes with limited screenings of the selected films.

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Jennifer Burton (Tufts University) produces films with Five Sisters Productions, including Manna From Heaven, a new comedy on ageism, Old Guy, and a documentary on drag culture in Columbus, OH. Publications include Call and Response: Key Debates in African American Studies, co-edited with Henry Louis Gates Jr.

Kandace Brill Lombart is a literary scholar who is currently compiling the Ruth Stone Bibliography. She has been active for over two decades in promoting poets and writers in Buffalo, New York, as well as organizing and co-coordinating major international events focused on women writers.

Allison Adelle Hedge Coke is author of the poetry collections Dog Road Woman, recipient of the American Book Award, and Off-Season City Pipe. Her other books include Rock Ghost, Willow, Deer, a memoir; and Blood Run, a verse-play. She was editor of Sing: Poetry from the Indigenous Americas, Effigies, and Effigies II.


Twitter Username: AAHedgeCoke

Website: www.allisonhedgecoke.com

Room 2B, Washington State Convention Center, Level 2

R226.

Writing Toward the Future: High School Creative Writing Programs

(, , , , ) As writing programs multiply around the nation, high school writing majors in arts schools are the new frontier. What does such an early emphasis on the craft of writing offer young students during the high school years and beyond? What should a writer hoping to teach at such a program expect? Instructors and program directors of arts school creative writing programs across the country explore what intensive training in creative writing can offer today’s youth and today’s teachers of writing.

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Monika Cassel is chair of the English Department at New Mexico School for the Arts, a statewide charter arts school. She is launching a creative writing minor at the school in 2013-14 as a pilot for a writing major. She is working on a translation of the German poet Durs Grünbein’s Porzellan.


Twitter Username: MonikaCassel

Website: https://www.monikacassel.com/

Jamie Figueroa teaches creative writing at New Mexico School for the Arts, a dual credit college course offered through the Institute of American Indian Arts. Her fiction, poetry, and creative nonfiction has been published in various literary reviews. She is at work on her MFA in Creative Writing.

Kim Henderson chairs the Creative Writing department at Idyllwild Arts Academy, an arts boarding high school. She is the author of a chapbook of flash fiction, The Kind of Girl, which won the 2012 Rose Metal Press chapbook contest.

Anne-Marie Oomen is author of Pulling Down the Barn and House of Fields, both Michigan Notable Books, An American Map: Essays; and Uncoded Woman. She is instructor of creative writing at Interlochen Arts Academy and The Solstice MFA at Pine Manor College (MA).


Twitter Username: oomen_anne

Website: www.Anne-MarieOomen.com

Scott Gould teaches at the South Carolina Governor’s School for the Arts. Since 2006, eight of his students have been named US Presidential Scholars in the Arts; 9 have won $10,000 portfolio prizes from the Scholastic Writing Awards. His fiction has appeared in Kenyon Review, Carolina Quarterly, and Bull: Men's Fiction.


Twitter Username: scott_gould

Website: www.scottgouldwriter.com

Room 3B, Washington State Convention Center, Level 3

R227.

You’re Doing It Wrong: Grantwriting for Publishers 101

() Learn the essentials—plus a number of handy tricks and strategies—for creating an effective grant proposal.

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Jeffrey Lependorf serves as the shared Executive Director of America's two national service organizations for independent literary publishing: the Council of Literary Magazines and Presses (CLMP) and Small Press Distribution.


Twitter Username: flowchartfdn

Website: http://www.jeffreylependorf.com

Room 400, Washington State Convention Center, Level 4

R228.

Calling Your Muse When Writing for Young Adults and Children

(, , , , ) Fiction for younger audiences must create a sense of immediacy and an authentic voice born from a writer’s unique perspective on childhood. How do you use these elements to move from concept to dramatic narrative? Five award-winning authors writing novels, picture books, and poetry in Alaska, Trinidad, Seattle, and California discuss what it means to call up the muse and their methods of moving from inspiration to application. Theme, voice, style, and illustration will be imaginatively examined.

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Laura McGee Kvasnosky has written and illustrated seventeen picture books and a middle grade novel in the last twenty years. Her books’ awards include SCBWI Kite honors for Zelda and Ivy, and the American Library Association's Geisel award for The Runaways. She has taught in Vermont College of Fine Arts MFA in Writing for Children and Young Adults program.

Zu Vincent is author of the award winning novel The Lucky Place, the biography Catherine the Great, and numerous short stories, essays, and nonfiction works for such publications as ALAN Review, Harper’s, and Yoga Journal, among others. She writes for both children and adults.

Julie Larios teaches on the faculty of the Vermont College of Fine Arts MFA in Writing for Children and Young Adults program. The author or four books of poetry for children, she has also had her work for adults honored with a Pushcart Prize and included twice in The Best American Poetry series.

Kelly Bennett is the award-winning author of many books for children—mostly picture books. Her fiction and nonfiction have been published in magazines for children and adults, and in newspapers.


Twitter Username: kellyb_books

Website: www.kellybennett.com

Debby Dahl Edwardson's most recent novel, My Name is Not Easy, was a finalist for the National Book Award. She is an adjunct instructor at Ilisagvik College, Alaska’s only tribal college.

Washington State Convention Center, Level 4

R229.

Board Member Meet & Greet

Interested in meeting current AWP board members? Have some ideas for AWP to implement? Do you have questions, or are you looking to get more involved in the organization? If so, join us at the AWP Bookfair Booth (#100 and 102) on Thursday and Friday between Noon and 5:45pm. Please consult the bookfair map in the conference planner for detailed location.

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Ballroom E, Washington State Convention Center, Level 6

R230.

The Narration of Identity and the Cuban-American Experience with Richard Blanco and Cristina Garcia, Sponsored by Blue Flower Arts

(, , ) Richard Blanco and Cristina Garcia give a rare glimpse into their forbidden country, Cuba, through the literary voice of the American immigrant experience. Reading poetry, fiction, and memoir—and in lively conversation with Forrest Gander—they each illuminate the struggles of living in-between two cultures. Throughout their search for a cultural identity, they explore issues of language, gender, family, exile, and history—and discover what it means to truly become an American.

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Forrest Gander is a writer & translator with degrees in geology and English literature. Recent books include Eiko & Koma, Fungus Skull Eye Wing: Selected Poems of Alfonso D'Aquino, and Core Samples from the World, a Pulitzer Prize and National Book Award finalist.

Richard Blanco’s first book, City of a Hundred Fires, received the Agnes Lynch Starrett Poetry Prize. His second book, Directions to The Beach of the Dead won the PEN/Beyond Margins Award. His third collection, Looking for The Gulf Motel, won the Paterson Poetry Prize and Thom Gunn Award from the Publishing Triangle. He stands as the youngest, first Latino, and first openly gay person to serve as the Presidential inaugural poet.

Cristina García is the author of several novels, including The Agüero Sisters, winner of the Janet Heidinger Kafka Prize; and Dreaming in Cuban, finalist for the National Book Award, and, most recently, King of Cuba. She has edited two anthologies, Bordering Fires: The Vintage Book of Contemporary Mexican and Chicano/a Literature and Cubanísimo: The Vintage Book of Contemporary Cuban Literature. Her other work includes three books for young readers and a collection of poetry, The Lesser Tragedy of Death.

Room 602/603, Washington State Convention Center, Level 6

R231.

Artists in the Old-Growth: OSU’s Spring Creek Project & the HJ Andrews Experimental Forest

(, , , , ) How can a residency program empower and generate inquiry and creative responses to our astonishing world? How can a long-term, place-based program affect the way we see our relation to the forest? The world? Join this discussion with the founders and participants of the Oregon State University-based Spring Creek Project that brings writers to a place of old-growth forest and ground-breaking forest science.

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Andrew C. Gottlieb is the Book Reviews Editor for Terrain.org, and his writing has appeared in journals like Ecotone, ISLE, Poets & Writers, and Salon.com. He’s the author of a chapbook of poems, Halflives, and he won the 2010 American Fiction Prize.

Fred Swanson co-directs the Long-Term Ecological Reflections program based at the H.J. Andrews Experimental Forest in the Oregon Cascade Range, which has hosted more than forty writers in residence and a variety of humanities-science interactions. He is a retired US Forest Service scientist.

Kathleen Dean Moore is an essayist and environmental ethicist, author of Riverwalking, Holdfast, Pine Island Paradox, and Wild Comfort, and co-editor of the climate ethics book, Moral Ground. She is co-founder and now Senior Fellow of the Spring Creek Project at Oregon State University.

Alison Hawthorne Deming is author of four poetry books, most recently Rope, and three nonfiction books with Zoologies: On Animals and the Human Spirit forthcoming. She is Director and Professor of Creative Writing at the University of Arizona.


Twitter Username: AlisonDeming

Website: www.alisonhawthornedeming.com

Charles Goodrich is the author of three books of poetry, A Scripture of Crows; Going to Seed: Dispatches from the Garden; and Insects of South Corvallis; and a collection of essays, The Practice of Home. He serves as Director for the Spring Creek Project for Ideas, Nature, and the Written Word

Room 604, Washington State Convention Center, Level 6

R232.

Best-Kept Secret: The Joys of Teaching Composition at a Two-Year College

(, , , , ) Artist, beware: you might like teaching composition at a two-year college. Undergraduates need to practice innovation and risk-taking—hallmarks of the creative writing discipline. When we bring creative elements into the comp classroom, we reflect on our own craft. Two-year colleges promote collaboration, and our work with fellow English Studies faculty enriches us. This panel of community college writing professors shares its enthusiasm for teaching this infamous bread-and-butter course.

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Lauren Smith is assistant professor of English at Delta College in central Michigan. Her essays have appeared in the Writer’s Chronicle, New Madrid, Prick of the Spindle, and the Umbrella Factory.

Jennifer Militello is the author of three collections of poetry: Body Thesaurus, Flinch of Song, winner of the Tupelo Press First Book Award, and the chapbook Anchor Chain, Open Sail. She is the director of the creative writing program at River Valley Community College.


Twitter Username: JenifrMilitello

Website: www.jennifermilitello.com

Adam Penna is the author of two books of poetry: Little Song & Lyrics to Genji, and The Love of a Sleeper. He teaches at Suffolk County Community College, where he is an associate professor of English.

Lynn Kilpatrick is the author of the story collection, In the House. Her essays have appeared in Creative Nonfiction, Ninth Letter, and Brevity. She earned a PhD in Fiction from the University of Utah and an MA from Western Washington University. She teaches at Salt Lake Community College.


Twitter Username: DrLynnKK

Website: http://lynnkilpatrick.com/

Ryan Stone is the author of the short story collection Best Road Yet. His work has appeared in numerous publications and he currently serves as the President of the Two-Year College Caucus. He teaches writing and literature at Danville Area Community College in Illinois.


Twitter Username: stoneprof

Website: http://www.ryanpstone.com

Room 606, Washington State Convention Center, Level 6

R233.

The Legacy of Leslie Scalapino

(, , , , ) Leslie Scalapino is a literary inventor par excellence, creating essays, plays, poetry, and cross genre pieces as well as serving as a publisher and editor for more than 100 volumes. Her untimely death in 2010 left a set of acolytes as diverse as her manifest works. This panel gathers a range of responses to Scalapino's oeuvre, honoring her literary work, her publishing, and her mentorship.

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Michael Cross is the author of In Felt Treeling, Haecceities, and The Katechon, 1-100. He is the one-time editor of Atticus/Finch chapbooks and current editor of Compline and On: Contemporary Practice (w/ Thom Donovan).

Alicia Cohen is the author of Bear, Debts and Obligations, and a new work, Echolocation, which is forthcoming. Her poetry and critical writing explores the role of poetry and art in the production of the senses and sense of the world. She has taught at Reed College and Portland State University.

Carla Harryman is the author of seventeen books. Her Poets Theater, interdisciplinary, and bi-lingual performances have been presented nationally and internationally. Recent performance includes the “re-performance” of Theodore Adorno’s “Music and New Music” at dOCUMENTA 13 in Kassel, Germany.

