S154.

Writing the Disturbed Essay: Memory & Identity in Creative Nonfiction

Virtual
Saturday, March 26, 2022
10:35 am to 11:35 am

 

While personal essay often serves as vessel for the exploration of memory and the construction of identity, the disturbed essay stirs up the sediment, allows for memory’s paradoxes, and helps us reevaluate what we reach towards when we write. It allows us to refute dominant narratives about LGBTQIA+, PoC, and disabled lives. Those elements of the past that wake us, interfere with the coherent story of a self, and invade our privacy become the radical heart of a truer story.



Outline & Supplemental Documents

Event Outline: AWP22_Event_Outline.pdf
Supplemental Document 1: Hoang_AWP_2022.pdf

Participants

Moderator:

Katie Jean Shinkle is the author of None of This is an Invitation (with Jessica Alexander), Ruination, The Arson People, and Our Prayers After the Fire. She is an assistant professor in the MFA in creative writing, editing, and publishing program at Sam Houston State University.

SJ Sindu is the author of Blue-Skinned Gods and Marriage of a Thousand Lies, which won a Publishing Triangle Award and was an ALA Stonewall Honor Book and a Lambda Literary Award finalist. She is an assistant professor of creative writing at the University of Toronto.

Monica Prince is an assistant professor of activist and performance writing at Susquehanna University and the managing editor of the Santa Fe Writers Project. Her creative focus is in choreopoems and performance poetry.

Danielle Pafunda is the author of nine books of poetry and prose including Spite, Beshrew, The Book of Scab, and The Dead Girls Speak in Unison. She teaches at Rochester Institute of Technology.

Lily Hoang is the author of five books, including A Bestiary (finalist for the PEN USA Nonfiction Book Award) and Changing (recipient of a PEN Open Books Award). She teaches in the MFA program at University of California San Diego.

#AWP24

February 7–10, 2024
Kansas City, Missouri

Kansas City Convention Center