R222. Readings from New Micro: Exceptionally Short Fiction

B115, Oregon Convention Center, Level 1
Thursday, March 28, 2019
1:30 pm to 2:45 pm

 

The story seems to be getting shorter and shorter. From sudden fiction to flash fiction to microfiction this trend has only accelerated, and now this highly compressed narrative form of no more than 300 words has found both popular and critical acclaim. It is no surprise that microfiction is often compared with prose poetry in its use of metaphor and inventive language. These readers from New Micro will show how intensity commands attention, and how they came to write with such precision.


Participants

Moderator:

James Thomas has coedited all of the Sudden and Flash Fiction anthologies, and authored Pictures, Moving. He has received two NEA grants, a Stegner Fellowship, founded Quarterly West, and started the Writers At Work conference. He has taught at Wright State University and the University of Utah.

Kim Chinquee is the author of the collections Oh BabyPrettyPistol, and Shot Girls. Her work has been published in journals including The NationNOONConjunctionsPloughshares, and others. She is Senior Editor of New World Writing, and she codirects the writing major at SUNY-Buffalo State.

Mary Miller is the author of two collections of stories, Big World and Always Happy Hour, as well as a novel, The Last Days of California. She is a former James A. Michener Fellow in Fiction at the University of Texas and John and Renée Grisham Writer-in-Residence at the University of Mississippi.

Kim Addonizio's latest books are a collection of poems, Mortal Trash, and a memoir, Bukowski in a Sundress. She is the author of six other poetry collections, two novels, and two books on writing poetry: The Poet's Companion (with Dorianne Laux) and Ordinary Genius.

Grant Faulkner is executive director of National Novel Writing Month and the cofounder of 100 Word Story magazine. His writing has appeared in dozens of publications, including The New York Times and Poets & Writers. His collection of one hundred 100-word stories is Fissures.

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