Judith Goldman is the author of Vocoder, Death/Star Rico-chet, and l.b.; or, catenaries. She is core faculty in the Poetics Program at SUNY, Buffalo.

Maryrose Larkin is the author of The Book of Ocean, The Name Of This Intersection is Frost, Marrowing, and the forthcoming Identification of Ghosts. She is a founder of Spare Room, a Portland innovative writing collective and co-editor of Flash+Card Press.

Room 607, Washington State Convention Center, Level 6

R234.

Breaking Silences: Women’s Memoir as an Act of Rebellion

(, , , , ) Pregnancy. Rape. Motherhood. Domestic violence. Tillie Olsen writes: Why are more women silenced than men? The women on this panel also ask: why, when women write about the full experience of being female in this culture are our stories seen as less worthy of literary merit than those of male counterparts? We’ll address our experiences with writing taboo subjects and discuss the conscious and unconscious biases that keep women from the transgressive act of writing honestly about their lives.

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Janice Gary is the author of Short Leash: A Memoir of Dog Walking and Deliverance. She is the recipient of the Christine White Award for memoir and the Ames Award for Essay and is a fellow of The Virginia Center for the Creative Arts.


Twitter Username: jtgary1

Website: www.janicegary.com

Kate Hopper is the author of Ready for Air: A Journey Through Premature Motherhood and Use Your Words: A Writing Guide for Mothers. She teaches writing online and at The Loft Literary Center in Minneapolis. She has been the recipient of a Fulbright Scholarship and a Sustainable Arts Grant.


Twitter Username: mnkatehopper

Website: http://www.katehopper.com

Anna March's essays/fiction/poetry/reviews have appeared in New York magazine, Salon, The Rumpus, and numerous other publications/anthologies. She writes extensively on gender/sexuality/the body. Her novel, The Diary of Suzanne Frank, is forthcoming, as is her memoir. She was a 2012 Pushcart nominee.


Twitter Username: annamarch

Website: annamarch.com

Connie May Fowler is a novelist, short story writer, memoirist, and screenwriter. The author of seven books, her novel Before Women had Wings won the Southern Book Critics Circle Award and the Francis Buck Award. Her essays have appeared in The New York Times, Oxford American, and elsewhere.


Twitter Username: conniemayfowler

Website: http://www.conniemayfowler.com/

Rosemary Daniell is the award-winning author of eight books of poetry and prose, including her revolutionary memoirs, Fatal Flowers: On Sin, Sex and Suicide in the Deep South and Sleeping with Soldiers. Her memoir in progress is My Anarchist Heart.


Twitter Username: myzonarosa

Website: www.myzonarosa.com

Room 608, Washington State Convention Center, Level 6

R235.

How to Write a Good Bad Book Review

(, , , , ) How do critics write negative reviews that are not in and of themselves awful - superficially shallow, dedicated to straw men, unnecessarily cruel, or not cruel enough? Five editors and critics explore the history and practice of the negative review, looking at their own work as well as the writing of others in a freewheeling discussion of what makes a bad review bad - and what makes a bad review great.

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Dan Kois is a senior editor in the culture department at Slate and a contributing writer to the New York Times magazine.


Twitter Username: dankois

Website: http://www.dankois.com

Parul Sehgal is a staff editor at The New York Times Book Review. Previously, she was the books editor at NPR and a senior editor at Publishers Weekly. She is a recipient of the Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle.

Kathryn Schulz is the author of Being Wrong: Adventures in the Margin of Error and the book critic for New York magazine. She has also written for the New York Times magazine, Rolling Stone, TIME, Foreign Policy, and The Nation. In 2012, she won the NBCC award for excellence in reviewing.

Sasha Weiss is the literary editor of Newyorker.com.

Michelle Dean is a journalist and critic whose work has appeared at the New Yorker's Page Turner, Slate, the LA Review of Books, and the Barnes & Noble Review.

Room 609, Washington State Convention Center, Level 6

R236.

Native American Poetics: The Fourth Wave

(, , , , ) This panel will discuss the way in which Native American Poetics has seen a shift from an investment in identity via content to an investment via form. Narrative, deep image, language, prose, and a hybrid kind of poetics derived from Native American language, song, and even dance have changed the landscape and aesthetic of Native American Poetics permanently. This trend mirrors the overall push away from the confessional into more experimental, contemporary free verse forms.

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Erika T. Wurth, Apache/Chickasaw/Cherokee, is the author of the forthcoming novel Crazyhorse's Girlfriend and the collection of poetry Indian Trains (2007). Her work has appeared in numerous journals. She teaches creative writing at Western Illinois University and she was a guest writer at IAIA.


Twitter Username: erikatwurth

Website: http://www.erikatwurth.com/

M.L. Smoker, Assiniboine and Sioux, holds an MFA from the University of Montana in Missoula, where she was the recipient of the Richard Hugo Fellowship. Her collection of poems, Another Attempt at Rescue, was published in 2005. She most recently co-edited an anthology of human rights poetry, I Go to the Ruined Place.

Marianne Aweagon Broyles is the author of a poetry collection, The Red Window. Her poems have also appeared in the Florida Review, As/Us, and Poets of the American West. A psychiatric nurse, she is a member of the Cherokee Nation.

Layli Long Soldier has served as contributing editor to Drunken Boat. Recent poems appear in the American Poet, the American Reader, and the Kenyon Review Online. Her first chapbook is Chromosomory.

Jennifer Elise Foerster is the author of Leaving Tulsa. She studied poetry at the Institute of American Indian Arts, the Vermont College of Fine Arts, and she was a Wallace Stegner Fellow in Poetry at Stanford University. She is member of the Muscogee (Creek) Nation of Oklahoma.


Twitter Username: JenniferEliseF

Website: www.jenniferfoerster.com

Room 611, Washington State Convention Center, Level 6

R237.

Translation in Creative Writing Programs

(, , , , ) This panel will discuss the growing role of translation in creative writing programs, as well as translation's place in scholarly studies and American multicultural poetry. Panelists will share their pedagogical experiences and suggest different types of workshop and craft courses. They also will speak about their own work as writers and translators and how translation has helped their writing and teaching of poetry.

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Kaveh Bassiri was the recipient of a Witter Bynner Poetry Translation Residency and Walton Translation Fellowship. His poetry won the Bellingham Review’s 49th Parallel Award and was published in Best New Poets 2011, Virginia Quarterly Review, Beloit Poetry Journal, and Mississippi Review.

Geoffrey Brock is a poet and a translator of Italian poetry and prose. He's the author of Weighing Light: Poems (2005), the editor of The FSG Book of Twentieth-Century Italian Poetry (2012), and the translator of Cesare Pavese's Disaffections: Complete Poems 1930-1950 (2002). He teaches at Arkansas.


Twitter Username: gbrock

Website: geoffreybrock.com

Sidney Wade’s sixth collection, Straits & Narrows, was published in April 2013. She has served as President of AWP and Secretary/Treasurer of ALTA and teaches workshops in Poetry and Translation at the University of Florida’s MFA@FLA program. She is the poetry editor of Subtropics.

Susan Briante is the author of two collections of poetry, Pioneers in the Study of Motion and Utopia Minus. She is an associate professor of English and creative writing at the University of Arizona.


Twitter Username: UtopiaMinus

Website: http://english.arizona.edu/users/susan-briante

Roger Sedarat is the author of Dear Regime: Letters to the Islamic Republic and Ghazal Games, as well as a chapbook, From Tehran to Texas. A translator of classical and modern Persian poetry, he teaches creative writing and literary translation at Queens College, City University of New York.


Twitter Username: rogersedarat

Room 612, Washington State Convention Center, Level 6

R238.

A Poet in Exile

(, ) This event celebrates the work of Mohsen Emadi, an Iranian poet living in exile in Mexico City. Poet and translator Lyn Coffin will introduce and lead a reading of Emadi’s poetry, and musician Laszlo Slomovits will perform original song settings of selected pieces.

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Lyn Coffin is an award-winning poet, translator, playwright, fiction, and nonfiction writer. Fifteen of her books have been published or are forthcoming. She teaches literary fiction at the University of Washington and translation at the Rustaveli Institute, Tbilisi.

Laszlo Slomovits is part of the award-winning children's music duo, Gemini, and his songs are featured in songbooks used by music teachers throughout the US. He also has five CDs of his song settings of Rumi and Hafiz, as well as CDs of the poetry of Linda Nemec Foster and the Czech poet Jiri Orten.

Room 613/614, Washington State Convention Center, Level 6

R239.

Surprising Seeds: Cultivating Poetry Across Art Practices

(, , , , ) Poets share how other art practices inform and shape their writing. In an exploration of the ways in which poetry can emerge through various aesthetic traditions, these poets reflect upon the art disciplines and practices (visual art, music, theatre) that inspired written works. Panelists explore the struggles and rewards of working across disciplines and consider how multidisciplinary approaches to poetry can enrich a writing practice.

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Maya Pindyck's collection of poems, Friend Among Stones, won the Many Voices Project Award and her chapbook, Locket, Master, received a Poetry Society of America Chapbook Fellowship. She is currently a doctoral candidate in English Education at Teachers College, Columbia University.

Judy Halebsky's book of poems, Sky=Empty, won the New Issues Prize and was a finalist for the California Book Award. The MacDowell Colony, the Millay Colony, and the Japanese Ministry of Culture have supported her work. She teaches creative writing at Dominican University of California.

Giovanni Singleton is a poet, teacher, and founding editor of nocturnes (re)view of the literary arts, a journal of the African Diaspora and other contested spaces. Her debut collection Ascension, informed by the music and life of Alice Coltrane, was awarded the 81st California Book Award Gold Medal.

Dean Rader’s debut collection of poems, Works & Days, won the 2010 T. S. Eliot Poetry Prize, and his work appears in Best American Poetry 2012. He writes about and reviews poetry for The Rumpus, The San Francisco Chronicle, and the Huffington Post. He chairs the English Department at USF.


Twitter Username: deanrader

Website: http://deanrader.com

Kate Ingold is a visual artist and poet.

Room 615/616/617, Washington State Convention Center, Level 6

R240.

The DIY Book Tour: Take Your Show on the Road

(, , , , ) How can we find readers for our books? Most writers now live only online, through social media and blogs. Recently some writers have taken to the road in innovative and enterprising ways and found new readers and expanded their networks as they could not have online. These writers, representing both small and large presses, first-book and multibook authors, will share their road stories, tips, and insights about how best to take your show on the road and maximize the potential of your book.

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Ron Tanner is the author of three books, most recently, From Animal House to Our House: A Love Story. His awards for writing include a Faulkner Society gold medal, a Pushcart Prize, a New Letters Award, a Best of the Web Award, and many others.

Jessica Anya Blau is the author of the novels The Wonder Bread Summer, Drinking Closer to Home, and The Summer of Naked Swim Parties.


Twitter Username: Jessicaanyablau

Website: www.jessicaanyablau.com

Deborah A. Miranda (Ohlone-Costanoan Esselen Nation), is the author of Bad Indians: A Tribal Memoir, Indian Cartography, The Zen of La Llorona, and co-editor of Sovereign Erotics: A Collection of Two-Spirit Literatures. She is Full professor of English at Washington and Lee University.

William Trowbridge, the current Poet Laureate of Missouri. He has published five full collections of poetry and three chapbooks. His sixth collection, a new and selected, is forthcoming. He teaches in the University of Nebraska Low-residency MFA in Writing Program.


Twitter Username: William Trowbridge

Website: williamtrowbridge.net

Benjamin Busch is the author of a memoir, Dust to Dust, which was released in March of 2012.

Room 618/619/620, Washington State Convention Center, Level 6

R241.

The Author–Editor Relationship

(, , , , ) This panel will explore the relationship between author and editor, from a book’s submission to its acquisition, publication, and beyond. Three best-selling authors and a veteran editor discuss the dynamics of writer-editor partnerships at independent and corporate houses, and at online and print magazines: Has the editorial relationship changed over time? Has technology affected communication? Do editors still edit, or are they too busy selling?

