S120. CANCELLED: Beyond the Hot Take: Women Writing Cultural Criticism That Matters

Status: Not Accepted

Room 007C, Henry B. González Convention Center, River Level
Saturday, March 7, 2020
9:00 am to 10:15 am

 

How do critics balance the need to respond quickly to ongoing cultural conversations with loyalty to their individual crafts? This panel of five female critics—writing from varying disciplinary perspectives and professional backgrounds—will discuss what culture writing is and how it is changing in a digital landscape. In light of the shifting challenges of the field, each panelist will present her view for the future of criticism and how writers can make art from strong opinions and ideas.


Outline & Supplemental Documents

Event Outline: Event_Outline-_Beyond_the_Hot_Take.docx

Participants

Moderator:

Arielle Bernstein is a writer and cultural critic whose work has been featured in the Atlantic, the Guardian, Salon, AV Club, and Tablet magazine. She is a professorial lecturer at American University in Washington, DC, where she teaches academic and creative writing.

Eileen G’Sell's criticism and poetry can be found in Salon, Vice, Boston Review, and the Millions, among other forums. She teaches rhetoric and film at Washington University in St. Louis and creative writing for the Prison Education Project. Her first book is Life after Rugby.

Shanon Lee is a survivor activist and storyteller with features on National Geographic, HuffPost Live, The Wall Street Journal, TV One, and the REELZ Channel’s Scandal Made Me Famous. She is a contributor for Forbes and The Lily at The Washington Post.

Amanda Parrish Morgan is an essayist writing (mostly) about teaching, motherhood, literature, and long distance running. Connect with her on Twitter: @ap10k Instagram: @amandaparrishmorgan.

Shani Gilchrist is a freelance journalist, essayist, and critic who seeks to highlight the nuance in America's history and discourse. Her work has appeared in Tthe Literary Hub and the Daily Beast, with essays about race, gender, and inequality in Catapult, the Toast, Longreads, and elsewhere.

#AWP24

February 7–10, 2024
Kansas City, Missouri

Kansas City Convention Center