S230. CANCELLED: Narrative Disruption: A Catalyst for Meaningful Subversion

Status: Not Accepted

Room 214A, Henry B. González Convention Center, Meeting Room Level
Saturday, March 7, 2020
1:45 pm to 3:00 pm

 

If we think of formal choices as political acts, what might disruption in prose mean? How can narratives of dislocation, trauma, alienation, and marginalization be enacted through prose disruptions? Whether by juxtaposing multiple selves, creating fissures in narrative meaning, using fragments in the narrative line, or subverting grammatical or syntactical expectations, these authors explore and embrace disruption as a tool to create subversion in order to make meaning from chaotic experience.


Participants

Moderator:

Melissa Matthewson's essays have been published in numerous literary journals including DIAGRAM, Guernica, American Literary Review, Mid-American Review, and Bellingham Review, among others. She is the author of the memoir, Tracing the Desire Line. She teaches at Southern Oregon University.

Emily Arnason Casey is the author of Made Holy: Essays. Her writing has appeared in the Normal School, The Rumpus, Hotel Amerika, Briar Cliff Review, Mid-American Review, and elsewhere. She teaches writing at the Community College of Vermont. www.emilyarnasoncasey.com

Mary-Kim Arnold is the author of Litany for the Long Moment and The Fish & The Dove (forthcoming). A former arts administrator, she now teaches in the Nonfiction Writing Program at Brown University.

Thirii Myo Kyaw Myint is the author of the novel The End of Peril, the End of Enmity, the End of Strife, a Haven, which won the Asian/Pacific American Award for Literature, and the family history project Zat Lun, which won the 2018 Graywolf Press Nonfiction Prize.

Katherine Agard is a writer and artist. Her first book, of color, will be published in early 2020. A dual citizen of Trinidad & Tobago and Ghana, she lives in San Francisco.

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Kansas City, Missouri

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