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Sherman Alexie is the author of, most recently, War Dances, stories and poems, and Face, poetry. He is the winner of the 2010 PEN/Faulkner Award, 2007 National Book Award for Young People's Literature, 2001 PEN/Malamud Award for Excellence in the Short Story, and a Special Citation for the 1994 PEN/Hemingway Award for Best First Fiction. Smoke Signals, the film he wrote and co-produced, won the Audience Award and Filmmakers Trophy at the 1998 Sundance Film Festival.

Elisabeth Schmitz is vice-president and editorial director of Grove/Atlantic Inc. where she has worked for eighteen years as an editor of both fiction and narrative nonfiction.

Morgan Entrekin is currently the president and publisher of Grove/Atlantic, Inc., which publishes general nonfiction, current affairs, history, biography, narrative journalism, fiction, drama, and poetry.

Margaret Wrinkle is the author of the novel Wash, which was short-listed for the Center for Fiction's Flaherty Dunnan First Novel Prize and nominated for the Crook's Corner Prize for a debut Southern novel. Her award-winning documentary, broken\ground, explores the racial divide in Birmingham, AL

Jamie Quatro is the author of the story collection I Want To Show You More. Her work has appeared or is forthcoming in The O.Henry Prize Stories 2013, the Kenyon Review, Tin House, Ploughshares, and McSweeney's. She is a contributing editor at the Oxford American.


Twitter Username: jamiequatro

Website: www.jamiequatro.com

Room LL4, Western New England MFA Annex, Lower Level

R242.

Coming of Age: Young People Running Youth Literacy Programs

(, , , , Fatimah Asghar) Youth literacy organizations are training the next generation of writer-educators. This panel will address how youth serviced by those organizations have started to become professional writers and teaching artists. This panel seeks to highlight best practices on how to create a youth-to-leadership pipeline and indigenous leadership in programs that are using creative writing instruction as a form of youth development. This panel will focus on high school through college-aged students.

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Franny Choi is a Pushcart Prize-nominated writer and community organizer. She is the coordinator for Providence Poetry Slam’s Youth Program and is an alumna of WORD Poetry Group.SPublished in numerous journals, she has been a finalist at the three most prestigious poetry slams in the U.S.


Twitter Username: fannychoir

Website: www.frannychoi.com

Jamila Woods is a Pushcart Prize nominated poet and a founding member of Young Chicago Authors Teaching Artist Corps. Her plays have been produced by theaters in Chicago and Providence. She is an alumna of Young Chicago Authors and WORD Performance Poetry Group at Brown University.

Aaron Samuels is a Cave Canem fellow and author of the book Yarmulkes & Fitted Caps. An alumnus of the Providence Youth Poetry Slam, he has coached youth poets in Providence, Boston, and DC. He is the founder of WU-SLam, a collegiate literary organization at Washington University in St. Louis.


Twitter Username: PoetryAaron

Website: http://aaronsamuelspoetry.com/

Danez Smith, a Cave Canem Fellow and two-time Pushcart Nominee, works as a Student Advisor for the the University of Wisconsin-Madison. His recent work appears or is forthcoming in journals such as decomP, the Cortland Review, Anti-, Southern Indiana Review, and Muzzle.


Twitter Username: danez_smif

Room LL5, Western New England MFA Annex, Lower Level

R243.

Writing the Midnight Sun: A Boreal Books Reading and Discussion

(, , , , ) Now in its 7th year, Boreal Books, an imprint of Red Hen Press, publishes literature and fine art from Alaska. Please join four Boreal poets and the imprint’s editor for a reading and discussion. You’ll hear from a lyrical lesbian electrician, a poet whose work spans both Americas, a writer whose house overlooks Kachemak Bay’s eagles and otters, and a novelist in verse whose book is set in Gold Rush days.

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Nicole Stellon O’Donnell is the author of Steam Laundry. Her work has appeared in Prairie Schooner, Beloit Poetry Journal, and Bellingham Review. She received an Individual Artist Award from the Rasmuson Foundation. She is a columnist and editor for Literary Mama.


Twitter Username: steamlaundry

Website: www.nicolestellon.com

Peggy Shumaker's newest book Is Toucan Nest: Poems of Costa Rica. Her memoir is Just Breathe Normally. She has served as Alaska State Writer Laureate and edits the Alaska Literary Series and Boreal Books, publishing literature and fine art from Alaska. She teaches at RWW, the MFA at Pacific Lutheran University.

Melina Draper is the author of two books, Later the House Stood Empty and Place of Origin-Lugar de Origen, co-authored with her mother, Argentine writer Elena Lafert, and a chapbook, What Better Place than This? She received an individual artist grant from the Rasmuson Foundation in 2012.

Erin Coughlin Hollowell is the author of Pause, Traveler, a book of poetry. Her poetry appears in various literary magazines, including Alaska Quarterly Review and Sugar House Review. A recipient of a Rasmuson Foundation Fellowship, she is an adjunct at the Kenai Peninsula College.


Twitter Username: beingpoetry

Website: http://www.beingpoetry.net

Susanna J. Mishler's poems have appeared in the Iowa Review, Kenyon Review Online, and Mid-American Review. Her collection of poems, Termination Dust, was released this year. She is an electrician in Anchorage, Alaska.

Room 101, Western New England MFA Annex, Level 1

R244.

Designed Instability: Open Endings in Short Fiction

(, , , ) Since Chekhov, writers of literary fiction have praised the "open" ending, since life itself seldom provides us with definite resolutions to our conflicts. But if an ending doesn't provide closure, what does it provide instead? How do writers leave readers satisfactorily unsatisfied? This panel of short story writers, teachers, and editors will examine the structure of open-ended stories and offer practical strategies to achieve their pleasures and avoid their pitfalls.

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Edward Porter's fiction credits include Colorado Review, Barrelhouse, Booth, Best New American Voices, and Best Indie Lit New England. A former Madison Fellow and MacDowell Fellow, he teaches at Millsaps College.

Robin Black is the author of the story collection If I loved you, I would tell you this, and the novel Life Drawing. A contributing editor at the Colorado Review and a former Distinguished Visiting Writer at Bryn Mawr College, she has taught most recently in the Brooklyn College MFA program.


Twitter Username: robin_black

Website: www.robinblack.net

Shannon Cain's first book, The Necessity of Certain Behaviors, won the 2011 Drue Heinz Literature Prize. Her stories have been awarded the O. Henry Prize, two Pushcart Prizes, and a grant from the NEA. She is a writing coach and fiction teacher, most recently of MFA students at Bennington College.

Erin Stalcup’s short stories have appeared in the Kenyon Review, Kenyon Review Online, and the Sun. She recently joined the creative writing faculty at Northern Arizona University.

Room 202, Western New England MFA Annex, Level 2

R245.

The Legacy of Richard Hugo

(, , , ) The legacy of Richard Hugo is a powerful force at the University of Montana. This panel pays tribute to Hugo’s continuing influence on the creative writing program at the University, as well as the lasting impact of his career on the larger writing community.

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Laura Lampton Scott's fiction has appeared in Monkeybicycle. She served as assistant editor for two Voice of Witness books. A MacDowell Colony fellow, she works on education programs at Seattle's Richard Hugo House.

Lois Welch, professor emerita of English, University of Montana, taught comparative literature between 1966 and 2001, directing the Creative Writing Program for eight years and the English Department for three. She is writing a memoir about her husband, author James Welch.

Richard Robbins studied with Richard Hugo and Madeline DeFrees at the University of Montana. His most recent poetry collections include Radioactive City and Other Americas. He currently directs the creative writing program and Good Thunder Reading Series at Minnesota State University, Mankato.


Twitter Username: rrobbins19

Website: http://english2.mnsu.edu/robbins/

Greg Pape is the author of Four Swans, Animal Time, American Flamingo, and other books. His work has received many awards, including The Discovery/The Nation award and two NEA Fellowships. He teaches at University of Montana and Spalding University. He was Montana Poet Laureate from 2007-2009.

Room 301, Western New England MFA Annex, Level 3

R246.

Let's Avoid a Quick Death, Please: Starting and Sustaining a New Literary Publication

(, , , , ) This panel explores the process of starting and sustaining a new literary publication. Countless small presses and journals launch every year only to die after a couple issues. Let's talk with some people who avoided that fate. This panel will discuss how to choose the right publishing medium, secure funding, attract readers, and deal with unexpected hurdles.

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Stefanie Torres is a nonfiction writer and PhD candidate at the University of Kansas, where she is one of the co-editors of the graduate-run literary journal, Beecher's, for the second year in a row.


Twitter Username: torress2010

Joshua S. Raab is editor, creative director, and carnival master for theNewerYork Press. His aim in life is to publish weird literature, make book readings less boring, and experiment with publishing methodologies.

James R. Gapinski is Managing Editor of the Conium Review. He holds an MFA in Creative Writing from Goddard College. His fiction has recently appeared in Line Zero, theNewerYork, and the Pink Fish Press anthology Involution. He teaches Short Story Writing at Mt. Hood Community College.


Twitter Username: jamesrgapinski

Website: http://jamesrgapinski.com

Chelsea Werner-Jatzke has an MFA in creative writing from Goddard College and she is a 2013 Jack Straw Writer. Her fiction is in the Conium Review and ListenParty.com. She founded Lit.mustest, a reading series, and was editor of Pitkin Review. She teaches writing at Seattle Central Community College.


Twitter Username: cjwernerjatzke

Matt Muth is the Editor-in-Chief and co-founder of Pacifica Literary Review. He graduated from the University of Washington's MFA program in 2011 with a concentration in poetry and also teaches Screenwriting and Composition as an adjunct instructor at Digipen Institute of Technology.

Room 302, Western New England MFA Annex, Level 3

R247.

Creating Emotional Depth: Tools and Inspiration from Various Genres

(, , , , ) One of the biggest challenges a writer faces is capturing emotion—or rather evoking it in the reader or audience. This panel provides a comprehensive look at the challenge. What radical relationship to language and the creative process is required? And what panoply of techniques—drawn from the various genres, poetry, fiction, nonfiction, and playwriting, and illustrated by concrete examples in exemplary work—are available to us so that we can push our own work to its fullest potential?

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Laure-Anne Bosselaar is the author of The Hour Between Dog and Wolf, Small Gods of Grief (Isabella Gardner Prize for Poetry 2001), and A New Hunger (ALA Notable Book Prize). She has taught at Sarah Lawrence College and she currently teaches at the Solstice Low Residency MFA at Pine Manor College and at UCSB.

David Jauss is the author of three story collections, including Glossolalia: New & Selected Stories and the AWP Award-winning Black Maps, two volumes of poetry, and On Writing Fiction. He teaches at the University of Arkansas at Little Rock and in the MFA program at Vermont College of Fine Arts.

Tim Seibles is the author of several collections of poetry, including Hammerlock, Buffalo Head Solos, and most recently, Fast Animal, which was nominated for a National Book Award in 2012. He is a professor of English at Old Dominion University and visiting faculty for the Stonecoast MFA program.


Twitter Username: Timseibles77@gmail.com

Karin de Weille has published poetry and essays in the Writers Chronicle and elsewhere, presented at numerous literary conferences, and performed in collaboration with musicians and dancers. She currently teaches at Richard Hugo House in Seattle as well as privately.

Robert Vivian is the author of The Tall Grass Trilogy and two books of meditative essays, Cold Snap As Yearning and The Least Cricking Of Evening. His most recent novel is Water And Abandon. He teaches at Alma College and in the low residency MFA program at The Vermont College of Fine Arts.

Room 303, Western New England MFA Annex, Level 3

R248.

Get Out of Town: Fulbright Opportunities for Writers

(, , , ) Four writers who have received fellowships for work and study around the globe from the Fulbright Scholar Program will discuss the application process for receiving funding and share their experiences as Fulbright scholars. Panelists will provide advice on navigating the complicated world of fellowship opportunities, provide their best strategy tips for maximizing application success, talk about the realities of teaching abroad, and read work that derived from their Fulbright experiences.

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Jeffrey Thomson is the author of four books of poems, including Birdwatching in Wartime, winner of both the 2010 Maine Book Award and the 2011 ASLE Award in Environmental Creative Writing, and Renovation. In 2012, he was the Fulbright Distinguished Scholar in Creative Writing at the Seamus Heaney Centre for Poetry.


Twitter Username: jeffreyThomson

Website: www.jeffreythomson.com

Christopher Bakken is the author of two books of poetry, After Greece and Goat Funeral, and the culinary memoir, Honey, Olives, Octopus. He is also co-translator of The Lions’ Gate: Selected Poems of Titos Patrikios. He teaches at Allegheny College in Pennsylvania.


Twitter Username: bakkenpoet

Poet Marianne Boruch's recent collection, The Book of Hours, won the Kingsley Tufts Poetry Award, 2013. Her eighth collection, Cadaver, Speak, is due out in 2014. She's also written a memoir, The Glimpse Traveler, and two essay collections on poetry. She teaches at Purdue University and Warren Wilson College.

Ann Fisher-Wirth is the author of four books of poems, most recently Dream Cabinet and Carta Marina, and coeditor of the newly published, Ecopoetry Anthology. She has had senior Fulbrights to Switzerland and Sweden. She teaches at the University of Mississippi.

Room 304, Western New England MFA Annex, Level 3

R249.

The Kenyon Review 75th Anniversary Reading

(, , , ) A reading from writers featured in the Winter 2014 issue of The Kenyon Review, our 75th anniversary issue. The Winter 2014 issue marks our ongoing commitment to publish the very best writing from established and emerging writers. Founded in 1939 at Kenyon College and first edited by poet-critic John Crowe Ransom, The Kenyon Review continues in its 75th year to celebrate writing that maps the spiritual, intellectual, and emotional tides of our contemporary culture.

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David Lynn has been the editor of the Kenyon Review since 1994. His most recent book is Year of Fire, short stories.

Kimiko Hahn, author of nine poetry collections, including the recent Toxic Flora. A recent Guggenheim Fellow, she teaches in the MFA Program in Creative Writing & Literary Translation at Queens College, CUNY.

Charles Baxter is the author of five novels, five books of short stories, and two books of criticism. He teaches at the University of Minnesota.

Jaquira Diaz is the recipient of a Pushcart Prize and the Carl Djerassi Fiction Fellowship from the Wisconsin Institute for Creative Writing. Her work has appeared or is forthcoming in the Kenyon Review, Ploughshares, the Sun, the Southern Review, Five Chapters, and Pushcart Prize XXXVII.


Twitter Username: jaquiradiaz

Website: www.jaquiradiaz.com

4:30 p.m. to 5:45 p.m.

Aspen Room, Sheraton Seattle, 2nd Floor

R250.

Sonic Lit: Reaching New Communities by Lifting Writing off the Page

(, , , , ) Digital technology brings us back to the oral/aural roots of poem and story, while expanding our options for leaping off the page. A poet, nonfiction writer, musician, and two multimedia/ installation artists will describe how they have created audio recordings of poetry and prose; turned stories into songs; installed poetry as part of public art projects; incorporated oral history and storytelling into gallery installations; and created literary work for the stage, mobile app, and webpage.

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Wendy Call wrote No Word for Welcome (Grub Street National Book Prize / Nonfiction), and co-edited Telling True Stories. Her current projects include audio translations of multilingual poetry and digital text/audio essays.


Twitter Username: wendycallwrites

Website: http://www.wendycall.com

Geoff Larson is a musician and Project Director/Curator of The Bushwick Book Club Seattle, a monthly book club that creates original music inspired by poetry and short fiction. He collaborates with local Seattle writers through Seattle’s Jack Straw Writers Program and Richard Hugo House.

Nari Baker is a Seattle-based installation artist whose recent work explores transnational migration and adoption, incorporating oral history, audio narrative, and community-based history. She is a recent Fulbright Fellow and resident artist in the Jack Straw New Media Gallery program.

Judith Roche is the author of three poetry collections and is published in numerous journals. The most recent won an American book Award. She has poems installed in several Seattle area permanent public art pieces and has collaborated with visual artists and musicians.

Tina Hoggatt is a writer and studio artist who incorporates audio narrative, storytelling, and music into her visual art installations. Her installation “Story Chairs” was created through a Jack Straw Artist Residency. She manages digital communications for 4Culture, King County’s cultural agency.

Redwood Room, Sheraton Seattle, 2nd Floor

R252.

First-Person Journalism: Tips on Telling the Truth

(, , , , ) Literary writers often assume that journalists only tell other people’s stories. But journalists use a personal point of view in op-eds, essays, even traditional features. Forget objectivity. A journalistic approach can be just as artful as creative nonfiction, and first-person reporting encourages diverse perspectives. In this moderated Q&A session, a panel of journalists and editors discuss why subjectivity in fact-based stories is great—as long as it’s not an excuse for bending the truth.

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Martha Nichols is the editor-in-chief of Talking Writing, an online literary magazine. Her personal essays and features have been widely published in journals such as Utne ReaderSalon, and the Christian Science Monitor. She teaches in the journalism program at Harvard University Extension School.


Twitter Username: talkingwriting

Website: http://athenashead.com

Fred Setterberg is the author of Lunch Bucket Paradise: A True-Life Novel and The Roads Taken: Travels Through America’s Literary Landscapes, winner of the AWP Award Series in Creative Nonfiction. He co-wrote Under the Dragon: California’s New Culture and Toxic Nation with Lonny Shavelson.

Andrew Lam is the author of Perfume Dreams: Reflections on the Vietnamese Diaspora, East Eats West: Writing in Two Hemispheres, and Birds of Paradise Lost. He currently blogs with the Huffington Post and is an editor at New America Media, which he co-founded.


Twitter Username: andrewqlam

Website: http://redroom.com/member/andrew-q-lam

Autumn Stephens is the author of the Wild Women book series, editor of two anthologies of women's writing, and the second-ever NYT Modern Love columnist. A former co-editor of The East Bay Monthly, she is trained in the Amherst Writers method and teaches creative writing in hospitals and privately.

William Wong, a former columnist at the Oakland Tribune; freelance columnist for the San Francisco Examiner, San Francisco Chronicle, Asian Week, and East-West; and blogger at sfgate.com. He is the author of Yellow Journalist: Dispatches from Asian America; Images of America: Oakland's Chinatown.

Willow Room, Sheraton Seattle, 2nd Floor

R253.

From Page to Stage, Performance Poetry and the WITS Process of Teaching and Learning

(, , , , ) Competitive Poetry Slams inspire diverse youth populations to produce dynamic poetry on both the page and the stage. Panelists explore the complexities unique to teaching students to write poetry meant for performance, the socio-political history of the form, the nuts and bolts of organizing youth slams, and the expanding world of opportunities for young performance poets.

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Mary Rechner is the author of Nine Simple Patterns for Complicated Women. She directs the Writers in the Schools program for Literary Arts in Portland, Oregon.


Twitter Username: merechner

Website: www.maryrechner.com

Desmond Spann is on a mission to motivate and inspire positive changes in people’s lives while having a crapload of fun. Under the name DLUXTL (TL=The Light) he performs spoken word, plays keyboard with the Hip-Hop fusion band Speaker Minds, emcees (rap), and produces.

Aricka Foreman's work has appeared in Drunken Boat, Minnesota Review, Vinyl Poetry, the Bakery, the Poetry, and elsewhere. A Poetry MFA Candidate at Cornell University, she has received fellowships from Callaloo and Cave Canem. She is a Poetry Editor for Muzzle Magazine.


Twitter Username: arickamarie

Website: www.arickaforeman.com

Monica Prince is an MFA candidate in poetry at Georgia College and State University where she writes performance poetry and creates choreopoems. She works with the Early College, Georgia College seventh graders, mentoring their undergraduate teachers to teach creative writing.


Twitter Username: poetic_moni

Website: www.monicaprince.com

Janet Hurley is the co-founder of Asheville Writers in the Schools (AWITS) in Asheville, North Carolina, a freelance writer, and adjunct instructor in writing at Warren Wilson College. AWITS organizes a regional spoken word competition for youth each year, Asheville Wordslam.

Room 2A, Washington State Convention Center, Level 2

R254.

Beyond Blackboard: Creating Virtual Writing Communities Inside and Outside the Academy

(, , , , Jennifer Stewart) With the recent explosion of social media and online learning, more and more writers are connecting in cyberspace than ever before. How can low-residency, online writing programs strive to replicate the face-to-face experience of a traditional, on-campus degree? Panelists from successful online initiatives both inside and outside the academy will discuss strategies to meaningfully engage participants and build thriving virtual writing communities.

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Andrew Gray is the author of a collection of short fiction, Small Accidents, which was shortlisted for the Ethel Wilson Award and an IPPY award in the US. He is the founder and current coordinator of the Optional-Residency MFA Program at The University of British Columbia.

Melissa Bashor is a freelance writer and editor, and the Program Coordinator for the Low-Residency MFA at Queens University of Charlotte, where she received her MFA.

Sara Graefe is a playwright, screenwriter, and television story editor. Her produced work includes Sadly As I Tie My Shoes, Dreamspyre, and Yellow on Thursdays. She is a faculty member in the Optional-Residency MFA program in Creative Writing at the University of British Columbia.


Twitter Username: sarageez

Brooke Warner is publisher of She Writes Press and founder of Warner Coaching Inc. She is the author of two books, What's Your Book? and How to Sell Your Memoir. Brooke’s expertise is in traditional and new publishing. Her website was selected by The Write Life as one of the Top 100 Best Websites for Writers in 2014 and by the Association of Independent Authors as a winner of “Best Websites for Independent Authors.” She lives and works in Berkeley, California. She is actively involved with SheWrites.com, where she blogs twice a month and moderates two groups.


Twitter Username: brooke_warner

Website: www.shewritespress.com

Room 2B, Washington State Convention Center, Level 2

R255.

Writing Through Race

(, , , , ) Writers of color usually discuss their workshop experiences in private, but what they will share here are the most common signs that a white writer (of prose or verse) has failed to fully imagine life beyond the looking glass.

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Santee Frazier is the author of a collection of poems Dark Thirty. His poems have appeared Ploughshares, American Poet, Prairie Schooner, and others. He is low residence faculty at the Institute of American Indian Arts.


Twitter Username: deborahtaffa

Website: www.deborahtaffa.com

David Lau is the author of the book of poems, Virgil and the Mountain Cat, and a chapbook called Bad Opposites. He is the co-editor of Lana Turner. He lectures at the University of California, Santa Cruz.


Twitter Username: ltjournal

T. Geronimo Johnson is author of the PEN/Faulkner award finalist Hold it Til it Hurts and Welcome to Braggsville, a forthcoming comedy. Director of the the Summer Creative Writing Program at UC Berkeley where he is a Lyman Fellow, he designs creative writing pedagogy curricula.


Twitter Username: geronimojohnson

Website: geronimo1.com

Benjamin Hale is the author of the novel The Evolution of Bruno Littlemore. He is the recipient of the Bard Fiction Prize and a Michener-Copernicus Award and has been nominated for the Dylan Thomas Prize and the New York Public Library's Young Lions of Fiction Award. He teaches at Bard College.

Shane Book’s debut collection, Ceiling of Sticks, won the Prairie Schooner Book Prize and the GLCA New Writers Award, and it was a Poetry Society of America New American Poet Selection.


Twitter Username: @shane_book

Room 3A, Washington State Convention Center, Level 3

R256.

Beyond the Memoir: a New Approach to Teaching Creative Writing to Senior Citizens

(, , , ) Life story workshops are prevalent in senior citizen facilities in the United States. Yet the memoir is not ideal for every older adult with a yearning to write. In fact, many aren’t ready or, more commonly, don’t have the desire to go down this road. In this panel, educators will discuss innovative practices to bring out the best creative works from this growing population. Leave with techniques to excite older students and concepts to immediately craft or expand your own program.

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David Robson is an award-winning playwright and educator. His many produced plays include Assassin, Playing Leni, and Man Measures Man. Associate professor of English at Delaware County Community College, he is the recipient of the Gould Award for Teaching Excellence in 2010.

Nancy McCurry is a  freelance editor of full length fiction and an award winning writer in short story, essay, and flash fiction. She teaches creative writing and research at Paradise Valley Community College in Phoenix.

Paul Pat is an assistant professor of English at Delaware County Community College in Media, Pennsylvania. He teaches composition and creative writing.

Lloyd Noonan teaches humanities at West Los Angeles College and conducts a weekly creative writing workshop in Culver City. Since 2006, he has taught creative writing at The Pacific Inn, a senior residential facility.

Room 3B, Washington State Convention Center, Level 3

R257.

New Fairy Tales from the North

(, , , ) “It is a northern country; they have cold weather, they have cold hearts.” - Angela Carter, “The Werewolf.” What does it mean to write fairy tales now, in the 21st century? What does it mean to write them here, in the Pacific Northwest? Four northwest writers will read their contemporary tales, influenced by the old tales and by the landscape of their home.

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Maya Sonenberg is the author of the story collections Cartographies and Voices from the Blue Hotel. More recent fiction and nonfiction have appeared in Diagram, Web Conjunctions, Fairy Tale Review, New Ohio Review, and the Literarian. She teaches at the University of Washington - Seattle.


Twitter Username: MzzS36019

Website: mayasonenberg.com

Valerie Marie Arvidson is a writer, artist, and teacher. Her writing has been published in Hunger Mountain, Apt, Anomalous Press, the Seattle Review, and Blunderbuss magazine. She teaches writing in Seattle.

Rikki Ducornet is the author of eight novels as well as collections of poems, short stories, and essays. Finalist for the National Book Critics' Circle Award, she has received fellowships from the Bunting Institute and the Lannan Foundation, and a Bard Medal and an Academy Award in Literature.

Anca L. Szilágyi teaches Writing with Visual Art at Richard Hugo House and the Henry Art Gallery and co-organizes the Furnace Reading Series at Hollow Earth Radio. Her fiction appears in Washington City Paper, the Massachusetts Review, and Western Humanities Review.


Twitter Username: ancawrites

Website: ancawrites.com

Room 400, Washington State Convention Center, Level 4

R258.

Mountain Writers Series: After 40 Years – A Nonprofit Model

(, , , , ) After its first tour for W.S. Merwin in 1976, Mountain Writers became a hub for a regional network presenting the finest contemporary writers, many just emerging into prominence. Join this discussion of cooperative scheduling to reach diverse, often under-served audiences – middle school to university, rural to urban, across six states – and its value to authors, publishers, and audiences. Panelists and writers share anecdotes as they discuss the strengths of nonprofit literary presenting.

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Sandra Williams has worked with Mountain Writers Series since it began in Oregon in 1973. She has received awards and fellowships for her poetry, and her collection Detours was nominated for an Oregon Book Award in 1995.

Alice Derry’s newest collection is Tremolo. Among her other volumes are Stages of Twilight and Strangers to Their Courage. She is professor emeritus at Peninsula College in Port Angeles. For thirty years she was the driving force behind the college’s Foothills Writers’ Series.

Vincent Wixon is a scholar in the William Stafford Archives at Lewis & Clark College. He has been involved in the publication of several books by William Stafford. As a high school teacher, he worked with Mt. Writers Series Rural Outreach in bringing writers to Southern Oregon.

Cindy Stewart-Rinier graduated with an MFA from Rainier Writers Workshop at Pacific Lutheran University and she is currently a faculty member for the Mountain Writers Series.

Jonah Bornstein co-founded and directed the Ashland Writers Conference (1997-2002) and directed the International Writers Series (1993-1997). He is currently publisher and editor of Wellstone Press. He holds an MFA in poetry from NYU and has taught creative writing and literature at universities.

4:30 p.m. to 6:00 p.m.

Washington State Convention Center, Level 4

R259.

Meet & Greet with AWP Board Members

Interested in meeting current AWP board members? Have some ideas for AWP to implement? Do you have questions, or are you looking to get more involved in the organization? If so, join us at the AWP Bookfair Booth (#100 and 102) on Thursday and Friday between Noon and 5:45pm. Please consult the bookfair map in the conference planner for detailed location.

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4:30 p.m. to 5:45 p.m.

Ballroom ABC, Washington State Convention Center, Level 6

R260.

A Reading and Conversation with David Guterson and Erik Larson, Sponsored by the PEN/Faulkner Foundation and Seattle Arts & Lectures

(, , ) Authors David Guterson and Erik Larson read from recent books and engage in a discussion moderated by Peter Mountford on their work, genre overlap, and the literary arts in the Pacific Northwest.

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David Guterson is the author of five novels, including the PEN/Faulkner Award-winning Snow Falling on Cedars, two story collections, including the forthcoming Problems With People, and two works of nonfiction, Descent: A Memoir of Madness, and Family Matters: Why Homeschooling Makes Sense. He will publish his first collection of poetry, Songs For A Summons, in the spring of 2014.

Erik Larson is the author of six books of nonfiction, four of which have gone on to become New York Times best sellers, including, most recently, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. His book The Devil in the White City won the Edgar Award and was a finalist for the National Book Award. He is also the author of Thunderstruck, Isaac’s Storm, Lethal Passage, and The Naked Consumer.

Peter Mountford's novel A Young Man’s Guide to Late Capitalism won the 2012 Washington State Book Award. His second novel The Dismal Science was recently published. A 2013-14 writer-in-residence at the Richard Hugo House, his essays and fiction have been in the Atlantic, Granta, and Boston Review.
Twitter Username: petermountford

Website: www.petermountford.com

Ballroom E, Washington State Convention Center, Level 6

R261.

Elizabeth Alexander and Frank Bidart, a reading and conversation, Sponsored by the Poetry Society of America

(, , ) Two major voices in American poetry come together to offer an exciting and timely reading of new and beloved work, as well as an illuminating conversation about their work and American poetry today moderated by Poetry Society of America Executive Director, Alice Quinn.

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Alice Quinn is Executive Director of the Poetry Society of America and an adjunct professor at Columbia University. She was poetry editor at the New Yorker from 1987-2007 and at Alfred A. Knopf, Publishers, from 1976-1986, and she is the editor of Edgar Allan Poe & The Juke-Box.

Elizabeth Alexander is the author of two essay collections and six books of poetry, including Crave Radiance and American Sublime, which was a finalist for the Pulitzer Prize. In 2009, she delivered her poem “Praise Song for the Day” at the inauguration of President Barack Obama. Her many awards and honors include the Anisfield-Wolf Lifetime Achievement Award in Poetry and the Jackson Poetry Prize from Poets & Writers. She is the chair of the Department of African American Studies at Yale University.


Twitter Username: ProfessorEA

Website: http://www.elizabethalexander.net

Frank Bidart’s most recent full-length collections of poetry are Metaphysical Dog, Watching the Spring Festival, Star Dust, Desire, and In the Western Night: Collected Poems 1965–90. He has won many prizes, including the Wallace Stevens Award and the 2007 Bollingen Prize for American Poetry. He teaches at Wellesley College.

Room 602/603, Washington State Convention Center, Level 6

R262.

Four Novelists Celebrate Arte Público Press

(, , Manuel Ramos) Arte Público Press began 35 years ago as a much needed outlet for Latina/o writers who had limited access to mainstream publishing. Since then, the press has published some of the most renowned, award winning Latina/o authors in the United States. Four novelists will read from their work recently published by APP and discuss the press’ influence on their careers and its impact on Latina/o literary production, followed by a discussion on the current state of publishing for Latina/o writers.

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J.L. Torres is the author of The Family Terrorist and Other Stories; The Accidental Native; and the poetry collection, Boricua Passport. A Fulbright recipient, he teaches literature and creative writing at SUNY, Plattsburgh, where he is editor of the Saranac Review.


Twitter Username: Rican_Writer

Website: http://jltorres.net/wp

Alicia Gaspar de Alba is a professor of Chicana/o Studies, English, and Gender Studies at UCLA. She has published ten books: three novels, two collections of poetry, a short story collection, and four academic books. Her novel on Sor Juana is being made into a movie starring Ana de la Reguera.


Twitter Username: LaProfe

Website: www.aliciagaspardealba.net

Room 604, Washington State Convention Center, Level 6

R263.

How to Write About a Murderer

(, , , , ) Can a writer adopt an alternate persona or innovative style to explore disturbing subjects? How does altered identity or medium affect a writer’s process and a reader’s experience? Five writers who work in prose, poetry, film, audio, and visual art discuss examples of their adopted personae and structural choices and give examples of ways these applications break boundaries and add perspective in articulating story. Participants discuss one another’s work and choices that have inspired theirs.

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Madge McKeithen is the author of Blue Peninsula: Essential Words for a Life of Loss and Change. Her writing has been published in TriQuarterly, Utne Reader, The New York Times Book Review, Best American Essays 2011, and in anthologies. She teaches nonfiction writing at the New School in New York.


Twitter Username: MadgeMcKeithen

Website: madgemckeithen.com

Jessica Handler is the author of Braving the Fire: A Guide to Writing Through Grief and Invisible Sisters: A Memoir. Her nonfiction has appeared widely, including Tin House, Brevity, Drunken Boat, and the Chattahoochee Review.


Twitter Username: jessicahandler

Website: http://www.jessicahandler.com

Arlene Kim's first collection of poems, What have you done to our ears to make us hear echoes?, won the American Book Award. Her work has appeared in diode, DIAGRAM, Blackbird, and Cha. She reads for the DMQ Review.


Twitter Username: quietlybananas

Website: arlenekim.com

Kate Sweeney’s forthcoming book, American Afterlife, follows ordinary Americans who find themselves involved with death and memorialization. She curates the popular nonfiction reading series True Story, and produces radio stories for Atlanta’s NPR station, WABE.

Nick Twemlow’s debut book of poems, Palm Trees, received the 2013 Norma Farber First Book Award from the Poetry Society of America. His films have played at Tribeca, South by Southwest, Slamdance, and many other festivals. He is an editor at Canarium Books and a senior editor of the Iowa Review.

Room 606, Washington State Convention Center, Level 6

R264.

The Peculiar Yesterday: The Memoir Today

(, , , , ) Seattle-based Jaded Ibis Press celebrates the 21st Century memoir by inviting four of its authors to discuss why and how they arrived at their own chimeric autobiographies and the cultural implications of literary transmutation. Publisher Debra Di Blasi will present her editorial preference for unorthodox memoirs and, with authors, examine its potential for mining deeper truths for writers and readers alike.

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Debra Di Blasi is founding publisher of the Seattle-based multimedia company, Jaded Ibis Productions and its imprint Jaded Ibis Press. She is the author of six books, including The Jirí Chronicles, Drought, and Skin of the Sun. She often lectures on the intersection of narrative and technology.

Dawn Raffel is the author of a bestselling memoir, The Secret Life of Objects, two story collections—Further Adventures in the Restless Universe and In the Year of Long Division—and a novel, Carrying the Body. She is the editor of the Literarian at the Center for Fiction in New York.


Twitter Username: dawnraffel

Website: http://www.dawnraffel.com/

Jane Rosenberg LaForge worked as a journalist for more than a decade on both coasts, before enrolling in the Master of Fine Arts program at the University of Massachusetts, Amherst. She now teaches college composition and writes poetry, fiction, criticism, and personal essays.


Twitter Username:

Website: jane-rosenberg-laforge.com

Cris Mazza's new book is a hybrid memoir titled Something Wrong With Her. Her last novel, Various Men Who Knew Us as Girls, will be reissued in 2013. She has fifteen other published books of fiction and nonfiction. She is director of the Program for Writers at the University of Illinois at Chicago.

Anna Joy Springer is the author of The Vicious Red Relic, Love, a fabulist memoir with soundscape and images. She’s now making a book-length rebus called Thieves With Tiny Eyes. She is associate professor of Literature at UC San Diego and Director of its MFA Program in Writing.

Room 607, Washington State Convention Center, Level 6

R265.

It Would Of Been A Good Panel If It Had Been Somebody There To Shoot It Every Minute Of Its Life: Contemporary Writers on Teaching Flannery O'Connor

(, , , , ) Fifty years after Flannery O’Connor’s death, her distinctive style and unforgettable voice continue to haunt and intrigue writers and readers. She has also become a sort of patron saint of creative writing students and instructors alike, a grand irony in light of her declaration that “there is no such thing as The Writer” and her fierce suspicion of creative writing programs. Panelists will discuss how they reconcile these paradoxes and how and why they use O’Connor’s work in the classroom.

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Daniel Orozco is the author of Orientation and Other Stories. He is the recipient of a National Endowment for the Arts fellowship and a Whiting Writers Award. He teaches in the Creative Writing Program at the University of Idaho.

Ann Joslin Williams is the author of The Woman in the Woods, a collection of linked short stories, which won the Spokane Prize for Short Fiction, and the novel Down From Cascom Mountain. She's an assistant professor at the University of New Hampshire.

Bret Lott is a novelist, memoirist, and professor of creative writing at the College of Charleston. Formerly editor of the Southern Review, he is nonfiction editor of Crazyhorse and a past member of the National Council on the Arts.

Anthony Varallo is the author of This Day in History, winner of the John Simmons Short Fiction Award, and Out Loud, winner of the Drue Heinz Literature Prize. His third story collection, Think of Me and I’ll Know, was published in Fall 2013.


Twitter Username: TheLines1979

Doug Dorst is the author of two novels, S. (with J.J. Abrams) and Alive in Necropolis, as well as a short story collection, The Surf Guru. He received an NEA Fellowship in fiction and teaches writing at Texas State University-San Marcos.


Twitter Username: dougdorst

Website: http://www.dougdorst.com

Room 608, Washington State Convention Center, Level 6

R266.

New Media Beyond the Book: A How-to Session

(, , , , Ian Hatcher) This panel will demonstrate how authors might broadly adapt their work for new media environments: from iPad apps addressing questions of innovation, to websites supplanting the printed text as the primary product, to e-books moving beyond electronic doubles of the original hard copy. This panel is a “how-to” for the future of the book. From these examples, authors will leave with concrete strategies for furthering their new media projects, even when their expertise is limited to the page.

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Amaranth Borsuk is a poet working across media platforms. She is the author of Handiwork; Tonal Saw, a chapbook; and, Between Page and Screen, a book of augmented reality poems created with Brad Bouse. She teaches in the MFA in Creative Writing and Poetics at the University of Washington, Bothell.


Twitter Username: amaranthborsuk

Website: www.amaranthborsuk.com

Kate Durbin is the author of The Ravenous Audience, E! Entertainment, Kim's Fairytale Wedding, and co-author of Abra, forthcoming as an app and artist's book. She is recipient of an Expanded Artist's Book grant from Center for Book and Paper Arts, and founding editor of the online journal Gaga Stigmata.

Samantha Gorman is a writer and media artist who composes for the intersection of text and digital culture. Recent work includes the hybrid iPad novella "Penumbra." She holds an MFA and BA from Brown University in Literary Arts, and she is currently pursuing her PhD at USC in Media Arts and Practice.


Twitter Username: TenderClaws

Website: http://samanthagorman.net/

Alexandra Chasin is the author of Selling Out, Kissed By, and the recent app/novella "Brief." Chasin held a 2012 NYFA Fellowship for Fiction and she is currently a Fellow at the Leon Levy Center for Biography at CUNY. She is Associate Professor of Literary Studies at Lang College, The New School in NYC.

Room 609, Washington State Convention Center, Level 6

R267.

CW at the U: A Poetry Reading

(, , , , ) Founded in 1947 by Theodore Roethke, the University of Washington Creative Writing Program is one of America’s oldest MFA programs and the preeminent literary institution in the Pacific Northwest. Current faculty members will read their own work along with selected poems by former UW CW faculty members Theodore Roethke, Elizabeth Bishop, William Matthews, Denise Levertov, and David Wagoner.

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Andrew Feld is the author of two books of poetry: Citizen and Raptor. He is an associate professor of English at the University of Washington and editor-in-chief of the Seattle Review.

Linda Bierds has published nine books of poetry. Her awards include fellowships from the Guggenheim and MacArthur Foundations and prizes from PEN and the Poetry Society of America. She is the Byron W. and Alice L. Lockwood Professor in the Humanities at the University of Washington in Seattle.

Heather McHugh is the author of poetry, translation, and essays and has taught in distinguished writing programs. Since 2011 her efforts to help lifelong caregivers of family members who are chronically ill or severely disabled prompted the establishment of CAREGIFTED.org (and UNDERSUNG.org).

Pimone Triplett is the author of three books of poetry, Rumor, The Price of Light, and Ruining the Picture. She also co-edited the collection of essays Poets Work, Poets Play. She is an associate professor in the University of Washington's Creative Writing Program.

Room 611, Washington State Convention Center, Level 6

R268.

How Can You Grade a Poem? Creative Approaches to Assignments, Assessments, and Student Assumptions

(, , , , ) What’s the point of grading a poem? Is doing so antithetical to the creative process? This panel—comprised of college instructors, editors, and practicing writers—will examine the complexities of evaluating creative work, including assessment strategies for newer creative writing programs and innovative assignments that challenge student assumptions about writing. Panelists will share time-tested prompts and discuss methods of measuring student, instructor, and programmatic accomplishment.

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Stephanie Lenox is the author of one book of poetry, Congress of Strange People, and a poetry chapbook, The Heart That Lies Outside the Body. Co-founder of Blood Orange Review, an online literary journal, she teaches creative writing at Willamette University.


Twitter Username: StephLenox

Website: www.stephanielenox.com

Janet Bowdan is the director of the undergraduate creative writing major at Western New England University and the editor of Common Ground Review. Her poems have been published in, among others, American Poetry Review, Denver Quarterly, VersePoetry Daily, and Best American Poetry 2000.

Joshua McKinney’s most recent book of poetry is Mad Cursive. His work has appeared widely in such journals as Boulevard, Colorado Review, Denver Quarterly, and the Kenyon Review among others. He teaches at California State University Sacramento.

Matthew Kelsey is an adjunct instructor at Everett Community College and  the managing editor of Poetry Northwest.

Sean Prentiss is the editor of an anthology on the craft of creative nonfiction. The Far Edges of the Fourth Genre was published in 2013. His essays, poems, and stories have appeared in Brevity, Sycamore Review, Passages North, and ISLE.


Twitter Username: PrentissSean

Website: seanprentiss.com

Room 612, Washington State Convention Center, Level 6

R269.

The AWP George Garrett Award: Who Exactly was George Garrett?

(, , , , ) This panel, consisting of several celebrated writers who knew Garrett intimately, as well as his biographer, relates the work and life of this AWP co-founder and former president with a conceptual focus on educating younger conference participants about the person and qualities which lie behind an important AWP award. Interspersed with lively tales from Garrett's career, topics broached include his wide-ranging writings, his tireless and prodigious support of younger writers, and his immense service to the profession (including the co-founding the Fellowship of Southern Writers). The panel hopes to articulate Garrett's unfailing dedication to professional service and personal encouragement in the writing life as models for younger writers.

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Erika Seay's fiction has appeared or is forthcoming in the Colorado Review, South Carolina Review, New Ohio Review, Cimarron Review, CutBank, and Meridian. She recently received her MFA in Fiction from the University of Arkansas, when she held the Walton Fellowship in Fiction.


Twitter Username: erikacscarter

Website: erikacarter.net

Richard Bausch is the author of eleven novels, eight books of stories, and a volume of poems and prose. His twelfth novel, Before, During, After, will appear in Spring 2014.

Robert Bausch is the author of nine novels and a collection of short stories. He has taught at NVCC in Northern Virginia, UVA, Johns Hopkins, George Mason University, American University, and the University of Maryland Baltimore Campus. His newest novel, Far as the Eye Can See is forthcoming in 2014.


Twitter Username: robertbausch1

Website: www.robertbausch.org

Kelly Cherry is the author of twenty-one books, nine chapbooks, and two translations of classical drama. Her most recent poetry collection is The Life and Death of Poetry. She is Eudora Welty Professor Emerita of English and Evjue-Bascom Prof. Emerita in the Humanities at U Wisc.-Madison.


Twitter Username: kcherrywrites

Casey Clabough is the author of eight books, including George Garrett: A Biography. He serves as Literature Editor of Encyclopedia Virginia and Editor of the James Dickey Review. He is a recipient of the Bangladesh International Literary Award and a Brazilian Artists Fellowship, among others.

Room 613/614, Washington State Convention Center, Level 6

R270.

Protean Poetics in the 21st Century: Redefining Poetry & Place in a Placeless World of Global Communication

(, , , , ) What are the advantages or disadvantages of writing about a particular place in an age of placeless, electronic communication? How do particular notions of self, place, and image become more mobile, mimicking the medium or electronic manner in which they are conveyed? How has the content and language of poetry changed through the way that we communicate place? Join these five poets for a dynamic discussion and Q/A.

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Mark Irwin is the author of seven collections of poetry, which include Large White House Speaking, Tall If, and Bright Hunger. Recognition for his work includes four Pushcart Prizes, two Colorado Book Awards, and fellowships from the Fulbright, Ruth Lilly, NEA, and Wurlitzer foundations.

Susan M. Schultz is author of several volumes of poetry and poetic prose, including most recently, Dementia BlogMemory Cards: 2010-2011 Series, and She's Welcome to Her Disease: Dementia Blog, Volume Two. She founded Tinfish Press in 1995.


Twitter Username: tinfishpress

Website: http://tinfisheditor.blogspot.com; tinfishpress.com

Brynn Saito is the author of the poetry collection The Palace of Contemplating Departure, winner of the Benjamin Saltman Award. Her poems have been anthologized by Helen Vendler and Ishmael Reed; they have also appeared in Virginia Quarterly Review, Ninth Letter, and Hayden’s Ferry Review.


Twitter Username: brynnsaito

Website: http://brynnsaito.com

Paul Hoover has most recently published the poetry volumes Desolation: Souvenir, Sonnet 56, Edge and Fold, and Poems in Spanish. Editor of Postmodern American Poetry: A Norton Anthology (1994 / 2013) and co-editor of New American Writing, he teaches at San Francisco State University.

Chad Sweeney is the author of six books of poetry and translation, most recently Parable of Hide and Seek, and Wolf’s Milk. His poems have appeared in Best American Poetry and the Pushcart Prize Anthology. He teaches in the MFA program at California State University San Bernardino.


Twitter Username: ChadSweeneyPoet

Website: www.chadsweeney.com

Room 615/616/617, Washington State Convention Center, Level 6

R271.

Homesteading on the Digital Frontier: Writers' Blogs

(, , , Charles Johnson) Writers present strategies on how to start a blog, where to get material, how to publicize a blog and add readers and followers, and how to sustain it over time. Other topics: Is blogging a new genre of literature? Why do blogs matter? To monetize, or not to monetize? What are SEO and tagging, and how do you use them? How do analytics help increase readership? How can blogging improve book sales and reading attendance? Should you react to events or pick your own blog topics?

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Zack Rogow is the author, editor, or translator of nineteen books or plays. His seventh book of poems, My Mother and the Ceiling Dancers, was published by Kattywompus Press. Currently he teaches in the low-residency MFA in writing program at the University of Alaska Anchorage.


Twitter Username: @ZackRogow

Website: www.zackrogow.com

Mark Doty's eight books of poems have received the National Book Award and the National Book Critics Circle Award. He's also the author of four books of nonfiction prose and a handbook for writers. A new book of poems, Deep Lane, is forthcoming. He teaches at Rutgers University in New Brunswick, New Jersey.

C.M. Mayo's books include the novel The Last Prince of the Mexican Empire; Miraculous Air: Journey of 1000 Miles through Baja California, the Other Mexico; and Sky Over El Nido, which won the Flannery O'Connor Award. One of the pioneers of lit-blogging, her blog is "Madam Mayo." www.cmmayo.com

Room 618/619/620, Washington State Convention Center, Level 6

R272.

The Long Distance Race: Making a Life in Poetry

(, , , , Cate Marvin) Poetry is a long distance race, Hayden Carruth once advised. What do you wish you’d known about professional and personal stamina when you first discovered your devotion? Five poets, some emerging, some at mid-career, discuss the difficulty of achieving and sustaining a life in poetry. Topics will include rejection, success, mentorship, community, and the kinds of negotiations poets must make to establish themselves artistically and professionally. Experiences will be shared, scrapes confessed.

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Dana Levin is the author of In the Surgical Theatre, Wedding Day, and Sky Burial. A recipient of honors from the Rona Jaffe, Whiting, and Guggenheim Foundations, she co-chairs the Creative Writing and Literature Department at Santa Fe University of Art and Design in Santa Fe, New Mexico.

Richard Siken is the author of Crush, which was the 2004 winner of the Yale Series of Younger Poets Prize. He is the recipient of and NEA fellowship and Two Arizona Commission of the Arts grants. He is an editor at Spork Press.

Tyehimba Jess’ first book of poetry, leadbelly, was a winner of the 2004 National Poetry Series. The Library Journal and Black Issues Book Review both named it one of the “Best Poetry Books of 2005.” She is an assistant professor of English at College of Staten Island.


Twitter Username: TyehimbaJess

Carmen Giménez Smith is the editor of Beyond the Field: New Latin@ Writing and, most recently, the poetry collections Milk and Filth and Goodbye, Flicker. She teaches in the MFA program at New Mexico State University, edits Puerto del Sol, and is publisher of Noemi Press.


Twitter Username: lizitasmith

Room LL4, Western New England MFA Annex, Lower Level

R273.

Flash in the Classroom: Teaching Micro Prose

(, , , , ) As interest in the flash form continues to develop, teachers must be ready with pedagogical approaches in mind and in hand. This panel of experts in teaching and writing flash, including faculty from Chatham University, Ball State University, and Emerson College, along with editors from Brevity and NANO Fiction, will identify the best practices for generating successful flash-based workshops while exploring effective readings and exercises for writing students.

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Sophie Rosenblum is the Web Editor for NANO Fiction. Her essays on food and travel have appeared in print and online, and her fiction has appeared in New Letters, the Iowa Review, and American Short Fiction. She is pursuing a PhD at Florida State University.

Sherrie Flick is author of the novel Reconsidering Happiness and the flash fiction chapbook I Call This Flirting. Series editor for At Table, the Food Writing book list at University of Nebraska Press, she teaches in Chatham University's MFA program.


Twitter Username: sherrieflick

Website: http://www.sherrieflick.com/

Pamela Painter is the author of the very short story collection Wouldn’t You Like to Know. Her stories have been published in numerous journals and reprinted in: Sudden Fiction, Flash Fiction, Flash Fiction Forward, Microfiction, Sudden Flash Youth, Sudden Stories, and Flash Fiction Funny.


Twitter Username: xpamelapainterx

Sean Lovelace works in flash fiction and hybrid fiction and nonfiction. He has won several awards. He is the author of Fog Gorgeous Stag and They Could No Longer Contain Themselves. His next book is about Velveeta. He teaches creative writing at Ball State University, and he blogs at seanlovelace.com.

Sarah Einstein is a PhD Candidate at Ohio University in Creative Nonfiction. Her work has appeared in Ninth Letter, [PANK], Fringe, and other journals and has been awarded a Pushcart Prize. She is also the managing editor of Brevity.

Room LL5, Western New England MFA Annex, Lower Level

R274.

Kelsey Street Press: 40 Years of Publishing Innovative Writing by Women

(, , , , ) This year marks the 40th anniversary of Kelsey Street Press, which was created to address the marginalization of women writers by small press and mainstream publishers. Join us for a celebratory poetry reading featuring several award-winning Kelsey Street authors as well as founding members of the press.

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Rena Rosenwasser co-founded Kelsey Street Press in 1974, serving as director for over two decades.  She initiated a series of collaborations between artists and poets for the Press and continues to play an advisory role. She is the author of eight books of poetry, the most recent is Elevators.

Mei-mei Berssenbrugge studied at Reed College and Columbia University. She’s published twelve books of poetry, most recently Hello, the Roses. She’s received numerous awards and collaborated with many artists including Kiki Smith and Richard Tuttle.

Bhanu Kapil lives teaches at Naropa University’s Jack Kerouac School of Disembodied Poetics. She has written four full-length works including The Vertical Interrogation of Strangers, Incubation: a space for monsters, Humanimal, and Schizophrene.


Twitter Username: Thisbhanu

Website: http://jackkerouacispunjabi.blogspot.com

Hazel White’s first poetry book, Peril as Architectural Enrichment, was a finalist for the 2011 Northern California Independent Booksellers Association Best Book of the Year Award. Author of nonfiction books on landscape, she is an affiliate artist at the Headlands Center for the Arts.


Twitter Username: HazelWhite13

Patricia Dienstfrey is co-founder of Kelsey Street Press. Her books include The Woman Without Experiences, prose-poetry, winner of the America Award For Literature; several volumes of poetry; and The Grand Permission: New Writings on Poetics and Motherhood, essays, co-edited with Brenda Hillman.

Room 101, Western New England MFA Annex, Level 1

R275.

Power and Page Count: Publishing the Other Gender

(, , , ) Why is "difference" in publishing still a key word? What separates the genders on the page anyway? And where and how do women get the nerve? They keep hopping right back into the center of "Ye Old Testosterone Ring." More importantly: after getting kicked out of the circle so many times, what does a "Ring of Their Own look like"? Four female editors of print and/or online presses and journals discuss the literary landscape.

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Susan Yount is publisher of Arsenic Lobster and madam of the Chicago Poetry Bordello. She founded Misty Publications, works fulltime at the Associated Press, teaches at The Rooster Moans Poetry Coop, and co-writes the Rebellious Women in Poetry column. Her recent chapbook is Catastrophe Theory.


Twitter Username: susanyount

Kelly Boyker is the founding editor of Menacing Hedge. Her poetry has appeared in numerous print and web journals. Her chapbook Zoonosis is forthcoming in 2013.


Twitter Username: kmenacing

Kristy Bowen is a writer/visual artist and the author of several books, chapbooks, and zine projects. She lives in Chicago, where she runs dancing girl press & studio, which creates a series of open and limited edition chapbooks by women authors.

Margaret Bashaar is the founding editor of Hyacinth Girl Press, co-founder of the TypewriterGirls Poetry Cabaret, and author of the chapbooks Letters from Room 27 of the Grand Midway Hotel and Barefoot and Listening. Her work has also appeared in numerous literary journals and anthologies.


Twitter Username: myhyacinthgirl

Room 202, Western New England MFA Annex, Level 2

R276.

Relationship Memoir: Living through It

(, , , , ) Memoirs are often about difficult relationships and the understanding that comes with living through them. These four authors have all recently published memoirs that dig deeply into trying relationships between husband and wife, father and son, and mother and daughter. They will discuss the challenges of writing their way into a deeper understanding of these relationships as well as how those whom they write about in their memoirs coped with the writing and publishing process.

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Adam O’Connor Rodriguez has served in editorial leadership roles for various national literary journals and now works as Senior Editor of Hawthorne Books in Portland, Oregon.

Jay Ponteri directs the undergraduate creative writing program at Marylhurst University and show:tell, The Workshop for Teen Writers & Artists. He is the author of the memoir, Wedlocked.

Gregory Martin is the author of the memoir Stories for Boys, a Barnes & Noble Discover Great New Writers pick and the Seattle Reads selection for 2013. His first book, Mountain City, was a New York Times Notable Book. He is an associate professor of English at the University of New Mexico.

Ariel Gore is the editor of Hip Mama magazine and the author of eight books including Atlas of the Human Heart, How to Become a Famous Writer Before You're Dead, Bluebird, and The End of Eve.


Twitter Username: ariel_gore

Website: http://arielgore.com

Monica Wesolowska is the author of the memoir Holding Silvan: A Brief Life. Her fiction has appeared in many journals and anthologies including Best New American Voices. A Reed College graduate and former fellow at the Fine Arts Work Center, she teaches creative writing at U.C. Berkeley Extension.


Twitter Username: m_wesolowska

Website: http://www.monicawesolowska.com

Room 301, Western New England MFA Annex, Level 3

R277.

Literary Matriarchs: Thinking Through Our (Writerly) Mothers

(, , , Joan Leegant) Tolstoy, Chekhov, Hemingway, Joyce, Carver, Roth... it's not uncommon for us to discuss the patriarchs of contemporary fiction. This panel will pay homage to the women who have been just as crucial to growing and cementing our literary tradition. Who are our literary matriarchs and what debts do we owe them? Panelists will discuss Welty, Bowen, Fox, Roy, Gallant, Woolf, and others. What do we stand to learn through close study, and how do we strike out on our own?

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Karen Brennan is the author of six books of varying genres including the AWP's  short fiction prize winning Wild Desire, the memoir Being with Rachel, and forthcoming collection of poems, little dark. A professor emerita at the University of Utah, she teaches at the Warren Wilson MFA Program for Writers.

Nina McConigley is the author of the short-story collection Cowboys and East Indians. Nominated for a Pushcart Prize and for The Best New American Voices, she has received scholarships to the Bread Loaf Writers’ Conference and the Sewanee Writers’ Conference, and a fellowship to the VSC.


Twitter Username: ninawyo

Website: www.ninamcconigley.com

Robin Romm is the author of two books and a chapbook. Her story collection, The Mother Garden, was a finalist for the PEN USA prize. Her memoir, The Mercy Papers, received many accolades and was a New York Times Notable Book of the Year. She is faculty at Warren Wilson's Low-Residency Program.

Room 302, Western New England MFA Annex, Level 3

R278.

The Literary Legacy of Nirvana and Kurt Cobain

(, , , , ) “He saved us all,” says fellow Washington native Sherman Alexie of Kurt Cobain. Though neither Cobain nor Nirvana created the “Seattle sound,” they did more than any other band to lionize and catapult it, resulting in a legacy that spread beyond music and into life, politics, and literature. On this, the 20th anniversary of Cobain’s death, panelists will reflect on the literary influence of Nirvana, as well as the impact and aftermath of Cobain’s life and death.

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Matthew Batt is the author of the memoir Sugarhouse and the recipient of a McKnight Fellowship and an NEA Individual Artist Grant. His work has appeared in Tin House, Mid-American Review, and the Huffington Post. He is an associate professor at the University of St. Thomas in Minnesota.

Melanie Rae Thon's most recent books are the novel The Voice of the River and In This Light: New and Selected Stories. She teaches in the Creative Writing and Environmental Humanities programs at the University of Utah.

Ryan Boudinot teaches at Richard Hugo House. He also teaches in Goddard College's MFA program in Port Townsend, Washington. His work has appeared in McSweeney's, the Best American Nonrequired Reading, and elsewhere.

Jason Skipper is the author of Hustle, a finalist for the PEN Center USA Award for Fiction. His work has appeared in The Rumpus and Hotel Amerika, with awards and recognition from Zoetrope: All-Story, Glimmer Train, and Crab Orchard Review. He teaches at Pacific Lutheran University in Tacoma, Washington.

Jacob Paul is the author of the novel Sarah/Sara. His fiction has appeared in Hunger Mountain, Western Humanities Review, and Green Mountains Review. His nonfiction has appeared in Mountain Gazette, the Massachusetts Review, The Rumpus, Numero Cinq, and USA Today's Weekend magazine.


Twitter Username: jacobpaulpaul

Website: www.jacobgpaul.com

Room 303, Western New England MFA Annex, Level 3

R279.

Wesleyan University Press Reading

(, , , , ) Since 1959, Wesleyan University Press has demonstrated a continued dedication to the literary arts. Best known for its award-winning poetry series, the press has also ventured into fiction and hybrid works. This reading shares the diversity of voice and style that is characteristic of Wesleyan. From jazz poetry and politically charged verse to provocative fiction and forms that blur the lines between poetry and prose, Wesleyan continues to nurture exceptional literature in a variety of forms.

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Yusef Komunyakaa is author of seventeen collections of poetry. His work has been awarded a Pulitzer Prize and the 2011 Wallace Stevens Award. His plays, musical collaborations, and theater art have been performed internationally. His most recent collection is Testimony, A Tribute to Charlie Parker.

Brenda Hillman has published nine collections of poetry, most recently Practical Water and Seasonal Works with Letters on Fire. The Filippi Professor of Poetry at St. Mary’s College, she is an activist for social and environmental justice.


Twitter Username: brendalhillman

Website: brendahillman.net

Peter Gizzi is the author of numerous books, including The Outernationale and Threshold Songs. His honors include the Lavan Younger Poet Award from the Academy of American Poets and fellowships from the Howard Foundation, the Foundation of Contemporary Arts, and the Guggenheim Foundation.

Brenda Coultas is the author of four books of poetry and fiction: Early Films, The Marvelous Bones of Time, A Handmade Museum, and A Critical Mass.

Joseph Harrington is the author of Things Come On (an amneoir), a Rumpus magazine Poetry Book Club selection; the critical work Poetry and the Public; and the chapbook Earth Day Suite.

Room 304, Western New England MFA Annex, Level 3

R280A.

Is It Really That Difficult? The Problem with "Difficult" Poetry

(, , , , ) Many small presses publish poetry that is described as "experimental" and very often "difficult." What do these monikers mean, and how are they both limiting and freeing? This panel will explore poetry's links to these terms with Coffee House Press poets. Each poet seeks to connect with readers in diverse ways, and each is known for the experimentation and complexity of his or her work.

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Chris Fischbach is the publisher of Coffee House Press.


Twitter Username: fishmpls

Lightsey Darst writes, dances, writes about dance and other arts, and teaches. Her books are Find the Girl and the forthcoming DANCE. Her poetry appears in Typo, Spork, and Diagram. Her criticism is online at mnartists.org, The Huffington Post, and Bookslut.

Amanda Nadelberg is the author of Bright Brave Phenomena, Isa the Truck Named Isadore, and a chapbook, Building Castles in Spain, Getting Married.

Raymond McDaniel is the author of Murder, a National Poetry Series selection; Saltwater Empire; and Special Powers and Abilities. A staff writer for The Constant Critic, he teaches at the University of Michigan, Ann Arbor.


Twitter Username: RaymondMcDaniel

Ange Mlinko is the author of four books of poetry, including Starred Wire, a National Poetry Series pick. Recipient of the Randall Jarrell Award from the Poetry Foundation for her criticism, she is an assistant professor in the Creative Writing Program at the University of Houston.

Room 305, Western New England MFA Annex, Level 3

R280B.

The New Nature of Funding

(, , , ) The objective of this panel is to address the question of what is changing about why and how arts nonprofits are funded. We will ask panelists to discuss how they make choices about which organizations or projects to fund, and how/why their priorities have or have not changed over the years. What is newly important to them? What is no longer important? And what has remained essential throughout the economic, technological, and social convulsions of the past five years.

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Andrew Proctor is the Executive Director of Literary Arts, a nonprofit literary center in Portland, Oregon. Previously the Membership and Operations Director at PEN American Center, he was an associate editor at HarperCollins publishers, and he has worked at the Canadian High Commission in London (UK).


Twitter Username: literaryarts

Website: www.literary-arts.org

Corrine Oishi has served on the Oregon Community Foundation Board of Directors for the past four years and has served on various community board for over fifteen years. Her main focus of interest has been on education and the arts, while teaching, mentoring, and running a residential construction business.

Jim McDonald is a Senior Program Officer for The Paul G. Allen Family Foundation. In that position, he manages the Foundation’s Arts and Culture Grantmaking Program. He has over twenty-five years of experience in the arts and culture sector working as a grantmaker, curator, arts administrator, and art consultant.

Bob Speltz is the director of public affairs for Standard Insurance Company (“The Standard”) in Portland, Oregon. He is responsible for all aspects of corporate community involvement including The Standard’s corporate giving program, the Standard Charitable Foundation, and employee volunteerism.

6:00 p.m. to 7:15 p.m.

Room 607, Washington State Convention Center, Level 6

R281.

Two-Year College Caucus

(, , ) Two-year college instructors and those interested in jobs at two-year colleges should join us for our annual networking meeting. Nearly half of all students begin their college careers at two-year colleges, and an increasing number of MFA graduates are earning two-year-college teaching jobs. The future of creative writing at our campuses looks bright. We will discuss teaching creative writing at the two-year college, hold a short business meeting, and provide tangible resources for faculty.

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V. Hunt has published in BOMB, the Southern Quarterly, the African-American Review, Chattahoochee Review, and Southeast Review. Her work is in the anthologies Every Woman I've Ever Loved, and His Hands, His Tools, His Sex, His Dress. She teaches writing at Northwest Florida State College.

Sharon Coleman's taught poetry, creative writing, and travel writing. She directs the journal, Milvia Street. She's a contributing editor at Poetry Flash, a member of the Northern California Book Reviewers, and a curator the reading series Lyrics & Dirges. She was nominated for a Pushcart in 2012.

Ryan Stone is the author of the short story collection Best Road Yet. His work has appeared in numerous publications and currently serves as the President of the Two-Year College Caucus. He teaches writing and literature at Danville Area Community College in Illinois.


Twitter Username: stoneprof

Website: http://www.ryanpstone.com

Room 611, Washington State Convention Center, Level 6

R282.

GLBTQ Caucus

(, , , ) The LGBTQ caucus is for those who identify as lesbian, gay, bisexual, transgender, or queer to network and discuss common issues/challenges. These concerns are related to gender fluidity and identity while teaching and writing professionally along with leading a literary and socially responsible life. We share interests, publications, and projects in order to strengthen visibility and importance to AWP, along with addressing our social/creative significance to academic/literary communities.

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Darrian Wesley Thomas is a poet, educator, and workshop facilitator. He has his BA degree (2011) from Bradley University and is currently pursuing his MFA degree at Adelphi University. He has given pedagogy talks and readings at Adelphi University where he also teaches in the English department.

Judy Meiksin is a playwright and poet. Her poetry has appeared in numerous publications internationally, and her plays have been produced at various theaters in Pittsburgh, including the Pittsburgh Playwrights Theatre Company, Queer Theater, and Womenscenes. She has an MFA from the University of Pittsburgh.

Matthew R. K. Haynes teaches creative writing and literature at College of Western Idaho. His first novel, Moving Towards Home was published in 1999. He was an Idaho State Writing Fellow in 2010. His collection (monograph) of multi-genre writing, Distant Tides, will be published in 2013-14.


Twitter Username: educepress

Website: www.educejournal.com

Room 612, Washington State Convention Center, Level 6

R283.

Low-Residency MFA Program Directors' Caucus

(, ) This is a regular annual meeting of the directors of low-residency MFA Programs, providing a forum for discussions on program development and pedagogy particular to the low-residency model. All low-residency directors are welcome to attend and vote.

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Xu Xi is author of nine books of fiction & essays. Recent titles are Access Thirteen Tales and the novel Habit of a Foreign Sky, a finalist for the Man Asian Literary Award. She is currently Writer-in-Residence at City University of Hong Kong where she directs an international, low-residency MFA.


Twitter Username: xuxiwriter

Website: www.xuxiwriter.com

Sean Nevin is the author of Oblivio Gate and A House That Falls. His honors include a Literature Fellowship from the NEA, the Robinson Jeffers Tor House Prize, and two fellowships from the Arizona Commission on the Arts. He directs Drew University’s MFA in Poetry & Poetry in Translation Program.

7:00 p.m. to 8:15 p.m.

Cedar A Room, Sheraton Seattle, 2nd Floor

R284A.

Stephen Dunn Reception & Reading: Hosted by the Sierra Nevada College MFA Program

Join program director Brian Turner and the faculty and students of the SNC MFA program in celebrating Dunn's most recent book of poems, Lines of Defense, as well as a new anthology of essays examining the poet's work, The Room and the World.

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Cedar B Room, Sheraton Seattle, 2nd Floor

R284B.

Saranac Review/SUNY Review Reception

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Juniper Room, Sheraton Seattle, 2nd Floor

R285A.

Prairie Schooner/African Poetry Book Fund Reception

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Redwood Room, Sheraton Seattle, 2nd Floor

R285B.

Poetry Foundation Reception

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Ballard Room, Sheraton Seattle, 3rd Floor

R286A.

Fairleigh Dickinson University Reception

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Capital Hill Room, Sheraton Seattle, 3rd Floor

R286B.

A Lifetime of Publishing with Northwest Institute of Literary Arts Reception

The Whidbey Island Writers Association, Whidbey Writers Workshop MFA program, Soundings literary magazine, and the Whidbey Island Writers Conference celebrate writers and publishing. Author Ryan Boudinot, Scratch magazine founders Jane Friedman and Manjula Martin, other guest faculty, and published alumni will meet and greet. Giveaways from NILA authors and guest faculty. Explore a lifetime of publishing.

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Greenwood Room, Sheraton Seattle, 3rd Floor

R286C.

Writers in the Schools (WITS) Reception

Come celebrate with the Writers in the Schools (WITS) at a reception.

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Kirkland Room, Sheraton Seattle, 3rd Floor

R286D.

Ruminate - Rock & Sling - WordFarm Reception

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Issaquah Room, Sheraton Seattle, 3rd Floor

R286E.

Virginia Commonwealth University Reception

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8:30 p.m. to 10:00 p.m.

Ballroom ABCE, Washington State Convention Center, Level 6

R287.

#AWP14 Keynote Address by Annie Proulx, Sponsored by the University of Washington Creative Writing Program

() Annie Proulx is the author of eight books, including the novel The Shipping News and the story collection Close Range. Her many honors include a Pulitzer Prize, a National Book Award, the Irish Times International Fiction Prize, and a PEN/Faulkner award. Her story “Brokeback Mountain,” which originally appeared in the New Yorker, was made into an Academy Award-winning film. Her most recent book is Fine Just the Way It Is. She lives in Wyoming.

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Annie Proulx is the author of eight books, including the novel The Shipping News and the story collection Close Range. Her many honors include a Pulitzer Prize, a National Book Award, the Irish Times International Fiction Prize, and a PEN/Faulkner award. Her story “Brokeback Mountain,” which originally appeared in the New Yorker, was made into an Academy Award-winning film. Her most recent book is Fine Just the Way It Is. She lives in Wyoming.

10:00 p.m. to 12:00 a.m.

Grand Ballroom, Sheraton Seattle, 2nd Floor

R288.

AWP Public Reception & Dance Party

A Dance Party with music by DJ Neza. Free beer and wine from 10:00pm to midnight.

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Willow Room, Sheraton Seattle, 2nd Floor

R289.

Old School Slam

(, , ) AWP welcomes students to return to the roots of Slam! Open mic, special guests, and then undergraduate and graduate students partake in a hardcore-break-your-heart-strut-out-the-good-stuff slam competition. Students are welcome to sign up to participate on Thursday and Friday at the Wilkes University/Etruscan Press booth and read original pieces (three minutes or less with no props) at the Slam later that night. Hosted by Wilkes University and Etruscan Press.

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Laura E. J. Moran is a playwright, performer, and poet. She teaches at Lackawanna College and her hybrid novel, Jump the Snake, is forthcoming in 2015. She was interviewed on the Poetry Foundation's "Harriet Blog" in 2011.

Glenis Redmond is the Poet-in-Residence at The Peace Center for the Performing Arts in Greenville, South Carolina and the State Theatre in New Brunswick, New Jersey. She is a North Carolina Literary Fellowship Recipient .

Daemond Arrindell is a poet, performer, and workshop facilitator. She is curator of the longest running weekly show in Seattle, the Seattle Poetry Slam, and Writer in Residence through Seattle Arts & Lectures' Writers in the Schools Program. In 2012 he taught Seattle University's first course in Slam poetry.

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2014_SEATTLE Annual Conference & Bookfair

Feb 26 - Mar 1, 2014
Seattle, Washington

Seattle Convention Center & Sheraton Seattle Hotel

#AWP24 Virtual Events Guide
#AWP24 Kansas City Program
#AWP24 Print-at-Home Program